Showing posts with label Macabre. Show all posts
Showing posts with label Macabre. Show all posts

Monday, August 1, 2022

Fantasy/Horror/SF fiction magazine issues from the 1950s fantastica "End of Summer": THE MAGAZINE OF FANTASY AND SCIENCE FICTION April 1958 edited by "Anthony Boucher"; FANTASTIC April 1959 edited by Cele Goldsmith; FANTASTIC UNIVERSE April 1958 edited by Hans Stefan Santesson; TALES OF THE FRIGHTENED August 1957 edited by Lyle Kenyon Engel; SCIENCE FANTASY April 1958 edited by John Carnell (and INSIDE SF's F&SF/Mercury Press parody issue/September 1958, edited by Ron Smith, and MACABRE, Summer 1958, edited by Joseph Payne Brennan)

Key and/or rare and/or early stories from Kit Reed, Kate Wilhelm, Margaret St. Clair, Fritz Leiber, Harlan Ellison, Avram Davidson, Robert Arthur, Richard Wilson, Mack Reynolds, C. B. Gilford, Gordon Dickson, Victoria Lincoln, Poul Anderson, Mark Van Doren, Jack Williamson, Katherine MacLean, Harry Harrison, Brian Aldiss, Chad Oliver, James Gunn, Marion Zimmer Bradley, Rog Phillips, Nelson Bond, E. C. Tubb, David R. Bunch and others...Cover illustrations by Kelly Freas, Virgil Finlay, Brian Lewis, Dan Adkins, not really Mondrian and a sloppy typesetter, and a bonus by Hannes Bok...

As occasionally with these extensive "multimedia" posts I attempt, not only is the current pre-analysis text+ lengthy (and I need to get the analysis done!), but it's taxing Blogspot's per-post interface...at least with the aging Mac Air I'm currently working with.

So, this will be The Apparatus post, with the reviews post to come!

Part 2: reviews of stories from the F&SF and Fantastic Universe issues.

slightly (or more) revised/updated contents lists from ISFDB.com and The FictionMags Index offered below:

Can be read here.

Can be read here.

Can be read here.

  • Tales of the Frightened, August 1957
     (View All Issues) (View Issue Grid)
  • Editor: Lyle Kenyon Engel
  • Date: 1957-08-00
  • Publisher: Republic Features Syndicate, Inc.
  • Price: 
    $0.35
  • Pages: 132
  • Format: 
    digest
  • Type: MAGAZINE
  • Notes: Vol 1, No 2. The cover contains no artwork, just a listing of the stories in rectangular colored boxes. 'The Queen's Bedroom' is listed as 'The Queen's Bedchamber' on the table of contents. The cover manages to ascribe Poul Anderson's story to Mack Reynolds's pseudonym, and the "Mallory" story to a "Paul" Anderson.
Can be read here.


  • Science Fantasy, April 1958 
  • (View All Issues) (View Issue Grid) 
  • Editor: John Carnell
  • Date: 1958-04-00
  • Publisher: Nova Publications Ltd.
  • Price: 2/-
  • Format: digest
  • Type: MAGAZINE
  • Cover: Science Fantasy, April 1958 (1958) • by Brian Lewis
  •  2  •  Web of the Norns • novella by Harry Harrison and Katherine MacLean (as noted at the FictionMags Index, 'revised from “Web of the Worlds”, Fantasy Fiction Nov ’53'; I've submitted an update accordingly to ISFDB, after checking the texts of the two very similar-looking forms. The novella has been reprinted by Armchair Fiction under the older title, and presumably from the older edit.)
  • 59 • The Locusts • short story by R. Whitfield Young
  • 75 • An Affair of Gravity • [Hek Belov] • short story by Edward Mackin
  • 89 • Return Visit • short story by E. C. Tubb
  • 107 • The Carp That Once... • short story by Brian W. Aldiss
  • 112 • Out of Control • short story by Kenneth Bulmer

    • Can be read here.

