A Whole Lot of Lambert, Hendricks and Ross (and LH & Bavan): Saturday Music Club

The two versions of the trio that were the greatest US exponents of jazz vocalese...the first episode of the third season of Fargo features their recording of "Moanin'" prominently...the first album stack features that recording, from LH&R's first CBS LP:


Jumping back a year or so, to their first album:

And a collection that includes the second album, from Pacific Jazz, The Swingers!, and other sessions:


And then their third album, with Joe Williams, Sing Along with Basie:


Live video tracks and fellow travelers:

The second album with CBS: LH&R Sing Ellington (and it continues to include the third CBS album High Flying, which begins with "Come on Home" and ends with "Mr. PC", and a few other tracks--which will follow, though you might have to hit the "Watch on YouTube" button when and if it pops up below):

The post-High Flying tracks are 
"Walkin'"
"This Here" aka "Dis Hyuh"
"Swingin' Till the Girls Come Home"
"Twist City"
"Just a Little Bit of Twist"
"A Night in Tunisia"
and an alternate take of "A Night in Tunisia"









The Real Ambassadors (with the Brubeck Trio, Carmen McRae and Louis Armstrong):


A Walt Kelly Xmas-Season last (I think) recording by the first trio:

Thanks to Jim Cameron for the reminder of this one...from

Ross leaves, and Lambert, Hendricks and Bavan go forward; 
Live At Newport '63:


LH&B's second album, Basin Street East:


And their third and last...they break up, and in 1966, Lambert killed by a truck while fixing someone's tire for them on a roadside:


Lambert, Hendricks and Bavan on Jazz Casual (NET/National Educational Television 1963)


And a stack of video recordings, led off by a 1975 Soundstage episode featuring Ross and Hendricks:

"Forgotten" Music: Lambert, Hendricks & Ross (or Bavan)

The problem with doing an entry on Lambert, Hendricks and Ross, the vocal trio which formed in 1957 while Dave Lambert and Jon Hendricks were attempting to record a choral jazz record of Count Basie charts, only to discover that only one singer among those they'd contracted for the date, the Briton Annie Ross, was fully competent as a singer in jazz idiom...the problem is that they were so immediately a hit that they did a lot of tv, for a jazz group (particularly a vocal group), and so there's a lot of raw (sometimes in the uploaded state very raw, or rather chewed over) video footage one can cite for them. It does augur that they are Not forgotten, but as their era's great popularizers of jazz "vocalizing" in the sense of singing instrumental lines, either note for note or in the same sort of improvisational lines, I have been surprised by how many people have yet to hear of them, even if they have heard them or covers of their songs (such as Annie Ross's "Twisted," which she first recorded for a solo album split with King Pleasure, another singer working in the same mode, he best remembered for his vocalized cover of James Moody's improvisation on "I'm in the Mood for Love," "Moody's Mood for Love"). (And, boy, what a plethora of impressionistic amateur animation there is for some of the videos for the trio, up on YouTube particularly.)

Annie Ross showcase: "Twisted"

Twisted--Lambert, Hendricks, & Ross from Laura Cash on Vimeo.

So, after recording the Basie charts album here by themselves with overdubbing and multitracking like crazy, they did some touring and an album with the Basie Orchestra, such as "Every Day I Have the Blues":


Dave Lambert showcase: "Bijou"


Jon Hendricks showcase: "Moanin'"


LH&R as backing singers, for Louis Armstrong: "They Say I Look Like God" (from Iola and Dave Brubeck's suite The Real Ambassadors)


Sadly, in 1962, Annie Ross had to drop out of the trio, due to illness and personal problems...a Canadian, Anne Moss, briefly filled in, then the Sri Lankan Yolande Bavan became the permanent third partner for the next two years:

Lambert, Hendricks & Bavan: "Cousin Mary"


In poorer fidelity (both audio, but particularly video--the initial crackle disippates), but a nice reading of "Come On Home," recorded on their third and last headlining CBS ablum by L, H & R--you might note that Bavan flubs her solo's opening, but still pulls it off (if not quite as brilliantly as Ross did); Jon Hendricks chose to leave the trio in 1964, and so the other two decided to call it a day. Sadly, Lambert was killed in a car crash in '66, while the other three continued as performers and inspirations to, most famously and obviously, the Manhattan Transfer but also to many others:


For a nice range of folk, blues, rock and soundtrack music selections, see Scott Parker's blog for the other entries this month (and feel better, Scott).