Showing posts with label Mike Resnick. Show all posts
Showing posts with label Mike Resnick. Show all posts

Friday, September 15, 2017

FFB: some entry points: THE COMPLETE [sic] HUMOROUS SKETCHES AND TALES OF MARK TWAIN edited by Charles Neider (Doubleday 1961); STORIES OF MARK TWAIN, recorded by Walter Brennan and Brandon de Wilde (Caedmon Records 1956); OFFICIAL GUIDE TO THE FANTASTICS/FANTASTIC LITERATURE by Michael Resnick (House of Collectibles 1976)

The HarperAudio omnibus re-issue. Possibly packaged first by 
Caedmon before they were bought out by HarperCollins.







































Well, this week was going to be devoted to the last long fictions published by Joanna Russ and Michael Shaara, but reading about the frustrations of their later careers ended up squeezing out the rereading of the novellas in question...next week, perhaps, while I host FFB while the Abbott family gets ready for the run up, we can hope, to picking up a few Anthony Awards at Bouchercon in Toronto.

I first encountered Mark Twain in very adulterated form, I think...Sid and Marty Krofft offered a typically surreal serialized sequel to Twain's four notable Sawyer/Finn stories as a part of The Banana Splits tv series...and perhaps one or another of the televised film or tv adaptations of the actual Twain stories. But not long after I started reading anthologies, I started reading Twain, and one of the first big fat adult books I tackled was Charles Neider's remarkably foolishly titled Complete Humorous Sketches and Tales (R. Kent Rasmussen notes in his review of the Library of America volumes of Twain's short work, and their predecessors such as Neider's volumes including the sketch and story collection Mark Twain: Life as I Find It, also published in 1961: 'One wonders, incidentally, if Neider recognized the strangeness of calling his Humorous Sketches anthology "complete" while simultaneously issuing another volume [Life as I Find It] which contained sketches that the "Complete Sketches" lacked.'). Nonetheless, even given a similarly ponderous introduction, it was quite the Book of Gold:

Table of Contents: 
  • Curing a cold 
  • Aurelia's unfortunate young man 
  • Info. for the million 
  • Killing of Julius Caesar "Localized" 
  • Lucretia Smith's soldier 
  • George Washington's boyhood 
  • Advice to little girls 
  • "After" Jenkins 
  • Answers to correspondents 
  • Mr. Bloke's Item 
  • From California almanac 
  • Scriptural panoramist 
  • Among the spirits 
  • Sketch of George Washington 
  • Complaint about correspondents 
  • Re. chambermaids 
  • Honored as a curiosity 
  • About insurances 
  • Literature in the dry diggings 
  • Origin of illustrious men 
  • The recent resignation 
  • Washington's negro body-servant 
  • Information wanted 
  • My late senatorial secretaryship 
  • Playbill 
  • Back from "Yurrup" 
  • Benton house 
  • Fine old man 
  • Guying the guides 
  • Mental photographs 
  • Beecher's farm 
  • Turkish bath 
  • George Fisher 
  • Article 
  • History repeats itself 
  • John Chinaman in New York 
  • Judge's "Spirited Woman" 
  • Late Benjamin Franklin 
  • Map of Paris 
  • My bloody massacre 
  • Mysterious visit 
  • Note on "Petrified man" 
  • Post-mortem poetry 
  • Riley-Newspaper correspondent 
  • Running for Governor 
  • To raise poultry 
  • Undertaker's chat 
  • Widow's protest 
  • Inspirations of "Two-year-olds" 
  • About barbers 
  • Burlesque biography.
  • Danger of lying in bed 
  • Fashion item 
  • Interview with Artemus Ward 
  • My first literary venture 
  • New Beecher Church 
  • King William III 
  • "Blanketing" the Admiral 
  • Deception 
  • Genuine Mexican Plug 
  • Great landslide case 
  • How the author was sold in Newark 
  • 110 tin whistles 
  • Lionizing murderers 
  • Markiss, King of Liars 
  • Mr. Arkansas 
  • Nevada Nabobs 
  • What Hank said to
  • Horace Greeley 
  • When the buffalo climbed a tree 
  • Curious pleasure excursion 
  • Rogers 
  • Speech 
  • Poems by Twain & Moore 
  • Encounter with an Interviewer 
  • Johnny Greer 
  • Jumping frog 
  • Office bore 
  • "Party cries" in Ireland 
  • Petition re. copyright 
  • Siamese twins 
  • Speech at the Scottish banquet 
  • Speech on accident insurance 
  • Facts re. recent carnival of crime in Connecticut 
  • Letter 
  • Punch, brothers, punch 
  • Notes of an idle excursion 
  • Speech on the weather 
  • Whittier birthday speech.
  • About magnanimous-incident literature 
  • O'Shah 
  • Great revolution in Pitcairn 
  • Speech: the babies 
  • American in Europe 
  • American party 
  • Ascending the Riffelberg 
  • Awful German language 
  • Great French duel 
  • King's encore 
  • Laborious ant 
  • My long crawl in the dark - Nicodemus Dodge 
  • Skeleton for a Black Forest novel 
  • Telephonic conversation 
  • 2 works of art 
  • Why Germans wear spectacles 
  • Young Cholley Adams 
  • Plymouth Rock & the Pilgrims 
  • Re. the American language 
  • Legend of Sagenfeld in Germany 
  • On the decay of the art of lying 
  • Paris notes.
  • Art of inhumation 
  • Keelboat talk & manners 
  • Intro. "The new guide of the conversation in Portuguese & English" 
  • Petition to the Queen of England 
  • Majestic literary fossil 
  • About all kinds of ships 
  • Cure for the blues 
  • Enemy conquered ... 
  • Traveling with a Reformer 
  • Private history of the "Jumping Frog" 
  • Fenimore Cooper's literary offenses 
  • Hell of a hotel at Maryborough 
  • Indian crow 
  • At the appetite cure 
  • Austrian Edison keeping school again 
  • From "London Times" of 1904 
  • My first lie... 
  • My boyhood dreams 
  • Amended obituaries 
  • Does the race of man love a Lord? 
  • Instructions in art 
  • Italian with grammar 
  • Italian without a master 
  • Petrified man 
  • Dutch Nick massacre.
Some of the most famous items before this book was assembled were unsurprisingly among those which have stuck with me the longest, such as "Punch, Brothers, Punch" (my introduction to the notion of "buff" as a color), "Fenimore Cooper's Literary Offenses", "Carnival of Crime in Connecticut" (where my family and I lived at the time) and of course the Jumping Frog, but no few others were more than fitfully amusing, even when they more thoroughly sent me scrambling to fill in data points (aside from what aide Neider provided in his notes). This one I borrowed (several times to get through it) from the Enfield library and not long after, at a yard sale, I picked up a battered copy of Neider's earlier The Complete Stories of Mark Twain (similarly misleading a title) and made my more leisurely way through that volume, as a fine complement to my reading the Sawyer/Finn/Jim stories and the single novels in the Signet Classic editions I gathered while still in elementary school...finishing most of his work in the summer before my 7th Grade matriculation into a new school in Londonderry, NH. The Enfield Central Library also had no few spoken word LPs for members to dig into, and one Caedmon item featured Brandon de Wilde narrating a couple/few chapters of The Adventures of Huckleberry Finn on the flipside of Walter Brennan reading "Jumping Frog" and "Jim Baker's Bluejay Yarn"--this was one of the many I dubbed on cassette or open-reel tape and listened to repeatedly over the years...
One of the few times the HarperAudio package
is better than the Caedmon.




