    General observations:
    Somewhat randomly gathered issues, with a focus on April 1958 issue dates, built up around having my attention drawn to the F&SF issue again in a Facebook discussion (mostly focused on the Aldiss and to a slight extent the Leiber  cover story), and a desire to look at four US and the sole UK fantasy-oriented newsstand magazines of the latest '50s...though Tales of the Frightened only had two issues, thus was barely a presence on the newsstands (along with its sf and espionage-fiction stablemates, similar two-issue mayflies). F&SF and Fantastic Universe and Science Fantasy by default eschewed interior illustration, and Tales in its two issues mostly did (extending to the cover on this second and last issue); Fantastic usually had about half the fiction or so illustrated, and I wonder if the tumult around former editor Paul Fairman leaving, and former assistant Cele Goldsmith (not yet married and Cele Lalli and then Cele Goldsmith Lalli in her subsequent Ziff-Davis editorial career) taking the editorial reins led to the sparseness of the illustration in this issue and those produced shortly before and after. And while Lyle Kenyon Engle's editing (if he was, and not simply leaving the task to Michael Avallone, who presumably wrote at least some of the stories not yet credited to him but to utterly obscure writers/bylines) was as casual as Paul Fairman's, his magazines did manage to snag some work from talented writers who weren't quite--or usually--in the yardgoods business (as in, I want your stories/copy Tuesday more than I want them good) that Fairman had encouraged his core stable of reliable (in fact, pretty brilliant: Harlan Ellison, Robert Silverberg, Milton Lesser just about to legally change his name to Stephen Marlowe, Randall Garrett and Henry Slesar) young writers to engage in. As they did, apparently, for Fairman's three 1957 issues of the Fantastic spin-off Dream World: Stories of Incredible Powers, which Jerry House (in the comments) has previously warned us are rather dire to trudge through, so I've saved myself the wear and tear (though the first has a minor, then-new P. G. Wodehouse story)...and chose issues with rare/unreprinted (and often early) stories by the likes of Kate Wilhelm (a sort of Goldsmith "discovery" in her role as assistant editor at Fantastic) and Margaret St. Clair and C. B. Gilford.  The MacLean/Harrison novella in the Science Fantasy issue was in fact essentially a reprint, from the November 1953 (and final) issue of the US magazine Fantasy Fiction, an issue edited by Lester Del Rey (apparently) as "Cameron Hall" (some sources credit Harrison as editor "Hall"; Del Rey had quit before it was published, but perhaps it was already "put to bed"; the previous issues of the short run were edited by Del Rey in the clear), and has been reprinted by the small press  Armchair Fiction, presumably from the earlier edit, under the original title and in a double volume with Damon Knight's novella "Rule Golden".
    And it dawned on me that there were at least two "semi-pro" magazines in 1958 in English devoted in whole or in part to fantasy fiction, Joseph Payne Brennan's Macabre and Ron Smith, et al.'s, Inside Science Fiction; Inside is coming close to being completely online; Macabre, alas, hasn't even had a best-of anthology nor other reprint package created, even though it published some interesting work in its nearly two-decade run. (Such other major labors of love 'zines as Amra weren't publishing much or anything in 1958, though soon would make up for that.)
    The FictionMags Index listing for this issue of Fantasy Fiction.
    This issue can be read here.














