Showing posts with label Camilla Mason. Show all posts
Showing posts with label Camilla Mason. Show all posts

Saturday, December 31, 2016

A small revelation as this bad year draws to a close...

My previous Friday Books post is a bit of an expansion of an older one, dealing as it does with a vitally important book my mother bought for me, as the most desired part of my membership quartet in the Doubleday Book Club in 1975...in reacting just now to Matt Paust's review of a book-length interview with the writer and editor Robert Silverberg, the degree to which Silverberg's books, most but not all as part of my father's household collection (and one from his step-father as a gift to me) were key in my early science-fiction reading...to wit: 

I haven't ever read his YA novel work, but...his YA-oriented anthology Voyagers in Time was among the first if not the first of my father's paperback anthologies of sf I read (along with introducing me, of course, to the work of Wilma Shore); his YA sf anthology Beyond Control the first I borrowed from a public library; his edited 
volume The Science Fiction Hall of Fame, V. 1 was the most impressive of my father's SF Book Club volumes in Doubleday's book-club hardcover format I went through, Silverberg's anthology of humorous sf Infinite Jests a fascinating slightly later remaindered hardcover pickup by my father, and a paperback of the novel Hawksbill Station the first adult sf novel I read (or, at least, the first not a previous-century classic by Wells, Twain or Bellamy), a gift from my (coincidentally functionally illiterate) step-grandfather. I'm just realizing how much Silverberg was a silver thread through my early sf reading...his was also one of the first, if not the first, sf author interviews I read, in an issue of Vertex Science Fiction magazine my father had also brought home (my brother took scissors to its front cover)...as already a crime-fiction reader at the time (see the Hitchcock Presents: review), his somewhat dismissive attitude toward why young readers weren't drawn to crime fiction as much as speculative fiction didn't sit too well with me. Odd to finally put this all together this at this late hour.

And thanks to all the readers of this blog, as this has been most widely-read year of the enterprise by some distance, apparently...it received its millionth hit this year, and its busiest month so far in this December now ending, after several other record months. I hope someone's enjoying what they see.

And here's a photograph of my brother and our parents, taken by me quite probably in 1977, not too long after most of the "Hitchcock" and Silverberg firsts noted above and previously, thanks to my mother, whom we lost altogether this year, and my father, like her only in a slightly different way stricken with dementia and doing his best, as she did hers, to cope with it.  My brother, particularly, and sister-in-law have been doing very good work in trying to help them, as they live nearby my father's place, now. Thanks to them, and to such great friends of mine as Keiko Hassler (and her lovely family), Laura Nakatsuka, and of course, Alice Chang, There are others, also undeserved.























































Friday, December 30, 2016

FFB: ALFRED HITCHCOCK PRESENTS: STORIES TO BE READ WITH THE DOOR LOCKED edited by Harold Q. Masur (Random House 1975), a further consideration

This was the first "Hitchcock" anthology I owned a copy of, and I've mentioned it on the blog on occasion. It was the fourth edited by Harold Q. Masur, who began editing the Alfred Hitchcock Presents: volumes for Random House after Robert Arthur's rather early death in 1969. Masur would continue to edit such volumes for the Random House series till Hitchcock's death in 1980, and then went on to edit one more for instant remainder publication, associated I think with a package deal the Alfred Hitchcock's Mystery Magazine folks had. This volume contains, I think, more stories from AHMM than any other "Presents:" volume, as opposed to the series of best--ofs from the magazine...some of which would eventually be published as "Presents:" volumes, but not until after Random House ceased publishing the original line of multi-source anthologies. Previous to that, all the AHMM best-ofs had been Dell paperbacks with titles such as Alfred Hitchcock's Noose Report or Alfred Hitchcock's Dates with Death...note the possessive form the titles took.

Volume 1 of Dell's reprint
That Dell also published reprints of the AH Presents: volumes, in two volume breakdowns of the hardcovers' contents (and sometimes with substitute contents--since the hardcovers would include full novels on occasion which already had paperback editions in print, or other issues of that sort), only added confusion for bibliographers and at least some casual or even avid readers...Frank Babics, George Kelley and I have all been caught out trying to untangle some of the variants.