Here's Brennan reading "The Celebrated Jumping Frog"...which was released, despite the assertion of the WFMU blogger who posts the audio file, by Caedmon Records in 1956, the year before Brennan began his run with The Real McCoys television series.

And here's Brennan reading "Jim Baker's Bluejay Yarn" (from A Tramp Abroad, not "Tramps Abroad") and there's a weird little second-long glitch in this YT post recording that isn't present in this slightly scratchy WFMU post taken from a copy of the lp.





One development that came along with the relocation to New Hampshire was the discovery of how many interesting fiction magazines were still being published in 1978, and I gathered most of those I could find at a store in Derry called Book Corner, which also had a small alcove of remainders in the back, one of which was stray copy or so of this item (with one title on the cover and another on the title page), by a writer I hadn't previously encountered, before he was most likely to sign himself Mike Resnick, providing us with a price guide full of warnings that prices in this field were widely variable and extremely dependent on condition...but which, along with such other purchases as Brian Ash's The Visual Encyclopedia of Science Fiction, gave a vivid sense of the history of these fascinating magazines and their stablemates and fallen fellow-travelers over the years. Resnick also missed a trick or two, noting without explication that the great expense of the citation for The Ship That Sailed to Mars by William Timlin was no typo...no mention of the gorgeous artwork in the one published edition then extant being part of the allure. But it was useful and fun for a catalog,,,and I, not long after picking this book up for 50c, started collecting older back issues with a grab-bag from dealer and small-press publisher Gerry de la Ree at not Too much more per good-to-reading-copy items.

For somewhat less capsule, and perhaps less nostalgic, reviews of this week's books and more, please see Patti Abbott's blog.