      Inside [#53, September 1958] ed. Ron Smith (25¢/30¢, 64pp, digest s/s, cover by Dan Adkins; cover as by “Mel Humdrum” after Mel Hunter). Back cover by Neil Austin. Details supplied by Ned Brooks, as revised by TM here.
      • · “The Magazine of Science Fiction Fantasy And” with spoof contents page/colophon/house ads; parody headnotes and ad copy throughout F&SF lampoon by Dave Foley and Ron Smith
      • _5 · Shadrach, Meshach and Abednigo · Dave Foley as Henna Zenderson (Zenna Henderson) · ss
      • _8 · Through Time and Space with Ferdinand Fakeout · Dave Foley as Grundoon Briarpatch (Grendel Briarton aka Reginald Bretnor) · ss
      • _9 · Bleak Fate Intervenes · Bob Leman as Thomas Hardy · ss
      • _10 · The Night After We Land on Mars · Ron Smith as R. S. Dickson (R. S. Richardson) · hu
      • _11 · The Story More Dull Than the Dullest Story Ever Written ·  Ron Smith as Pocahontas Smith (perhaps meant to riff on "Cordwainer Smith"/Paul Linebarger) · vi
      • _12 · Recondemned Reading · Dave Foley as Anthony Twin (Anthony Boucher) · hu
      • _13 · The Man from Out There ·  Dave Foley as Nonah McClunkrak (Winona McClintic)  · pm
      • _14 · Platitudes · Dave Foley as Walter Jose Alverez (Philip Jose Farmer) · ss
      • _18 · House ad for other Quicksilver Publications and "Gone Last Issue" · Dave Foley and Ron Smith · hu
      • _19 · Song of the Spaceways · Dave Foley as Fredric Beige (Fredric Brown) · ss
      • _20 · Censured (parody of F&SF sibling magazine Venture Science Fiction) house ad: “The Same Old Story…” · Dave Foley and Ron Smith · hu (illustrated by Dan Adkins)
      • 21 · Book Reviews · [Various] · br
      • 21 · Review: The Third Level by Jack Finney · review by James E. Gunn · br
      • Novels:
      • 22 · Review: The Cosmic Puppets by Philip K. Dick and Sargasso of Space by "Andrew North" (Ms. Andre Norton) · review by Bob Leman · br
      • 22 · Review: A Case of Conscience by James Blish · review by Larry Harris (aka Laurence Janifer) · br
      • 23 · Review: Man of Earth by Algis Budrys · review by Larry Harris · br
      • 23 · Review: Cycle of Fire by Hal Clement · review by Larry Harris · br
      • 23 · Review: VOR by James Blish · review by Larry Harris · br
      • 23 · Review: Who? by Algis Budrys ·  review by Larry Harris · br
      • 24 · Review: Slave Ship by Frederik Pohl · review by Dave Foley · br
      • 25 · Review: Occam's Razor by David Duncan · review by Robert E. Briney · br
      • 25 · Review: Doomsday Morning by C. L. Moore · review by Dick Ellington · br
      • 25 · Review: World Without Men by Charles Eric Maine · review by Martin Jukovsky · br
      • 25 · Review · Big Planet and Slaves of the Klau by Jack Vance · review by Dan Adkins · br
      • 26 · Review · High Vacuum by Charles Eric Maine · review by Bill Donaho · br
      • 26 · Review · Twice Upon a Time by Charles L. Fountenay and The Mechanical Monarch by E. C. Tubb · review by Bill Donaho ·  br
      • 26 · Review · An Elephant for Aristotle by L. Sprague de Camp · review by Lin Carter · br
      • Short Stories:
      • 26 · Review · The Graveyard Reader edited by Groff Conklin · review by Ron Smith · br
      • 27 · Review · The Third Galaxy Reader edited by H. L. Gold · review by Ron Smith · br
      • 27 · "Joe sent me." · Gene McIntyre · cartoon
      • 28 · Review · On an Odd Note by Gerald Kersh · review by Ron Smith · br
      • 28 · Review · The Best from Fantasy and Science Fiction (Seventh Series) edited by Anthony Boucher · review by Larry Harris · br
