Showing posts with label Friday's Forgotten Books. Show all posts
Showing posts with label Friday's Forgotten Books. Show all posts

Thursday, August 14, 2025

FFB: WHAT REALLY HAPPENED TO THE CLASS OF '65? by David Wallechinsky and Michael Medved (Random House 1976) and related matters...

It was a surefire commercial prospect, this book...not altogether unlike the continuing British documentary series that began with 7 Up and has continued with seven-year increments since to focus on the same group of people and what has happened to them, this is the kind of book that writerly sorts can easily be drawn to...particularly when two of the members of this particular high-school graduating class, Palisades High in an affluent Los Angeles neighborhood, had already established careers for themselves as writers...and the class, in 1965, had been the subject of a typically shallow profile in Time magazine, wherein they were the metaphor for the (at least white, reasonably well-off) emerging generation of young adults.


29 January 1965 issue, with Pacific Palisades HS students

So, Medved (still fresh off working as an aide to Ron Dellums, the stalwart Democratic Socialists of America member in the House of Representatives from California, and not yet the co-author of The Golden Turkey Awards, co-host of the even duller Sneak Previews after Siskel and Ebert quit, nor the neoconservative radio and cable-tv blowhard that he is today) and Wallenchinsky (with his father Irving Wallace and his sister Amy Wallace putting the finishing touches on The Book of Lists, after the first The People's Almanac from the team) interviewed a slew of the people they found the most compelling examples of what ten years could do to members of such a high-school graduating class, along with some questions put to all of them and a few others who didn't get their own chapters, about Vietnam, sexuality and other matters of topical and eternal interest. The book became a bestseller, Wallechinsky eventually produced a sort of sequel on his own wherein he interviewed other alumni, and there was a shortlived NBC tv series that mostly took the title and concept for a fictional dramatic anthology format.

The book is slickly-enough put together, and the experiences of some of the former classmates are pretty compelling, even when relatively few extraordinary events have occurred in their lives (the adventures of the one black male student in the class, and the one Chinese-American young woman, as outsiders before they could be known in an overwhelmingly pale Caucasian school, are among the relatively un-extreme lives, ten years on, that still manage to hold a fair amount of charge for having gone through the Palisades experience). Others had go through arguably ironic changes, others yet had simply spiraled further down the trajectories they were already on in adolescence (such as the alienated fellow who graduated early, having been skipped a grade or so in years previous, who has since become a reasonably big wheel in neo-Nazi circles, or the boosterish young woman and exchange student who was deeply thrown by experiencing less privileged circumstances abroad and had become a rudderless seeker of a more meaningful existence). A few of the fellow alumni have come out of the closet as bisexual or homosexual, in those first years of being able to reasonably safely do so, and yet others have had some very odd things happen to them indeed, including in the Vietnamese jungles and the film industry.

Not a superb book, but an eminently readable one, and a decent-enough snapshot of the authors first (of course) through their choices of interview subjects and questions, as well as of the times and the effects, again, of living in that particularly affluent and rather sheltered place...where the kinds of expectations the kids felt, to Be the Future, was constantly in the background or often in the foreground in a way that, say, the inner city high schools across the country or those in East Los Angeles would not have so readily featured (don't get killed, get yourself a job if you can, try not to get pregnant nor get her pregnant being more the default mantra in those less well-funded circumstances). As someone who attended two high schools in that four-year span in my own life, which neatly bracketed the kind of school Palisades was and probably still is (Londonderry High School in New Hampshire was a typical small but growing suburban town institution, not quite as affluent on balance as Palisades a decade-plus earlier but at least as well-funded as the school the Wiseman cinema verite High School profiled; Punahou Academy in Honolulu featured the simple majority of the wealthiest kids on the island, along with some kids sliding over the economic scale past my family's upper-middle class status to a smattering of scholarship students, including some of Polynesian ancestry who didn't end up at the subsidized and otherwise comparable Kamehameha Schools), this year has been the 30th anniversary of my graduating classes, and I've missed, without too much regret but a mild curiosity, both reunions. Writerly folk (I am one) are nosy creatures; as Vivian Gornick put it rather well in a passage I'm not going to dig back out of either Women in Science or Essays in Feminism (better than the paraphrase to follow, to be sure), writers are of course fascinated, at least as much as anyone else, by how people conduct their lives, because if they weren't interested in such Whys and Whences they wouldn't be drawn to fiction or other explication of human events, and so there's that nagging bit of business about the folks one was thrown together with even in such arbitrary and often unpleasant places as high school, even beyond the typical human concern one might feel for at least the better people one once knew. (I also took driver's ed one summer at Kailua High School, the public school I would've attended if I hadn't been at the private day school, at it was at least as much a minimum-security prison with an unenriched curriculum as nearly every underserving/underfunded urban or urbanish high school in the US.)