It's remarkable to me how many of the stories will come back to me with just a glance at their titles, as well as how many introductions to writers immediately or eventually important to me were made by this one volume...and then there were all the others I would gather or borrow and read in the years since. 

V. 2 from Dell, with retitle.
The hardcover edition was the first book attributed to Hitchcock that my mother bought for me, through a membership in the Doubleday Book Club, and a key event in my literary life. Thanks, Mom.

As I wrote earlier about this volume:
The eclecticism which Robert Arthur particularly had brought to his volumes of the "Hitchcock" anthologies he edited, both in the young readers' line [with such titles as Alfred Hitchcock's Monster Museum and Alfred Hitchcock's Sinister Spies] and the adult-oriented series for Random House (which were paperbacked by Dell, who split the RH compliations into two volumes for their purposes, while Dell also published the "best-of" volumes from Alfred Hitchcock's Mystery Magazine in the same years, inspiring much confusion which others and I have addressed repeatedly on this blog and many other places) was ably continued by Masur, after Arthur's death...and Masur even added a few recurring contributors, such as gallows humorist John Keefauver and "Adobe James" with his slightly perfervid men's-magazine tales, to the band of Arthur's recurring favorites (Gerald Kersh, Rex Stout, and other worthies). This volume, I see in retrospect, is slimmer on women's contributions than at least some of Arthur's, but it does include at least three stories which genuinely stuck with me and really shook me up at the time, in the Sturgeon (not the first time I'd read his brilliant early work, but the first time I'd encountered "Shottle Bop," which goes from cocksure whimsy to jarring, touching sobriety masterfully), Joe Gores's "Watch for It" and Richard Matheson's "The Distributor" (I'm not sure I've read a better Matheson), and a number of the others came close to making such a strong impression...the closest to a bad story was Alan Dean Foster's pleasantly slick contribution, or the similar "James"--and the Jacobson, published in the last issue of the first Weird Talesrevival, is a little too recursively about the predicament that magazine itself faced ...and this volume introduced me to a number of its contributors, since it was at latest the second of the AHP:  adult volumes I read, at time of purchase; I'd picked up the likes of Alfred Hitchcock's Haunted Houseful (one of Arthur's double-handful of YA anthologies) and at least one other Presents: volume previously at the Enfield Central Library, that trove of my youth.

Along with Henry Mazzeo's Hauntings, and the extent to which Les Daniels's Living in Fearwas an anthology (the fiction there being almost illustrative examples to the critical/historical survey of horror in art), these were probably the most influential anthologies aimed at adults that I encountered in my early reading.


If anything, Masur's volumes were at least as likely to feature humorous stories as Arthur's, usually very black humor indeed (as with the Robert Fish story, or all of Keefauver's, or the Matheson and the Roald Dahl).  I'm amused to the degree to which the John D. MacDonald and William McGivern stories didn't stick with me, given how much I've enjoyed their work in the years since. While Masur didn't publish much in the fantasy and horror press, as Arthur had before him, he wasn't any more afraid to reach for contributors much better-known in those fields, along with sf, including Foster, Sturgeon, Isaac Asimov, and Harlan Ellison...even given that Asimov and Ellison had certainly established themselves as also crime-fiction writers by this time. This would've been the first time I'd read Bill Pronzini's work, in this 1975 volume purchased in that year, as well as my introduction to Nero Wolfe and his staff, and the useful acknowledgements pages helped me understand, along with the evidence of the few sf magazines around the house, that such things a fiction magazines might exist and be obtainable. 