      • 28 · Review · The Variable Man and Other Stories by Philip K. Dick · review by Larry Harris · br
      • 29 · Review · The Earth is Room Enough by Isaac Asimov · review by Larry Harris · br
      • 29 · Review · Robots and Changelings by Lester Del Rey · review by Larry Harris · br
      • 29 · Review · Starburst by Alfred Bester · review by Larry Harris · br
      • 30 · Review · Those Idiots from Earth by Richard Wilson · review by Larry Harris · br
      • 30 · Review · Time in Advance by William Tenn · review by Larry Harris · br
      • 30 · Review · Pilgrimage to Earth by Robert Sheckley · review by Dave Foley · br
      • 30 · Review · Fantastic Memories by Maurice Sandoz · review by Lin Carter · br
      • 30 · "To the greatest goddam mother on Earth." · Bob Miller · cartoon
      • Nonfiction:
      • 31 · Review · Theories of the Universe: From Babylonian Myth to Modern Science edited by Milton K. Munitz · review by Robert Silverberg · br
      • 31 · Review · Discovery of the Universe by G. de Vancouleurs · review by Larry Harris · br
      • 31 · Review · The Sun by Giorgio Abetti (translated from Italian by J. G. Sidgwick) · review by Larry Harris · br
      • 31 · Review · Guided Weapons by Eric Burgess · review by Larry Harris · br
      • 32 · Review · Satellite! by Erik Bergaust and William Beller · review by Larry Harris · br
      • 32 · Review · The World in Space by Alexander Marshak · review by Larry Harris · br
      • 32 · Review · Once Around the Sun by Ronald Fraser · review by Larry Harrisx · br
      • 32 · Review · The Inexplicable Sky by Arthur Constance · review by Lin Carter · br
      • Reprints:
      • 32 · Review · Children of the Atom by Wilmar H. Shiras · review by Dave Foley · br
      • 33 · Review · Earthlight by Arthur C. Clarke · review by Dave Foley · br
      • 33 · Review · Satellite E-One by Jeffery Lloyd Castle · review by Larry Harris · br
      • 34 · Review · 2nd Foundation: Galactic Empire (vt. of Second Foundation) by Isaac Asimov · review by Larry Harris · br
      • 34 · Review · The End of Eternity by Isaac Asimov · review by Larry Harris · br
      • 34 · Review · The Martian Way by Isaac Asimov · review by Larry Harris · br
      • 34 · Review · City by Clifford D. Simak · review by Larry Harris · br
      • 34 · Review · The Short Reign of Pippin IV by John Steinbeck · review by Bill Donaho · br
      • 34 · Review · Worlds Apart by J. T. McIntosh · review by Bill Donaho · br
      • 34 · Review · Invaders from Earth by Robert Silverberg and Across Time by "David Grinnel" (Donald A. Wollheim) · review by Bill Donaho · br
      • 34 · Review · City on the Moon by Murray Leinster and Men on the Moon edited by Donald A. Wollheim · review by Bill Donaho · br
      • 34 · Review · The Skylark of Space by E. E. Smith · review by Bill Donaho · br
      • 35 · Blurb Happy · Bob Tucker · hu (illustrated by Jerry Prueitt)
      • 40 · Sound the Anti-Tocsin · Walt Willis · hu (illustrated by Art Castillo)
      • 42 · Letters Found in an Author’s Drawers · Robert Bloch · hu
      • 46 · The Slitherer from the Slime · (as by H. P. Lowcraft) Lin Carter & Dave Foley · hu; satire
      • 51 · Miller by Moonlight · Bob Miller · cartoons
      • 56 · How They Did the Doggie at the Curbside · David R. Bunch · ss (illustrated by Cindy)
      • 62 · Khartoum · Anthony Boucher · vi ("a prose limerick")   Stefantasy August 1955
    Can be read here.
    Previous Sweet Freedom post on this issue.