The television series, which counts I suppose as my tardy Overlooked entry this week, was a flier NBC, in its most dismal years commercially (even worse than now, comparatively), took on an anthology series, similarly offering fictional accounts rather than interview-based ones of the adventures of students of, in this case, a similarly fictional high school, with a '65 grad turned teacher at the school (played by Tony Bill) as host/narrator.  14 episodes of varying but mostly not-bad if uncompelling quality were aired in 1977-78, the television and school year just before my matriculation to the newly-opened/expanded Londonderry Junior/Senior HS, the show running in my second and least violent of three grade/years in the Boston 'burb...the high school had been solely a seventh and eighth grade junior high throughout the '70s before my frosh year. For my sophomore-senior years, my family decamped to Hawaii, and thus onto the former Oahu College, founded 1841. There weren't too many weekly drama anthologies left on US television in those years, as the 1970s hadn't been too kind to the form (as opposed to "Movie of the Week" telefilm packages); on commercial networks in the States, only Night Gallery, Police Story and Love, American Style had lasted more than a single season, and PBS had offered (aside from such import-driven mini-series umbrellas as Masterpiece Theatre and Mystery!) essentially, among weekly series, only the relatively shortlived Hollywood Television Theater, Visions, and The American Short Story. The last seasons of Death Valley Days in commercial syndication weren't joined by any particularly hardy projects in that arena, with the weak exception of the dramatic episodes of the religious series Insight, though a number of multi-season series would proliferate in syndication in the '80s. While the '65 series was no great shakes, its nearly total absence from repeat packages or home video in the decades since is almost odd.  The opening theme (not the credit sequence) can be heard below...a bit whinier than I remembered, but a catchy-enough song. 

Late update: In 2023, a YouTube uploader posted a fragment of the '65 TV series episode "The Girl Nobody Knew" (featuring a young Kim Cattrall as the protagonist, Jessica Walter as her overbearing mother and Larry Hagman as her sympathetic step-father). Notable how much background music is more or less time-appropriate, but only represented by "easy listening"/Muzak-style recordings (including a version of "Duke of Earl", of all things, playing at the record company Cattrall's character has submitted her demo recording to). Presumably, the original target of this taping from 1977 was to dub the episode of James at 15 that ran on the Providence, RI NBC station just before it, so only the first several minutes of this fairly soapy episode were caught.

For more of today's books (and probably no other tv series) please see Patti Abbott's blog.

Friday, November 30, 2018

FFB: WOMEN SHOULD BE ALLOWED by WIlma Shore (Dutton 1965), among her other writing


It took a while to find an image online for the cover of Women Should Be Allowed, the only collection of Wilma Shore's short fiction to be published during her life (or, ever)(on 28 November 2016, I finally found one, along with a picture apparently of Shore with her husband Louis Solomon...see the latter below. The jacket is a bit more cute than the fiction deserves, I'd suggest, and probably didn't help sales nor reception). My own second-(or third-)hand copy is missing its dust jacket, and there was no paperback edition, as far as I can tell. As the biography at the Jewish Women's Archive notes, she in 1929 as a 16yo left the US (having been born in NYC and spent high school years in California) and went to Paris to study painting, and "Leo Stein, Gertrude Stein’s brother, declared her a leading talent of her generation." However, as noted there, what she became, as a professional artist, was a writer.

'Shore’s second story "The Butcher" was included in The Best Short Stories of 1941 [with the next year's volume to take on the title-form it still has, Best American Short Stories], and she continued to receive their honor call [sic--honor roll] mention in subsequent years. Shore published widely in magazines, including The New YorkerCosmopolitanStory Magazine, The Saturday Evening Post, The Writer, Ladies’ Home Journal, The Antioch Review, McCall's and The Nation. In 1950 [sic: it was the 1958 O. Henry volume], her story “The Cow on the Roof” was included in the O. Henry Awards Prize Stories.'

Contents of the 1941 volume, courtesy WorldCat:
Shadow of a Girl / E.B. Ashton --
All Around the Town / Stephen Vincent Benet --
Handy / Erskine Caldwell --
Big Jules / Morley Callaghan --
The Net / Robert M. Coates --
Mamma Is a Lady / David Cornel DeJong --
To the Least ... / Henry Exall --
A Nun No More / John Fante --
Gold Is Not Always / William Faulkner --
'Color Trouble' / Harold Garfinkel --
The Magic Wire / Felicia Gizycka --
Smile for the Man, Dear / Justin Herman --
The Life of the Mind / Weldon Kees --
The White Bull / Mary King --
Some People Are Just Plumb Crazy / Arthur Kober -
Scorn and Comfort / Christopher La Farge --
The System Was Doomed / Meyer Levin --
Don't Get Me Wrong / Roderick Lull --
Sunday Morning on Twentieth Street / Albert Malz --
Ill-Winds From the Wide World / Peter Neagoe --
The Three Swimmers and the Educated Grocer / William Saroyan --
Triumph of Justice / Irwin Shaw --
The Butcher / Wilma Shore --
Goin' to Town / Wallace Stegner --
Love / Jesse Stuart --
The Psychologist / Benedict Thielen --
Houdini / Jerome Weidman --
Strip-Tease / George Weller --
Almos' a Man / Richard Wright.


