There has been no lack of brilliant writing married or at least affianced couples, ranging from Margaret Millar and "Ross Macdonald" through Mary McCarthy and Edmund Wilson through Marcia Muller and Bill Pronzini, Marijane Meaker/"Vin Packer"/"M.E. Kerr" and Patricia Highsmith to Mary Wollstonecraft and William Godwin, for fairly random selection (and the last family didn't do so badly with the family literary output in their daughter, either). But in fantastic fiction, if not solely in fantastic fiction, alongside such couples as C. L. Moore and Henry Kuttner, Leigh Brackett and Edmond Hamilton, Frederik Pohl and Judith Merril (among many other Futurian interactions), no couple has done more nor completely better than Kate Wilhelm and her late husband, Damon Knight.
So, here are two of their more brilliant books.
Death Qualified: A Mystery of Chaos, is typical of Wilhelm's work in that it gleefully breaks out of any barrier or classification that you might want to put it in. It's a crime-fiction novel, even a legal procedural in part, and the beginning of a series invovling lawyer Barbara Holloway that has become a reliably interesting and challenging set of legal procedural novels...but this one is also a borderline science-fiction novel, a borderline horror novel, has elements of sophisticated romantic fiction and is an utter tour de force as it meshes these elements as Holloway and company peel back the mystery of the death of scientist Lucas Kendricks, working on top-secret materials related to the then still relatively new field of chaos theory. It might be her most popular novel and it might be her best, so far...in a staggeringly rich and diverse career, ranging from contemporary mimetic work such as Margaret and I to suspense novels such as City of Cain to horror such as The Good Children to the influential sf novel Where Late the Sweet Birds Sang.
Damon Knight didn't branch out in fiction as much as his wife did...he was, however, perhaps the all-around best sf and fantasy short-fiction writer working in the 1950s, and while his early novels are uniformly disappointing, in his last decade he published a trilogy, beginning with CV, that demonstrated that he had mastered that form, as well. The guy who wrote the fine joke stories "To Serve Man" (the one The Twilight Zone and The Simpsons have had such fun with) and "Not with a Bang" early in his career was ready to dig deeper almost immediately afterward, and his second collection (if I recall correctly), In Deep collected some of his most brilliant work...not least the powerful and disturbing "The Country of the Kind"...a consideration of the artist's place as misfit, or the misfit's as artist if it's less discomforting, in nearly utopian circumstances. The lead-off story, "Four-in-One," is fascinatingly broken down as a product of the writing process in Knight's book Creating Short Fiction (Knight and Wilhelm were founding and key instructors of the Clarion Writers Workshop; Wilhelm's Storyteller is similarly necessary).
Here's the Contento index:
In Deep Damon Knight (Berkley Medallion F760, 1963, 50¢, 158pp, pb); British Editions Omit “The Handler”.
· Four in One · nv Galaxy Feb ’53
· An Eye for a What? · nv Galaxy Mar ’57
· The Handler · ss Rogue Aug ’60
· Stranger Station · nv F&SF Dec ’56
· Ask Me Anything · nv Galaxy May ’51
· The Country of the Kind · ss F&SF Feb ’56
· Ticket to Anywhere · nv Galaxy Apr ’52
· Beachcomber · ss Imagination Dec ’52
The Brit editions omitting the vignette "The Handler," which also deals pungently with the artist in relation to society, was a woeful error on that publisher's part. These stories, like Wilhelm's novel, are necessary reading, and while there are other Knight collections as good, there are none better.
Knight was also a pioneering critic, and not always the kindest one, and at least one talented writer and lifelong Richard Matheson fan has never forgiven Knight for his criticism of Matheson's work, particularly the quality of his prose...but Knight, nonetheless, remains a genius (I think I can say, as well) and his prose is indeed sterling and playful, as is Wilhelm's.
Patti Abbott is on vacation this week, so I've gathered up a list of the "forgotten" books for this Friday...before finally going to make my own NoirCon plunge. What I'm aware of so far:
Paul Bishop: Whiteout and Black Camelot by Duncan Kyle (Bish is also heavy on the "men's sweat" magazine and other colorful cover illos this week)
Bill Crider: The Godwulf Manuscript by Robert B. Parker
Scott Cupp: Pixie Dust by Henry Melton
Martin Edwards: Heir Presumptive by Henry Wade
Ed Gorman: The Crime Lover's Casebook (aka The New Mystery) edited by Jerome Charyn
Glenn Harper: The Coast Road by John Brady
George Kelley: The Autobiography of Mark Twain, Volume 1 (the new edition)
Steve Lewis's The Mystery File, as usual, has a plethora of arguably FFB reviews.
Ann Parker: Rose by Martin Cruz Smith
Eric Peterson: Men, Women and Chainsaws by Carol Glover
James Reasoner: Tarzan and the Lion Man by Edgar Rice Burroughs
Kerrie Smith: Deadly Variations by Paul Myers
If you've done an FFB and I've not listed you, I'll appreciate the update! Patti will be back at it on her blog next week.