    Can't be read online (and barely can be found otherwise)...but the (at least as impressive) Summer 1959/fifth issue can be read here.

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    Friday, October 23, 2020

    FFM (Friday's "Forgotten" Magazines): May 1960 Horror and Fantasy Fiction Magazines: F&SF, FANTASTIC, SHOCK, FEAR!, SCIENCE FANTASY (April), FANTASTIC UNIVERSE (March), MACABRE (Summer)--Friday Fright Night

    Some newsstand fantasy and horror (and sf and suspense fiction) in Spring of 1960:












    Macabre, Summer 1960 
    Price: $0.40
    Pages: 28

    So...why May 1960 issues?

    Well, this was one of the rare instances in which two newsstand horror-fiction magazines were launched with the same cover date...and the same lack of capitalization. Both Shock and Fear! were to last only briefly, three issues for Shock, two issues for Fear!...Winston Publications launched Keyhole Mystery Magazine at the same time, and with the same editor (though Dan Roberts didn't hide behind a Frankenstein's behemoth and an intelligent spider for the crime-fiction magazine--cutesy editorial fictions rarely help) and many of the same contributors, managed three issues before folding. Fear! was the product of Great American Publications, which had bought King-Size Publications' two fiction magazines (The Saint Mystery Magazine and Fantastic Universe--the US edition of the British New Worlds was launched with the March 1960 issue perhaps in part to make up for the folding of FU) and then added a small slew of other fiction magazines in an excess of enthusiasm, or at very least optimism...which overextension apparently contributed to Great American's crashing and burning by the end of 1960...they had folded Fantastic Universe, after an 8-year run, after beginning but never continuing the serialization of Fredric Brown's horror-adjacent sf novel The Mind Thing, and offering an uncredited translation of the first Jorge Luis Borges story to appear in an English-language fantasy magazine, in March (meaning it probably was still sitting on a few newsstands, at least, by the time the others here were issued).  The Magazine of Fantasy and Science Fiction (F&SF), Fantastic and the UK's Science Fantasy (the more fantasy and horror-receptive stablemate of New Worlds) would continue apace for some years, as would Joseph Payne Brennan's modest little magazine, the most prominent of those devoted to publishing weird fiction and poetry in 1960, Macabre.  

    F&SF always included some horror in its mix, as did Fantastic, Fantastic Universe and Science Fantasy also...F&SF's first mooted title was Fantasy and Terror, though that was not seen as a particularly easy sell in the immediate postwar years, despite the continuing popularity of horror fiction and horror drama on radio and to some extent in film; the first issue, as edited by founders "Anthony Boucher" (William White) and J. Francis McComas, was titled simply The Magazine of Fantasy when released in 1949, and the current title (it's the only magazine in our array here still publishing, though the most recent revival of Fantastic folded only a few years ago) came with the second issue, as sf magazines had already established that they had a receptive self-conscious audience (while horror and fantasy readers were less likely to see themselves that way until the attempts to market to them began began consistently succeeding in the 1970s and '80s). Fantastic (founded in 1952), Fantastic Universe (in 1953) and Science Fantasy (established as a professional magazine under that title in 1950) all were ready from the start to announce their openness to sf...FU almost to a ridiculous extent, though in a sense it has perhaps the most cheerful and optimistic title of any professional fantasy/sf magazine so far (and in moments of anger, the initials work).

    As noted, Shock was the stablemate of a crime-fiction magazine, most of Fear!'s freshet of stablemates were crime-fiction as well (and a couple of those were tv-series-tie-in magazines, 77 Sunset Strip and Tightrope, which mixed in non-series-related stories), and F&SF was seen as a fantasticated offshoot, in most ways, of its original stablemate Ellery Queen's Mystery Magazine; the relation of The Saint Detective Magazine and Fantastic Universe was in imitation of F&SF and EQMM. Fantastic, while its first two editors were at least as much interested in crime fiction as speculative, was for its initial 1952-80 run the consistent partner of the sf magazine Amazing, much as Science Fantasy was of New Worlds.  Brennan's little magazine was launched in 1957, as an attempt to provide a focus for those hoping to see a revival of Weird Tales magazine, which had folded in 1954, with Brennan as one of its last major "discoveries" (he had published more widely as a poet than a fiction writer, though had published a number of western stories, before WT in its last years published, most famously, such short horror fiction of his as "Slime" and "The Calamander Chest").

    That said, it's perhaps also a mark of the times that led their publishers to try to launch horror/suspense magazines...a few publishers, particularly Ballantine Books, were starting up horror lines, however tentatively (and some of the crime-fiction book lines were showing an increasing willingness to dip back into at least borderline horror, tagging some titles as "novels of menace" and the like); the increasing embrace of horror hosts on television film packages, local and syndicated, seemed to be embraced by the culture at large in a way that horror comics had not been, even though they both had their roots in radio horror and suspense hosts--on series which in their turn had inspired some short-lived magazines in the 1950s, the eclectic Suspense and The Mysterious Traveler, and the later and somewhat more affectionately than respectfully remembered Tales of the Unanticipated. Television dramatic anthologies touched on horror and sometimes jumped in with both feet (following in the footsteps of such radio series transplants as Suspense and Lights Out), and odd hybrids such as Alcoa Presents/One Step Beyond arose, and then the first long-term success in US fantasticated tv drama anthologies, The Twilight Zone, beginning in 1959. In the UK, such writers as Nigel Kneale were offering wildly popular drama dancing on the line between sf and horror. And British horror films, from Hammer and other studios, were doing well in the States, as were some rather more sophisticated horror and suspense films than the low-budget monster movies that had flooded in with the advent of drive-ins and lots of teens with spending money. Such borderline horror as Psycho couldn't've have hurt the sales pitches for horror/borderline horror magazines to their publishers and distributors. 