Contents of the 1958 volume, courtesy WorldCat:

In sickness as in health / Martha Gellhorn --
What a thing, to keep a wolf in a cage! / Hortense Calisher --
The deeps of the sea / George Steiner --
My blithe, sad bird / Jean Stafford --
The stone boy / Gina Berriault --
The eclipse / Elizabeth Enright --
The making of a clerk / Leo Litwak --
A summer shower / Walter Clemons --
The long night / Lowell D. Blanton --
A slow boat to China / Nancy Hale --
A drink of water / T.K. Brown III --
A cow on the roof / Wilma Shore --
First voice / Robin White --
The ambassador / Edward Newhouse --
The passion for Silver's arm / Herbert Wilner --
My apples / Robert Granat --
Travelin' Man / Peter Matthiessen.

She and Solomon continued to write for electronic media, and he became a producer...in fact, as the JWA text continues, "Shore also wrote for television, was commissioned to write a song for Carol Channing, and had stories included in the anthology series The Best From Fantasy and Science Fiction in 1965 and 1973. She also published autobiographical pieces in the New York Times Sunday Magazine and the Women’s Studies Quarterly.

"A dedicated teacher, Shore taught at the League of American Writers' School from 1942 to 1944 and at the People’s Education Center until its dissolution. She then taught from her home.


"Shore’s involvement with these schools, her work on the editorial board of the California Quarterly, a politically progressive publication, and other left-wing political activity caused her and her husband to be blacklisted during the House Committee on Un-American Activities hearings." Like most of the blacklisted, Shore and Solomon turned to other work, and also continued to work under other names in the blacklist-sensitive industries...Solomon was eventually a producer on The Great American Dream Machine for PBS.


Skipping ahead: a paid note in the New York Times, published May 12, 2006:


SOLOMON--Wilma Shore, 92. Writer, painter, wit and friend; wife of the late Lou Solomon; mother of Hilary Bendich, Berkeley, CA. and Dinah Stevenson, Hoboken, N.J; grandmother of Nora, Jonathan and Bridget; great grandmother of five; great great-grandmother of one. We welcome donations in her name to feminist, humane, or environmental organizations or those actively opposed to the Bush administration. A Memorial Gathering will be planned.


And, dated with the month of my birth, that first contribution to F&SF, the brilliant and gently caustic, if such a thing is possible, "Bulletin from the Trustees...", a story I first read ca. 1972 in my father's battered copy of Robert Silverberg's anthology Voyagers in Time. Meanwhile, note below the contents of that issue of F&SF, which include Shore's story as the lead, Fritz Leiber's important "When the Change Winds Blow" as the cover story, and early stories by Joanna Russ (her own gently caustic parody of Lovecraft) and Dennis Etchison (just after the start of his impressive career) and Thomas Disch (likewise). And editor Avram Davidson, noting the passing of artist and writer Hannes Bok, and otherwise brilliantly curating the issue (along with being my favorite writer on many days, his F&SF remains my favorite period of the magazine's long, impressive history).



The Magazine of Fantasy and Science Fiction, August 1964:


4 • Editorial (F&SF, August 1964) • [Editorial (F&SF)] • essay by Avram Davidson
5 • A Bulletin from the Trustees of the Institute for Advanced Research at Marmouth, Mass. • short story by Wilma Shore
12 • "I Had Vacantly Crumpled It into My Pocket . . . But By God, Eliot, It Was a Photograph from Life!" • [Cthulhu Mythos] • short story by Joanna Russ
22 • Books (F&SF, August 1964) • [Books (F&SF)] • essay by Avram Davidson
27 • Poor Planet • novelette by J. T. McIntosh
54 • Nada • short story by Thomas M. Disch
71 • Hannes Bok (Obit) • essay by Avram Davidson
72 • The Red Cells • [The Science Springboard] • essay by Theodore L. Thomas
73 • Epitaph for the Future • poem by Ethan Ayer
74 • A Nice, Shady Place • (1963) • short story by Dennis Etchison (Originally published in Associated Students, L.A. State College)
87 • Redman • short story by Robert Lipsyte and Thomas Rogers [as by Robert M. Lipsyte and Thomas Rogers]
95 • The Days of Our Years • [Asimov's Essays: F&SF] • essay by Isaac Asimov
105 • When the Change-Winds Blow • short story by Fritz Leiber
113 • In the Calendar of Saints • short story by Leonard Tushnet

You can now read several short stories, the cited radio play (or listen to it), and a couple of articles (so far) at a new post here, and reprinted below in this redux compilation post.

