Tuesday, February 8, 2011

Overlooked Films (and/or Other A/V): Jazz Is My Native Language (1983/84)


Jazz is My Native Language: A Portrait of Toshiko Akiyoshi (1984) is an hourlong documentary about Toshiko Akiyoshi, the jazz pianist and bandleader and composer/arranger, and her family (her husband, featured soloist Lew Tabackin, and her daughter, Michiru Mariano, from her first marriage to another saxophonist, Charles Mariano), as they cope with a move from Los Angeles, where Akiyoshi is abandoning her beloved Toshiko Akiyoshi/Lew Tababckin Big Band, to New York City, where Tabackin feels he's more likely to be stimulated, and Akiyoshi will soon establish her Toshiko Akiyoshi Orchestra.

As I wrote it up some years ago for IMDb:
This documentary, often seen on US public television stations in the mid-1980s [initially as part of the brief, loose series of Asian-American-experience documentaries, Silk Screen], documents both the last days of the Toshiko Akiyoshi-Lew Tabackin Big Band (largely made up of jazz musicians making their rent money in the likes of The Tonight Show orchestra and movie session work, and working part-time on Akiyoshi's challenging and groundbreaking innovations in orchestral jazz), and the married couple's move from LA to NYC (where the Toshiko Akiyoshi Jazz Orchestra has done impressive work, but not quite to the level the first Big Band was able to achieve). Akiyoshi comes off well, if unsurprisingly harried at the prospect of moving; Tabackin, who refuses to drive a car (in LA) and otherwise must be catered to, comes off rather badly (it is apparently he who wants to move to New York much more than his wife) when not demonstrating his brilliance as a woodwinds player (on saxophone and flute). Akiyoshi's daughter, Michiru Mariano (later to professionally dub herself Michiru Akiyoshi, and the product of her mother's previous marriage to saxophonist Charles Mariano), also has some input. Some excellent music, and a lovely introduction to Akiyoshi's work and life.


from the Newport Jazz Festival, 1956...NHK coverage, with some work by Akiyoshi's band featured in a spliced film/radio segment (or, at least, the sound folks kept recording even when the camera folks didn't):


from a French television performance in 1965:


From concert recordings:


And a 2000 performance by the later ensemble (definitely not in the film):


Akiyoshi seems willing to put up with Tabackin's intransigence without much complaint, but it is telling how morose she seems about the prospect of moving; this present-day (1981, I think) footage is interspersed with accounts of Akiyoshi's birth and childhood in Manchuria, in the Manchukuo days of the Imperial Japanese occupation, her early passion for jazz which leads her in her early adulthood to emigrate to the US, where she meets and marries Mariano and appears on What's My Line? (wearing a kimono and signing in on the chalkboard in kanji, she stumped the panel); even after their 1965 divorce, Akiyoshi and Charlie Mariano would occasionally play together, as Akiyoshi established herself as an engaging soloist and composer for small groups, and eventually in the early '70s with her new husband at the head of probably the most innovative of 1970s jazz orchestras. (Mariano died in 2009.) Michiru Mariano is a little frustrated, as a young woman on the verge of adulthood, with the family dynamic, but also can be seen playing a flute duet with her stepfather, as brilliant a flautist as he is a saxophonist. Michiru went on to her own musical and acting career, and is known professionally as Monday Michiru; a year older than I am, she inspired a bit of crush on my first viewing of the film. But, then again, Akiyoshi inspired a bit of a crush from my purchase of the first album I heard from the Big Band, Insights, wherein Michiru makes her singing debut.

I'm not sure if director Renee Cho, who seems to have no other a/v credits I can find, is the currently active environmental journalist by that name, but shall attempt to find out. The 58-minute film was offered on VHS, but has since appparently vanished, at least as a personal-use video (one can get institutional copies via the Center for Asian-American Media website, or *Update* they will sell copies for personal use for $24.95...but you have to email or call them, they don't offer that purchasing option on the website).

Monday Michiru in her adult career:

Monday, February 7, 2011

The gift of British Invasion...




Over the weekend, I picked up (virtually) a gift for Alice...she'd decided, after years of being a voluble Beatles-hater, that she'd like the "complete" Stereo Box. As we were discussing this, I played for her some Kinks songs, and came to realize that the only Brit rock bands she had any recordings of were those made up of Yanks with local talent "behind" them: The Jimi Hendrix Experience and the Pretenders.

So that inspired me to take some initiative to give her some context (and spurred by the fact that she mildly liked to fondly recalled the Kinks songs I'd played) and augmented the Black Box with samplers and/or key albums from:
The Kinks
The Springfields (she's a solid Dusty Springfield fan, and they were the first skiffle/pop band from the UK to make it onto the US charts, in 1962, with their smashing cover of "Silver Threads and Golden Needles")
The Animals
The Zombies
The Yardbirds
The Who
The Rolling Stones
Fairport Convention
The Hollies
and a sampler, to get in a flavor, at least, of the likes of Donovan to the Mindbenders to the Troggs to the Small Faces...sadly, the best I could find that wasn't exorbitantly out of print was the Shout Factory/PBS-pledger-related The British Beat...which does slip in Tom Jones and a few other questionable (if amusing) items (and the Australian Easybeats--why not Joni Mitchell or the Crescendos of Singapore?), but at least doesn't spend any time on Freddie and the Dreamers (even if it also doesn't give us Them or the tolerable Herman's Hermits songs, one of them a Kinks cover, either).

So, have you ever attempted a Quick Introductory Course in a Box, or in this case a small stream of packages, and how did it turn out for you or your beneficiary (or were you the beneficiary, and to what extent?).