    All that said--what of the stories (and nonfiction features)? One thing that's hard to miss is how each of the magazines offers reprints--Shock almost to a fault, and the minor fiddling with titles of reprints in that issue seems almost as if they're hoping you won't recall those titles--seven out of 13 stories are good to excellent reprints, but some are definitely going to be familiar to most readers of horror--and if the magazine was aimed at kids (as the editorial fiction cuteness suggests), Theodore Sturgeon's "Bianca's Hands" probably wasn't going to be one of those reprints (though this is its first US magazine appearance, after beating a Graham Greene story in a contest in the UK magazine Argosy--after having appeared in at least a Groff Conklin horror anthology and Sturgeon's second, and horr0r-heavy and brilliant, collection). Such originals as Avram Davidson's "The Tenant" are nothing to be ashamed of, either. (The cover story in the third issue of Shock is Robert Bloch's brilliant suspense piece "The Final Performance", a new story--which, of course, editor Roberts presented as "Final Performance".) The least mining the past we see is in the Macabre issue, apparently...I haven't found a copy to read, so I don't know if Brennan's own H. P. Lovecraft essay builds on his nonfiction about HPL he'd published in the '50s; though it's amusing to note that this is certainly HPL month for nonfiction pieces, between Damon Knight's brief dismissal of how Lovecraft avoided overexposing his monstrous presences definitely to a fault and Sam Moskowitz's typically clumsy historical/critical profile; Brennan's is probably more adeptly written, and it would be interesting to see if it's more generally critical than Moskowitz chose to be.  In the Science Fantasy issue, the reprint is the similar Moskowitz essay about A. Merritt, which series ran on a several-month delay from their original appearances in Fantastic. Accompanying the essay in Fantastic is a reprint, from the very early and fairly elaborate 1935 fanzine Fantasy Magazine issue in which two quintets of writers were requested to write round-robin stories with the title "The Challenge from Beyond"--one group of five asked to take a science-fictional approach, the other, Weird Tales stars all save A. Merritt who was more an even earlier big draw in the likes of the US Argosy and All-Story magazines, to collaborate on a Cthulhu horror story. So, Catherine L. Moore (my favorite of this five), Abraham Merritt, H. P. Lovecraft, Robert E. Howard and Frank Belknap Long fell to and produced the story reprinted here. (You are invited to imagine the prices copies of this issue of the 1935 magazine go for when made available.) 

    Fear! dusts off a Wilkie Collins story from 1874, albeit one with a complex history; Fantastic Universe's only "true" reprint appears to be an Israeli news story (polymath editor H. S. Santesson might not've translated the Borges story, collected in Spanish as well as English in the versions of The Universal History of Infamy, as he refers in his editorial to Borges as a Mexican, rather than Argentine, writer...but perhaps it was a momentary slip). F&SF, as does Shock, reprints a John Collier story, only a relatively new 1956 item from The New Yorker, rather than a chestnut originally from Harper's in 1931 in the latter case; the F&SF issue also reprints a Joseph Hansen poem from Harper's, from the previous year. Shock reprints its Anthony Boucher story from F&SF in 1954; F&SF would eventually return the favor, reprinting Davidson's "The Tenant" a decade later, in 1971. 

    And, Fantastic and F&SF in these issues offer impressive new stories by Fritz Leiber, one each in his most sustained series: a Fafhrd and the Gray Mouser story, "When the Sea King's Away" in the Fantastic issue, and a Change War story in the F&SF, "The Oldest Soldier"...

    More to come. (It's been a surprisingly and suddenly busy two days.) Perhaps some pruning of the above, definitely some digging in with the horror fiction offered by each...

    [late bulletin--alas, no, but a Very belated correction of one of my typos...]








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