The next year, E. P. Dutton published Women Should Be Allowed, which includes the following stories, each with a long introduction in which Shore archly, wittily highlights a point or three the following story might support, mostly feminist points in those months after The Female Mystique and the Civil Rights Act and the ferment around the liberation movements of the previous decade-plus had no doubt given Shore at least some new hope, thus:


"A Mammal in a Black Crepe Dress" (published as "The Point of No Return of Gloria MacAdoo" in Good Housekeeping in 1957)

"All Sales Final" (as "The Dress from Bergdorf’s" (ss) Cosmopolitan Jun 1959)
"By the Still Waters of Ethel Wilkie" (as "Do You Take This Man?" GH 1955)
"Go and Catch a Falling Star" (Good Housekeeping Aug 1949)
"The Psychopathology of Everyday Life" (apparently first published in this collection)
"Some Kind of Lousy Cinderella" (as "It Was Different with Cinderella" (ss) The Saturday Evening Post Aug 24 1963)
"Good-bye Charlie" (as "What's Happened to Charlie?" GH, 1957)
"Yours Very Truly, (Miss) Leona Freemantle" (Antioch Review, 1960)
"I Can Get Along Fine" (as "I'll Get Along Fine" GH 1946)
"A Reasonable Facsimile" (as "Marry Me a Million" (ss) Cosmopolitan Feb 1949)
"May Your Days Be Merry and Bright" (The Saturday Evening Post Dec 21 1963)
"The Whole World Takes Off Its Hat to Sheree Wallach" (Ladies Home Journal May 1961)

--as the book's subtitle might suggest, the collection stands in at least partial refutation of the likes of James Thurber (and what might be called default attitude at The New Yorker and around the popular culture), and these stories, with their feminist messages unblunted by their titles being fiddled with by the women's magazines they were published in (when not the Saturday Evening Post or a little magazine), often cheek by jowl with their era's equivalents of today's "service" articles "How to Suppress Everything About Yourself to Snare That Man!" and "Why You Should Give In, For the Sake of the Marriage" and "How to Subvert the Fool without Him Catching On..." as well as more openly or tacitly feminist items, feature in most cases not so very enlightened young women learning better...about their current conditions, about the loutish swains they have been putting up with (and the often just as loutish if more polished men they aspire to) and their own often corrosively unsupportive families; about what really matters as opposed to Why It's Important to Be Married by 25 (though her characters almost to a woman do bristle, however subconsciously in some cases, at the notion that they need to be Safely Ensconced in marriage before they have had much chance to figure out what they need for themselves, while their potential mates have at least a decade or so more to come to some similar conclusions). A few stories deviate from this pattern, such as "May Your Days Be Merry and Bright," from the perspective of an empathetic woman in a retirement hotel, comparable to the upscale condo communities of today, watching the interactions of her colleagues and their families, the little power-plays and jostling for prestige--or the most savagely critical piece here of its female protagonist, "The Psychopathology of Everyday Life," about a boundary-free monster of ego and how she blithely "improves" the lives of her husband, son, and everyone else around her. Even the canniest of young women protagonists here, that of "A Reasonable Facsimile," finds her utter pragmatism in the face of Women's Estate in midcentury NYC shaken, probably if unsettlingly for the better, by the end of her story.


Wilma Shore was a hell of a writer, and her work richly rewards your attention. I probably should add to this critique, but I've my own pragmatic quotidian matters to attend to...though another, comparable writer I've not written well or enough about previously, Carol Emshwiller, is treated a bit more elegantly by James Sallis here.


Meanwhile, going to the FM Index at the link below and clicking through to the magazine issue contents, often seeing the context in which these satiric feminist stories were published (and often how much other fiction was published, even rather recently but not recently enough, by the women's magazines particularly, with Shore sharing space thus with John D. MacDonald and Daphne Du Maurier and A. A. Milne and Hughes Rudd and Hugh B. Cave, is another reminder of Times Changing).


from the FictionMags Index

SHORE, WILMA (1913- ) (chron.)

* The Butcher, (ss) Story Nov/Dec 1940

* Dress from Bergdorf’s, (ss) Cosmopolitan Jun 1959
* Go and Catch a Falling Star, (ss) Good Housekeeping Aug 1949
* It Was Different with Cinderella, (ss) The Saturday Evening Post Aug 24 1963
* Lock Stock and Barrel, (ss) Short Story Magazine #78 1951
* Marry Me a Million, (ss) Cosmopolitan Feb 1949
* May Your Days Be Merry and Bright, (ss) The Saturday Evening Post Dec 21 1963
* The Moon Belongs to Everyone, (ss) Short Story Magazine #70 1950
* The Ostrich Farm, (ss) Short Story Magazine #71 1950
* Someday I Have to Buy a Hat, (ss) Good Housekeeping Nov 1942
* Something of Her Own, (ss) McCall’s Mar 1944
* The Whole World Takes Off Its Hat to Sheree Wallach, (ss) Ladies Home Journal May 1961

From ISFDb:

Legal Name: Solomon, Wilma Shore
Birthplace: New York City, New York, USA
Birthdate: 12 October 1913
Deathdate: May 2006
Webpage: http://jwa.org/encyclopedia/article/shore-wilma

Short fiction (in sf/fantasy magazines):

A Bulletin from the Trustees of the Institute for Advanced Research at Marmouth, Mass. (1964) (F&SF, 8/64)
Goodbye Amanda Jean (1970) (Galaxy, 7/70)
Is It the End of the World? (1972) (F&SF, 3/72)
The Podiatrist's Tale (1977) (F&SF, 4/77)

For more of today's books, please see Patti Abbott's blog.


Wilma Shore contributions to The New Yorker (unless you're a subscriber, they want to charge you extra).