Again, one of my mother's most important smaller gifts to me. One you could give to yourself, as well, as there are fine stories here by writers that aren't too often discussed these years...some, like "Adobe James," never discussed too often anywhere, ever, except when snatched up by Masur for his volumes of this series. 
    Alfred Hitchcock Presents: Stories to Be Read with the Door Locked edited as by Alfred Hitchcock (actually, Harold Q. Masur) (Random House, 1975, 368pp, hc)
    Derivative anthologies: Alfred Hitchcock Presents: Stories to Be Read with the Door Locked (Volume I) and Alfred Hitchcock Presents: Stories to Be Read with the Door Locked (Volume II)/Alfred Hitchcock Presents: I Want My Mummy.
    • xi · Introduction · Alfred Hitchcock (ghosted by Masur) · in
    • 1 · Hijack · Robert L. Fish · ss Playboy Aug 1972
    • 11 · Tomorrow and Tomorrow · Adobe James · ss Adam Bedside Reader 1967
    • 15 · Funeral in Another Town · Jerry Jacobson · ss Weird Tales Fll 1973
    • 33 · A Case for Quiet · William Jeffrey (Bill Pronzini and Jeffrey Wallmann) · ss Alfred Hitchcock’s Mystery Magazine Aug 1971
    • 41 · A Good Head for Murder · Charles W. Runyon · ss Alfred Hitchcock’s Mystery Magazine Nov 1974
    • 55 · The Invisible Cat · Betty Ren Wright · ss Alfred Hitchcock’s Mystery Magazine Jan 1958
    • 61 · Royal Jelly · Roald Dahl · nv Kiss Kiss, Knopf 1959
    • 87 · Light Verse · Isaac Asimov · ss The Saturday Evening Post Sep 1973
    • 93 · The Distributor · Richard Matheson · ss Playboy Mar 1958
    • 109 · How Henry J. Littlefinger Licked the Hippies’ Scheme to Take Over the Country by Tossing Pot in Postage Stamp Glue · John Keefauver · ss National Review Oct 22 1971
    • 115 · The Leak [Prof. Augustus S.F.X. Van Dusen (The Thinking Machine)] · Jacques Futrelle · ss The Sunday Magazine Jun 9 1907, as “The Silver Box”; Ellery Queen’s Mystery Magazine Feb 1949
    • 129 · All the Sounds of Fear · Harlan Ellison · ss The Saint Mystery Magazine (UK) Jul 1962
    • 139 · Little Foxes Sleep Warm · Waldo Carlton Wright · ss Alfred Hitchcock’s Mystery Magazine Jan 1971
    • 147 · The Graft Is Green · Harold Q. Masur · nv Alfred Hitchcock’s Mystery Magazine May 1973
    • 171 · View by Moonlight · Patricia McGerr · ss This Week Apr 19 1964
    • 177 · There Hangs Death! · John D. MacDonald · ss This Week Feb 20 1955
    • 185 · Lincoln’s Doctor’s Son’s Dog · Warner Law · ss Playboy Mar 1970
    • 193 · Coyote Street · Gary Brandner · ss Ellery Queen’s Mystery Magazine Sep 1973
    • 203 · Zombique · Joseph Payne Brennan · ss Alfred Hitchcock’s Mystery Magazine Oct 1972
    • 213 · The Pattern · Bill Pronzini · ss Alfred Hitchcock’s Mystery Magazine Sep 1971
    • 221 · Pipe Dream · Alan Dean Foster · ss Alfred Hitchcock’s Mystery Magazine Sep 1973
    • 233 · Shottle Bop · Theodore Sturgeon · nv Unknown Feb 1941
    • 259 · The Magnum · Jack Ritchie · ss Debonair May 1973
    • 267 · Voices in the Dust · Gerald Kersh · ss The Saturday Evening Post Sep 13 1947
    • 281 · The Odor of Melting · Edward D. Hoch · ss Ellery Queen’s Mystery Magazine Feb 1966
    • 287 · The Sound of Murder · William P. McGivern · ss Bluebook Oct 1952; ; as “The Last Word”, Ellery Queen’s Mystery Magazine Feb 1963
    • 299 · The Income Tax Mystery · Michael Gilbert · ss Lilliput Oct 1957, as “Mr. Portway’s Practice”; Ellery Queen’s Mystery Magazine May 1958
    • 311 · Watch for It · Joseph N. Gores · ss Mirror, Mirror, Fatal Mirror, ed. Hans Stefan Santesson 1973
    • 321 · The Affair of the Twisted Scarf [Nero Wolfe; Archie Goodwin] · Rex Stout · nv The American Magazine Sep 1950, as “The Twisted Scarf”; Ellery Queen’s Mystery Magazine Apr 1951
the UK edition (I've yet to see one)

