Sunday, July 6, 2025

Friday's Books: the least of Robert Bloch's novels, PSYCHO HOUSE (Tor Books 1990)...and your much better Bloch choices.

The worst of Bloch's novels I've read by some distance; one can see why he introduced the twist that is the story's most redeeming feature, but it doesn't redeem enough of the weight of bad feeling that had attached to others making ever more foolish films of his characters (and more money from their foolishness) that one senses while reading it. It's not a fully worthy sequel to the novel Psycho II, much less the brilliant short novel that was the original. You won't suffer too greatly, to be sure, but keep your expectations low if you pick it up, and certainly don't use it to gauge whether you want to any of Bloch's other fictions, few of which are as ultimately dispirited as this one. American Gothic (which anticipated The Devil in the White City by more than some years--see also Bloch's novella-length nonfiction "Doctor Holmes's Murder Castle" [1983]), The Scarf and any number (in fact, essentially all) of his other novels are better (even his most minor sf novel, Sneak Preview, though I've only read the 1959 novella version; perhaps the 1971 expansion for book publication is better), and reading his short fiction is always recommended (however, one edition to avoid is the trade paperback reprint of sorts of The Selected Stories of RB, retitled for no good reason The Complete Stories of RB, which is riddled with typos and other distractions, aside from the false advertising of the retitle). The Best of Robert Bloch (a 1977 Ballantine Book mixing fantasy, horror, and sf) and its companion Such Stuff as Screams Are Made Of  (Ballantine/Del Rey 1979, mostly devoted to horror and crime fiction) are among the best bets in introductions to his work, along with the original edition of the Selected Stories volumes. Or, for fine selections from the shank of his short fiction career, the largely crime fiction Blood Runs Cold (Simon and Schuster, 1961--with another cover, after his cover for Psycho with that distinct font, by Tony Palladino) and the largely fantasticated, leaning mostly but not exclusively to horror fiction, Pleasant Dreams (in several configurations, originally Arkham House, 1960). I had the 1963 Popular Library paperback of Blood and the Jove Books 1979 version of Pleasant...