Wilma Shore and Louis Solomon in foreground,  at a banquet, ca. 1950

Three blogposts in total over the last half-decade isn't Too much to devote to the late, brilliant Wilma Shore, whose career is briefly limned here [as combined above and below]...along with links to the un-"protected" online archives of the magazines that ran these items (and a couple of posts offering both the script and the recording of the playlet she wrote with her husband for Orson Welles's CBS radio series).  An amusing set of magazines, too...there are a few other writers, but no too many, who might tie together the folded but extremely influential sf magazine Galaxy (which published among so much else Damon Knight's "To Serve Man", the first form of Ray Bradbury's Fahrenheit 451, Frank Herbert's Dune Messiah and Ursula K. Le Guin's "The Day Before the Revolution"--Galaxy in its first decade particularly was the home of the kind of satire Kingsley Amis dubbed the "comic inferno"--eventual editor Frederik Pohl was Amis's choice as the best of 1950s sf writers), Good Housekeeping (now ever more a "service" magazine at well over a century of publishing), and the Communist-sponsored quasi-revival of the more broadly radical and also hugely influential magazine The Masses, retitled for the new decade The New Masses.  All of these stories are worth reading, the essays as well, and the playlet just a bit slight and humorously sentimental, but not extraordinarily so (and probably pitched just so to Welles or at least at his request). 
"Goodbye Amanda Jean" is a savage bit of satire, set in a version of 1970 U.S. that allows hunting humans for meat, but where killing just for sport is frowned upon, to say the least (and shooting a teenage girl pedestrian from a moving car, rather than from a stopped one or on one's own feet, is utterly illegal if possibly not prosecuted); Shore barely allows the reader time to gather much at all before Amanda Jean's father has failed to shield his daughter from a crosstown neighbor of sorts, and has, still stunned, accepted a side of the kill for dressing and refrigeration. The loss and injustice of it all still rankles him, and it might just be time to take retribution into his own hands...while staying more inarguably within the law. Bloodsport was in the air at the turn of the '70s, and Shore's story is unrelenting and as plausible as sending National Guard units onto various state university campuses and pointlessly dragging out a war in Vietnam while expanding it to neighboring countries. More startling to me is how much this story, which after appearance in Galaxy has only been reprinted in Robert Silverberg's anthology Alpha 2, and which I've read for the first time this week, prefigures the nature and the method of the satire I applied in one of my better stories, "Bonobos," published a decade back in Claude Lalumiere's webzine Lost Pages...my story, as human/bonobo behavioral crosses might suggest, is as drenched in sex as this one is in violence, and is by intention funnier than Shore's story, but Shore's is the better story, and the laughter here is meant to have what Avram Davidson once referred to as a big bubble of blood in it, in describing a similarly incisive satire. A number of people to whom I've recently mentioned the Shore story remember it well, from reading it decades back. 
The newer of the two stories from The New Masses, "The Story of Dorothy Anstable", is a much more muted affair, but has an early example of the kind of overbearing stage mother, living through her family, who will recur in some of Shore's other stories; Dorothy also is fortunate enough to have her story retold by her rather slow-witted elder brother, so by the end, we're (or at least I'm) not exactly sure of all the details of how thoroughly her mother's obsession with the daughter's reliable promptness and attendance record, and the minor but Official recognition of it and the petty fame that has accrued with that, has derailed her daughter's life, but we have some sense of it. The least of these stories, but it still has a bit of a chill to it. Speaking of a bit of a chill, the story is immediately followed by an example of historical blank verse, about George Custer and Crazy Horse and their encounter, by none other than the relatively young Joseph Payne Brennan...never much of a poet, and sometimes a rather clumsy constructor of prose but not by any means always, and clearly like his Arkham House editor and publisher August Derleth at least an occasional contributor to the politically radical press. Wilma Shore and Joseph Payne Brennan, both praised by Avram Davidson, though AD liked Shore's work better.

"Some Day I Have to Buy a Hat" is a much more probable item to have sold to Good Housekeeping, the account of an obstetric nurse doing a favor for a young patient of her boss's private practice, during World War II, in the face of the disruption the war was causing. A far more humane tale than the first two, albeit by necessity just as cognizant of the ugly realities of its times, if also noting that some tragedy can be ameliorated, to some extent, by the kindness of relative strangers. (Shore's essay "What Happened to the Slicks?" notes that this kind of story, not at all shying away from what was happening in a world at war, was now something found in women's magazines that might previously have preferred more purely escapist, if also feminism-tinged, fare. ) It's notable that her story is the first piece of fiction one finds in the GH issue, blurbed by them "A story on the hard-boiled side, but there's a fair chance you'll like it." Shore later stories would get cover credits at the magazine.


"Decision" is the oldest of these stories, and much more deftly and complexly deals with racism, classism, sexism and the exigencies of Getting By under unfeeling bureaucracy and general inequity than something like the fairly recent film The Help, not too tough for a good short story written by an observer as sharp as Wilma Shore was when this was published in 1941, when the clumsy US bureaucracies were still coping as they did with the leftovers of the Great Depression, not quite yet also coping with US involvement with the war.  The last lines are almost inexorable, and still sting today. 