Thursday, February 18, 2016

Tuesday's Overlooked Films and/or Other A/V: the links and well past High Time

This week, in its piecemeal build, dedicated to the memory of Camilla Mason, my mother, who accompanied me to and sat through the first several minutes of some Hammer? Amicus? Tigon? British vampire film ca. 1971 to make sure it wouldn't be too disturbing, my otherwise first solo outing to the cinema, and whose last trip with me to the cinema was to see only the first fifteen minutes of The Two Towers, which she found utterly unengaging...she left my father and me to go sit in the car outside for the balance of the film, waiting for us to emerge. (We did see entire films together on a number of occasions between times, though the only three I recall us seeing together without any other family members were Airport '75, The China Syndrome and Murder By Death. Well, one out of three managed to be a bit better than competent.) Todd Mason

Martha Marcy May Marlene
A.J. Wright: Bayou

Allan Fish: 150 films directed by women

Anne Billson: 13 Older Films I Saw in Theaters in January; Hammer Horror Film Title Orthography

Anonymous: Royal Wedding (1951 film); Atonement; Galaxy Quest; Days of Heaven; Begin Again; Never Let Me Go


Bhob Stewart: Mississippi Mermaid; Original Sin; "Art of The Man Inside";"Nirvana"


The Big Broadcast: 14 February

Bill Crider: Les Girls [trailer]; Buck and the Preacher [trailer]; Agatha [trailer]; Bob Elliott of Bob and Ray (and the Elliott dynasty); A Simple Twist of Fate [tv ad]


Brian Arnold: Wentworth

B. V. Lawson: Media Murder

Colin: The Unsuspected; The Oklahoman; The Outcast; The Big Heat


Comedy Film Nerds: Kira Soltanovich; Alison Rosen; Marc Guggenheim; Gareth Reynolds; Hail, Caesar!

Cynthia Fuchs: Abduction: The Megumi Yokota Story; Four Falls of Buffalo; No Más Bebés


Dan Stumpf: King of Gamblers; More Dead than Alive 

David Vineyard: Green Eyes 


Dorian and Vinnie Bartolucci: The Wicker Man (1973)

Elgin Bleecker: '71; Jackie Gleason promoting the Super Bowl; Out of the Past

Elizabeth Foxwell: Lawbreakers aka The Lee Marvin Show (television); Murder in the Private Car; The Ninth Guest; Cry of the City; The Soul of California: Tom Williams on Raymond Chandler; Fatal Lady

Evan Lewis: The Spider's Web (serial); Li'l Abner (1940 film); Rawhide: Pilot (tv); The Life and Legend of Wyatt Earp: Pilot (tv); The Adventures of Kit Carson: "The Devil of Angel's Camp"; Invisible Avenger (a The Shadow tv pilot):


Gary Deane: Jail Bait; Stolen Identity

George Kelley: De-Lovely: The Cole Porter Story; Youth; Pippin (touring version of the 2013 revival)

Gilligan Newton-John: Doctor Jeckyll vs. the Werewolf; The Passion Pit (aka The Ice House)

Harvey F. Chartrand: John Flynn

How Did This Get Made?: Streets of Fire; The Apple

Iba Dawson: Paul Newman

Ivan G. Shreve, Jr.: Everybody Does It

Jack Seabrook: Alfred Hitchcock Presents: "A Little Sleep"; "Martha Mason, Movie Star"

Jack Seabrook, Christine Scoleri, John Scoleri and Peter Enfantino: The Night Walker

Jackie Kashian and Laurie Kilmartin: The Jackie and Laurie Show

Jackie Kashian: Jim Stewart Allen on The Oregon Trail (video game); Meagahn Steele on photography; Dave Waite on Pink Floyd; Troy Conrad on comedy and MMA; Ben and Melissa on Pretty Little Liars