And while pondering such education, please consider a textual contribution to Tuesday's Overlooked Films (and/or Other A/V), the links I'm aware of to be posted on this blog tomorrow morning...and thanks.

And thanks to Naomi Johnson, whose thoughtful review of Patti Abbott and Steve Weddle's e-anthology of vignettes Discount Noir also too-kindly cites my own contribution as particularly praiseworthy, happily among others.

Friday, February 4, 2011

Friday's Forgotten Books: The Links



One of the less-inept covers for this magazine, which began life as a mildly interesting sf magazine and ended its run as a mid-'60s revival of "shudder pulp" (sadistic "Scooby-Doo"-style pseudo-horror fiction)...but in these years was the bottom-of-the-market for crime fiction. Note C. B. Gilford and H. A. De Rosso as two of its actually good contributors, slumming.

Here are the entries (that I've seen--please let me know if I've missed yours or someone else's) in this week's Friday's Forgotten Books...hosted this week here, and next week by George Kelley's blog, then Patti Abbott's triumphal return to ice-riddled Detroit and to hosting the links on her blog.

Bill Crider: Backfire by Dan J. Marlowe
B. V. Lawson: Monkey Puzzle by Paula Gosling
Craig Clarke: Terrible Thrills by C. Dennis Moore
Ed Gorman: Wild Night by L. J. Washburn
Eric Peterson: King of the Wood by John Maddox Roberts
Evan Lewis: Skull-Face by Robert E. Howard
George Kelley: The Best of Larry Niven
James Reasoner: Ki-Gor, King of the Jungle by "John Peter Drummond" (John Murray Reynolds)
Jerry House: The Illustrious Dunderheads compiled by Rex Stout
John F. Norris: Mystery at Friar's Pardon by "Martin Porlock" (Philip MacDonald)
Juri Nummelin: (read in translation in Finnish, *and with probably NSFW covers*) Swap Motel by Gerald Kramer and Operation: Sex by "Kimberly Kemp" (Gilbert Fox)
Kerrie Smith: Reader, I Murdered Him edited by Jen Green
Martin Edwards: Murder in Black and White by "Evelyn Elder" (Milward Kennedy)
Paul Bishop: The Canvas Prison by Gordon DeMarco
Phil Abbott: The Time It Never Rained by Elmer Kelton
Randy Johnson: Fly Paper by Max Allan Collins
Richard L. Pangburn: Mike Dime by Barry Fantoni
Scott Cupp: Sojan the Swordsman by Michael Moorcock and Under the Warrior Star by Joe R. Lansdale

Of related interest:
Curt J. Evans: Poison for Teacher and Death Goes on Skis by Nancy Spain
James Reasoner: The Snake Den by Chuck Tyrell (Charles T. Whipple)
Juri Nummelin: Tower by Ken Bruen and Reed Farrel Coleman
Mickey Z.: Love in the Time of Dinosaurs by Kirsten Alene
Peter Enfantino: A story-by-story guide to the deservedly forgotten Web Detective Stories magazine
Rick Robinson: What I Read, 1975-1994
Robert Napier: Wild Night by L. J. Washburn
Ron Scheer: Skins by Adrian Louis
And, possibly, more links to come!

Tuesday, February 1, 2011

The Week's Links: Tuesday's Overlooked Films (and/or Other A/V): 1 Feb


Thanks as always to all who participate, as reviewer and/or reader! If you're the latter, would you enjoy also being the former? Please let me know (and certainly let me know if I've missed your post this week). TM

Bill Crider: Ishtar
Brian Arnold: The Goodies
Cullen Gallagher: "The Other Fritz Lang: Cowboys, Swashbucklers, and Guerrillas in the Noir Master's Non-Noir Films"
Evan Lewis: The Great Train Robbery (1903)
James Reasoner: The Long Voyage Home
Jerry House: Daughter of the Dragon
Juri Nummelin: Dreams That Money Can Buy
K. A. Laity: Old Acquaintance
Paul D. Brazill: Grace of My Heart
Scott Cupp: Seven Footprints to Satan
Todd Mason: Look Around You

And links of related interest:
Brent McKee: US Television 1970-74
Dan Stumpf: The Scoundrel (at the Mystery*File blog)
Ed Gorman: The Alaskans and The Window
Elizabeth Foxwell: G.K. Chesterton stories on BBC Radio7
George Kelley: Pioneers of Television
Ivan Shreve: Buck Privates
Megan Abbott (on Family Affair) and Sara Gran (on overused iconography and dramatic business) at Abbott/Gran
Patti Abbott: Another Year
Pearce Duncan: Horror Movie Reviews
Stephen Gallagher on Chiller and Murder Rooms
Vince Keenan: Sharky's Machine

Tuesday's Overlooked Movies (and/or Other A/V): LOOK AROUND YOU

We'll have some lists of other participants' entries in this roundelay tomorrow morning, but my own suggestion for you this week is a BBC parody series, modeled on the 1970s UK equivalents of 3-2-1-Contact! and Mr. Wizard, but particularly the hold-over science instruction programs that were part of the backbone of National Educational Television in the pre-PBS days here, and were similarly seen on BBC2 there.

The first season was relatively limited in format and ambition, but still quite charming (and its opening displays about as much fluency as I ever achieved in BASIC):



But the latter episodes, in 2005, expanded the concept somewhat, with a retained 1970s focus but a cast of recurring presenter characters, and simply an expanded cast:


--and running time, particular in this season-ending episode--sadly available at the moment online only with brief but repetitive ad breaks from Adult Swim, but worth wading through these.

My favorite of the British imports in the "edgy" Adult Swim British block, though I am fond of The Mighty Boosh as well.