You can do much worse than visit with these stories and more, and the occasionally reprinted stories and memoirs, in one anthology or occasionally several, including the O. Henry Award Prize Stories, Best American Short Stories and the Best from Fantasy and Science Fiction's volumes over the decades, that await you from Ms. Shore's not so small set of contributions, along with those behind paywalls and the like from The New YorkerCosmopolitan, The NationThe Antioch Review, Women's Studies Quarterly, The Ladies Home Journal, The Saturday Evening Post and other magazines, or seeking out her two books, the short story collection Women Should Be Allowed and the apparently charming, Edward Lear-ish children's picture story Who in the Zoo? Perhaps I'll need to do more than I have so far to advocate and excavate here. 












































































The following links are to facsimile PDFs of stories and articles I've found so far, without need of a JSTOR, ProQuest or other membership, which latter will allow much greater access to a variety of her other stories and essays...as noted in my earlier post on Shore, one can read a handful of short stories and  a "casual" essay if you have a New Yorker subscription.

"Goodbye Amanda Jean"
from Galaxy, July 1970

"Go and Catch a Falling Star"*
from Good Housekeeping, August 1949

"The Story of Dorothy Anstable"
from The New Masses, 15 July 1947

"I Can Get Along Fine"*
magazine title: "I'll Get Along Fine"
from Good Housekeeping, January 1946

"Some Day I Have to Buy a Hat" 
from Good Housekeeping, November 1942

"Decision"
from The New Masses, 13 May 1941

*included in the collection Women Should Be Allowed (E. P. Dutton, 1965), Shore's only volume of short stories published so far, and as far as I can tell one of only two books with her 1976 children's picture book Who in the Zoo?...though she helped produce The California Quarterly at the turn of the 1950s as well...

radio playlet:
"Something's Going to Happen to Henry"
by Wilma Shore and Louis Solomon
for The Orson Welles Almanac, 1 December 1941 episode, with Janet Gaynor, Joseph Cotten, Ray Collins, Glenn Anders.
paired in the episode below with "Wilbur Brown, Habitat: Brooklyn," by Arthur Stander,  with Orson Welles, Ray Collins, Glenn Anders

The radio episode archived here.


Amusing that the Galaxy story is in the same issue as the first part of one of Heinlein's, shall we put it, more controversial, particularly among feminists and sympathizers, (and Not Greatest) novels...

nonfiction:
"What Happened to the Slicks?" (on the improvement in slick-magazine fiction during World War II), The New Masses, 12 September 1944
"Young America Paints" (a review of a show of children's paintings at the NYC Museum of Natural History) The New Masses, 14 May 1940

JWA: Jewish Women's Archive
ISFDB
WorldCat
FictionMags Index
IMDb
The late Robert Vaughn cited her in his blacklist history/PhD dissertation, Only Victims.

Friday, August 3, 2018

FFB: TIME BOMB AND OTHER STORIES OF MYSTERY AND SUSPENSE edited by Peggy Doherty (Scholastic 1971)

Time Bomb and Other Stories of Mystery and Suspense edited by Peggy Doherty, Scholastic Book Services; first (only?) printing, April 1971; 95pp; 50c. TK 1821 (cover uncredited)

5 · Time Bomb · William Bankier · (ss) Ellery Queen’s Mystery Magazine Aug 1968

13 · The Options of Timothy Merkle · A. H. Z. Carr · (nv) Ellery Queen’s Mystery Magazine Jul 1969

42 · A Hundred Times · Syd Hoff · (ss) Alfred Hitchcock’s Mystery Magazine Jul 1966

47 · The Bargain Hunter April Aarons (ss) Ellery Queen’s Mystery Magazine Sep 1968

54 · Wide O- · Elsin Ann Gardner · (vi); in EQMM’s “Department of First Stories” Ellery Queen’s Mystery Magazine Sep 1968

56 · The Affair at 7, Rue de M— · John Steinbeck · (ss) Harper’s Bazaar Apr 1955
also reprinted in:
   Magazine of Horror Win 1965/’66
   Knight Sep 1966
   Ellery Queen’s Mystery Magazine Mar 1969
   ...and many anthologies, including Bennett Cerf's Houseful of Laughter...

67 · Mr. Strang Pulls a Switch [Leonard Strang] · William Brittain · (ss) Ellery Queen’s Mystery Magazine Jun 1969

85 · The Man Who Loved Baseball · Jerome L. Johnson · (ss) Ellery Queen’s Mystery Magazine Apr 1969