Jacqueline T. Lynch: The Academy Awards ("Oscars") ceremony, 1950; Alexis Smith and Craig Stevens; Helen Twelvetrees; Make Mine Music; Melody Time

Jaimie Grijalba: Top 20 Films of 2015

Jake Hinkson: Orson Welles

James Clark: Youth

James Reasoner: De-Lovely; Sgt. Preston of the Yukon (television); Rocky Jones, Space Ranger (tv); The Mummy's Hand

Janet Varney: Janeane Garofalo; Live from SF SketchFest; Emily Heller; Kathleen Rose Perkins; Savannah Sly

Jeannette de Beauvoir: 10 Heist Movies

Jerry House: Suspense: "The Burning Court"; Haunted Ranch; Barry Craig, Confidential Investigator: "The Imposter"; The Screaming Mimi; TED Talks: "Battling Bad Science"; Candy Matson: "San Juan Bautista"; At Midnight I'll Take Your Soul; Sky High; The New Adventures of Nero Wolfe: "The Case of the Hasty Will"; That Was the Week That Was; Dragnet: "Quick Trigger Gunman"

John Grant: Never Too Late; Midnight's Child; Detective Kitty O'Day; Adventures of Kitty O'Day; Deadly Duo; Le Collectioneur; La chambre ardente (aka The Burning Court); The Case Against Brooklyn; Cape Forlorn; The Calendar; Blood Moon

Jonathan Lewis: The Crimson Blade; Dracula (1979 film); The Woman in Green

Juri Nummelin: Martha Marcy May Marlene; The Young One 

Karen Hannsberry: Wallace Ford

Kate Laity: "Language of the Birds: Occult and Art"; Hannah's Bookshelf

Ken Levine: Mad Daddy

Kliph Nesteroff: Black, Kloke and Dagga

Kristina Dijan: Larceny; Night Must Fall; The Dark Mirror; Theresa Harris

Laura G: Chasing Danger; The Man Trailer; Flight to Hong Kong

Lucy Brown: Life of Crime

Marty McKee: The Brain Eaters

Michael Shonk: Queen of Swords (tv series)

Mildred Perkins: Djinn

Mitchell Hadley: 1970s books adapted for television

Patricia Nolan-Hall: Rio Grande

Patti Abbott: The Rainmaker; favorite tv episodes; comic women; Sense and Sensibility; Alan Rickman; Dear Heart and unconvincing couples; The Letter; I nostri ragazzi (aka The Dinner)

Pop My Culture: Matt Braunger; Fred Willard

Prashant Trikkanad: I am Sam; Top Gun 2

Rick: "The Lottery" (Encyclopedia Brittanica Films/The American Short Story)

THE LOTTERY - 1969 from Gonçalo Brito on Vimeo.

Robert/Television Obscurities: Nielsen Top 10 TV series January 1956

Rod Lott: Confessions of a Police Captain; The Trial of the Incredible Hulk

Ruth Kerr: A Farewell to Arms; Buster Keaton

Sam Juliano: The Final Days of Woolf Tone; Where to Invade Next; In the Shadow of Women; Top Ten Films of 2015

Sergio Angelini: Hard Eight; Sherlock Holmes Faces Death

Scott A. Cupp: Phantom Lady; The President's Analyst; Predestination; Cloud Atlas; Blow Dry

Stacia Jones: Serial (1980 film); Fantômas: The Master Criminal 

Stephen Scarlatta: 2015 film discoveries

Steve Lewis: Legend: "The Birth of a Legend" (pilot); Heroes & Icons (H&I) television network; Millennium

Vienna: Toronto Film Society

Sunday, May 11, 2014

Saturday Music Club on Mother's Day: Music my mother introduced me to...

The Glenn Miller Orchestra: "Serenade in Blue"


Joe Turner: "Honey Hush"


The Flamingos: "I Only Have Eyes for You"


Peggy Lee: "I Love Being Here with You"


Fats Domino: "Jambalaya"


Dinah Washington and Brook Benton: "Baby, You've Got What It Takes"


Loretta Lynn: "Harper Valley PTA"