Some illustration from The Ship That Sailed to Mars:

Friday, February 11, 2011

FFB: guest Richard Lupoff on Day Keene & Leonard Pruyn's WORLD WITHOUT WOMEN; TM on Barry Malzberg & Mike Resnick: THE BUSINESS OF SCIENCE FICTION


















The current issue:

Richard Lupoff probably needs no introduction for most of the readers of this blog, but as a fiction writer, editor, publisher, historian, and critic he has moved from strength to strength for over half a century...with wife Pat Lupoff, Dick was the co-editor and -publisher of the highly influential fanzine Xero, among much else one of the birthplaces of organized comics fandom, and one of the relative few 'zines, particularly of its era (1960-62), to have a recent Best-Of published from its contents.... (Contributors to this volume range from Avram Davidson to Donald Westlake [bitterly "quitting" sf] through James Blish to Harlan Ellison [reviewing the film Psycho] to a young Ed Gorman and the rather bad doggerel of a similarly young Roger Ebert, who provides a new introduction). Lupoff was the editor of a series of Edgar Rice Burroughs reissues for the small Canaveral Press in the 1960s; published the pioneering All In Color for a Dime (with fellow comics 'zine pioneer Don Thompson), and began publishing his own fiction in the 1960s, including parodies, more broadly satirical work, sophisticated adventure fiction, and crime fiction and detailed alternate-historical fiction. His most recent books are the novel The Emerald Cat Killer and the crime-fiction collection Killer's Dozen (with an introduction by Gorman). He has reviewed books for Pacifica Radio, among others, over the decades, though (sadly) only infrequently drops by his old show, Bookwaves on KPFA, these years. Happily, he's using at least some of that saved time for more fiction. I told him about FFB, and while protesting that he had too many commitments to do anything too formal, did send along this brief review of a work he'd just read:


But here's a forgotten book for you: World Without Women by Day Keene and Leonard Pruyn. A global plague strikes. It may be caused by atmospheric pollution due to atomic weapons testing. (This was a 1960 publication.) Ninety percent of women die. The book was obviously written hastily and carelessly. Sometimes the surviving ten percent are all sterile. Other times ten percent of the surviving ten percent (i.e., one percent of all the women in the world) remain fertile.

The main plot gimmick is much too obvious, much too soon. Odd pacing problems, too. At one point one of the surviving women decides to bake a cake. We're treated to two pages about how to do this. First gather ingredients, then stir batter, add flour, bake for so-many minutes at 350 degrees. Is this padding? What does the bear do in the woods?

Actually, it's more funny than annoying, except you find yourself laughing where the authors were not trying to be funny. That's very bad news.

Still, a fascinating and very readable book. Day Keene of course was an immensely prolific pulper and paperbacker, did a couple of hardboiled novels, wrote for radio and movies. Largely forgotten for several decades, he seems to be enjoying quite a renaissance thanks to Stark House, Ramble House and John Pelan's Dancing Tuatara Press.

Leonard Pruyn on the other hand seems to be something of a mystery character. What few details are known can be had from the great Bill Crider! [Not here, mind you, though Bill is discussing Keene in an archived page at Steve Lewis's Mystery*File. TM]

World Without Women was a Fawcett Gold Medal original. I've also seen an English-language reprint by a company in Israel. There may have been other editions, but I've seen only the two. --Richard Lupoff



OK, for me to attempt to label this book "forgotten" is more than a bit of a cheat...not only was it published last year, even if by the relatively small but industrious (and never inexpensive) McFarland, but (unlike Malzberg's two brilliant collections of historical and critical essays, one an expansion of the previous one, and both unusually published by a major commercial publisher rather than a small or university press), it's still in print...and the only book I'm aware of that Amazon has offered to buy back from me (for a pittance, to be sure), presumably so that they could meet sudden demand. These are somewhat achronic essays on the state of the sf marketplace, somewhat divorced from time as presented here undated despite all coming from publication in the last decade in the Science Fiction (and Fantasy) Writers of America Bulletin, where the two columnists, who have taken on essentially every possible task in sf and closely-related writing, editing and publishing between them, conduct a regular dialog mostly about a given germane topic in every issue: foreign sales, myths and fallacies, the slow appearance of royalties when at all; the death of fiction magazines (and how well webzines pay in comparison, which has since become very dated, sadly, as Resnick's own editorial gig at Jim Baen's Universe has vanished along with that publication, the last so far of the very lucrative [for contributors], non-peripheral sf/fantasy webzine markets). It is both a how-to book on conducting one's literary career (and not solely in sf) and a casual history of the publishing industry (also not restricted to sf publishing). Barry is by nature more than a little pessimistic, Resnick certainly more the optimistic booster, though neither is terribly starry-eyed about the current state of publishing, as would befit two professionals who both began publishing in fantastic fiction, among much other work, in the mid 1960s; Malzberg suggests repeatedly in the columns collected here that he speaks with the Authority of Failure, and Resnick, one of the most consistently in-print and popular of the non-bestselling sf/f writers, with the Authority of Success...something that Resnick often tries to shrug off while moving onto another bit of practical advice, and (infrequently) misunderstanding Barry's usually quite sensible warnings as something rather darker. It's an excellent and useful book to read, and one could wish it was a more comprehensive selection of the well over forty columns the duo has published so far. I foresee this book falling out of print, though perhaps I misjudge McFarland, and being informative and entertaining long after its more immediate sorts of career advice are outdated. --Todd Mason

Please see George Kelley's blog for the round-up of links to others' "forgotten" books this week; roundelay originator Patti Abbott is scheduled to host the links again next Friday, after her return from a working vacation.