This is a curious anthology, even among the sometimes very curious selections made for publication and sale through the classroom-distributed catalogs of Scholastic Book Services, the book publishing arm of Scholastic Magazines. In this case, essentially a couple of years-worth of Ellery Queen's Mystery Magazine was pored over, 1968 and 1969 issues, with an eye to subject matter or characters that might appeal to teens and older pre-teens ("tweens" a term not yet in use in 1971), matched with Syd Hoff's short 1966 Alfred Hitchcock's Mystery Magazine elementary-school revenge story. (It would be a half-decade after this book's publication before EQMM publisher Davis Publications bought AHMM from the folding HSD Publications.) The result is a pleasant, minor collection of stories presumably deemed interesting enough to minors. Perhaps the idea was to build an anthology around the Syd Hoff story, Hoff being a major author/illustrator of beginning readers' books and cartoonist as well as an occasional crime-fiction writer. Even the one chestnut in this box, the Steinbeck story, had been reprinted in EQMM, one might say finally, as it's pretty rare for a reprint from a Big Name to have appeared in the Magazine of Horror before Queen's...if Frederic Dannay was likely to be interested in reprinting the story (and you might gather from the above I first read it in the Bennett Cerf humor anthology when I was about 8y0)(certainly the first citation of a mews I'd encountered).

The Bankier story has a dash of wit, but is a relatively unsurprising story of revenge against a radio dj/call-in chat show host with an abrupt manner, apparently a nastier version of someone like NYC's Long John Nebel...who paved the way for Larry King's first national series. But it you're of the age or inexperience with twist endings to be flabbergasted by Rod Serling, this story might be more effective for you. 

The Carr story is a bit heftier, if flawed by it being primarily a story about the interactions of teenagers...Carr seems to have patterned his teen conversation of the late '60s after characters in Dragnet episodes of the latter '50s , a bit stiff and awkward even when the slang employed wasn't dated for the time...one can almost see 28yo actors reciting the lines as 17yo characters. However, the story itself mixes somewhat drawn-out though not Too unlikely classic detection on the part of a teen journalist, looking into the possible bad act of a classmate, and facing a very tough choice when he discovers what he feared he might. Carr does seem to forget that traffic signals have been putting the red/stop light on top of a three-lamp array for quite a few decades now, though he almost manages to work around that eventually...though not before the reader isn't distracted by asking the absent writer and the characters why they don't realize this.

The Hoff story is pretty cute, and slight, and told reasonably well, while not covering too much surprising ground. Since it is the AHMM story in this bunch, it is the most hardboiled, if not quite the over-the-top junior delinquent sociopath story it could've been in Manhunt or its imitators.

April Aarons's story is a mostly funny bit of ugly business, as a self-righteously stingy husband, shop-owner and customer/tag sale bargainer gets his. Biter bit where he never quite gets how he might've been bitten, rather than simply wronged.

The Gardner debut vignette is effective in its focus, pretty good at misdirection at what amounts to a suspense anecdote.

The Steinbeck revels in the language to a rococo extent, in its tale of an improbably sentient wad of bubble gum which will let no obstacle keep it from finding its way back into the fictionalized Steinbeck's young son's mouth. A horror story with the most remarkable hand-waving quasi-rationalization of the phenomenon, it is grotesquely funny. Steinbeck also refers to paramecia when he means amoebae. I'm pretty sure I was annoyed by that at 8, too.  (Almost certainly a lot more so, I'm increasingly sure.)

The Brittain is part of a series he wrote for EQMM, about a high school science teacher who solves, if this example is an indication, the kind of "impossible" crimes and locked-room mysteries which might arise in a high school context. This one is reasonably well-worked-out, but Strang takes his sweet time, at about 5c/word in those years I think, in explaining how he realized one of his students has faked his disappearance, much to the eventual relief and lesson learned by his parents.

And the Johnson is a neatly bloodless tale of an assassin for hire who has relatively few other skills or passions aside from, as the title suggests, baseball...and how he manages to (rather easily) flummox his bosses when they send him on a contract against the best pitcher on his favorite major league team. 

So, again, a pleasantly readable anthology, not nearly as full of good chestnuts and a few eccentric choices as the other Scholastic anthologies I would read as a youth, and this one unusual as amounting to a kind of "hidden" EQMM anthology for young readers, with the one exception. (The one other review I've found for this book online, at Goodreads, manages to mistake all the stories except the Steinbeck as from EQMM...but since that magazine from inception was about showcasing reprints in a mix with new fiction...)

At least under this name, this seems to be the only book attributed to this Peggy Doherty.
first publication of the Steinbeck

Friday, December 2, 2016

FFS(&E&RP): some uncollected Wilma Shore short stories (and essays and one radio play) online (and one Joseph Payne Brennan poem)

Two blogposts over the last half-decade isn't Too much to devote to the late, brilliant Wilma Shore, whose career is briefly limned here and here, so here's a third...along with, in the latter, links to the un-"protected" online archives of the magazines that ran these items (and a couple of posts offering both the script and the recording of the playlet she wrote with her husband for Orson Welles's CBS radio series).  An amusing set of magazines, too...there are a few other writers, but no too many, who might tie together the folded but extremely influential sf magazine Galaxy (which published among so much else Damon Knight's "To Serve Man", the first form of Ray Bradbury's Fahrenheit 451, Frank Herbert's Dune Messiah and Ursula K. Le Guin's "The Day Before the Revolution"--Galaxy in its first decade particularly was the home of the kind of satire Kingsley Amis dubbed the "comic inferno"--eventual editor Frederik Pohl was Amis's choice as the best of 1950s sf writers), Good Housekeeping (now ever more a "service" magazine at well over a century of publishing), and the Communist-sponsored quasi-revival of the more broadly radical and also hugely influential magazine The Masses, retitled for the new decade The New Masses.  All of these stories are worth reading, the essays as well, and the playlet just a bit slight and humorously sentimental, but not extraordinarily so (and probably pitched just so to Welles or at least at his request). 


"Goodbye Amanda Jean" is a savage bit of satire, set in a version of 1970 U.S. that allows hunting humans for meat, but where killing just for sport is frowned upon, to say the least (and shooting a teenage girl pedestrian from a moving car, rather than from a stopped one or on one's own feet, is utterly illegal if possibly not prosecuted); Shore barely allows the reader time to gather much at all before Amanda Jean's father has failed to shield his daughter from a crosstown neighbor of sorts, and has, still stunned, accepted a side of the kill for dressing and refrigeration. The loss and injustice of it all still rankles him, and it might just be time to take retribution into his own hands...while staying more inarguably within the law. Bloodsport was in the air at the turn of the '70s, and Shore's story is unrelenting and as plausible as sending National Guard units onto various state university campuses and pointlessly dragging out a war in Vietnam while expanding it to neighboring countries. More startling to me is how much this story, which after appearance in Galaxy has only been reprinted in Robert Silverberg's anthology Alpha 2, and which I've read for the first time this week, prefigures the nature and the method of the satire I applied in one of my better stories, "Bonobos," published a decade back in Claude Lalumiere's webzine Lost Pages...my story, as human/bonobo behavioral crosses might suggest, is as drenched in sex as this one is in violence, and is by intention funnier than Shore's story, but Shore's is the better story, and the laughter here is meant to have what Avram Davidson once referred to as a big bubble of blood in it, in describing a similarly incisive satire. A number of people to whom I've recently mentioned the Shore story remember it well, from reading it decades back. 

The newer of the two stories from The New Masses, "The Story of Dorothy Anstable", is a much more muted affair, but has an early example of the kind of overbearing stage mother, living through her family, who will recur in some of Shore's other stories; Dorothy also is fortunate enough to have her story retold by her rather slow-witted elder brother, so by the end, we're (or at least I'm) not exactly sure of all the details of how thoroughly her mother's obsession with the daughter's reliable promptness and attendance record, and the minor but Official recognition of it and the petty fame that has accrued with that, has derailed her daughter's life, but we have some sense of it. The least of these stories, but it still has a bit of a chill to it. Speaking of a bit of a chill, the story is immediately followed by an example of historical blank verse, about George Custer and Crazy Horse and their encounter, by none other than the relatively young Joseph Payne Brennan...never much of a poet, and sometimes a rather clumsy constructor of prose but not by any means always, and clearly like his Arkham House editor and publisher August Derleth at least an occasional contributor to the politically radical press. Wilma Shore and Joseph Payne Brennan, both praised by Avram Davidson, though AD liked Shore's work better.


"Some Day I Have to Buy a Hat" is a much more probable item to have sold to Good Housekeeping, the account of an obstetric nurse doing a favor for a young patient of her boss's private practice, during World War II, in the face of the disruption the war was causing. A far more humane tale than the first two, albeit by necessity just as cognizant of the ugly realities of its times, if also noting that some tragedy can be ameliorated, to some extent, by the kindness of relative strangers. (Shore's essay "What Happened to the Slicks?" notes that this kind of story, not at all shying away from what was happening in a world at war, was now something found in women's magazines that might previously have preferred more purely escapist, if also feminism-tinged, fare. ) It's notable that her story is the first piece of fiction one finds in the GH issue, blurbed by them "A story on the hard-boiled side, but there's a fair chance you'll like it." Shore later stories would get cover credits at the magazine.


"Decision" is the oldest of these stories, and much more deftly and complexly deals with racism, classism, sexism and the exigencies of Getting By under unfeeling bureaucracy and general inequity than something like the fairly recent film The Help, not too tough for a good short story written by an observer as sharp as Wilma Shore was when this was published in 1941, when the clumsy US bureaucracies were still coping as they did with the leftovers of the Great Depression, not quite yet also coping with US involvement with the war.  The last lines are almost inexorable, and still sting today. 

You can do much worse than visit with these stories and more, and the occasionally reprinted stories and memoirs, in one anthology or occasionally several, including the O. Henry Award Prize Stories, Best American Short Stories and the Best from Fantasy and Science Fiction's volumes over the decades, that await you from Ms. Shore's not so small set of contributions, along with those behind paywalls and the like from The New YorkerCosmopolitan, The NationThe Antioch Review, Women's Studies Quarterly, The Ladies Home Journal, The Saturday Evening Post and other magazines, or seeking out her two books, the short story collection Women Should Be Allowed and the apparently charming, Edward Lear-ish children's picture story Who in the Zoo? Perhaps I'll need to do more than I have so far to advocate and excavate here. 

Much more traditional books and more reviewed at links collected at Patti Abbott's blog.