Wednesday, September 9, 2015

Tuesday's Overlooked Films and/or Other A/V: new links to reviews, interviews, and more

Anatomy of a Murder






The selections (reviews, interviews and citations at the links below) of undeservedly (and a few deservedly) under-appreciated audio/visual experiences...As always, thanks to all the contributors and you readers...a good week for Ida Lupino (BNoir and Ruth)...

Aaron West: Yi Yi

Anne Billson: Evil Tiger Ladies

Anonymous: Witness

Bill Crider: Bandidas  [trailer]
Bandidas

BV Lawson: Media Murder

BNoirDetour: The Hoodlum; Born to Kill

Colin:  Lisbon

Comedy Film NerdsAdam Rifkin on cult films

Cynthia Fuchs: A Walk in the Woods

Dan Stumpf: Apache Drums

David Cramner: Justified: "Collateral"

David Vineyard: 17 Moments of Spring

Dorian: Charade

Ed Gorman: character actors

Ed Howard: The Kid

Elgin Bleecker: Ride the Pink Horse

Elizabeth Foxwell: The Suspect

George Kelley: The Man from U.N.C.L.E. (Season One)

Gilligan Newton-John: Cinderella 2000; Space Thing; Wonder Woman: "The Man Who Could Move the World"

Harlan Ellison: Mike Hodel's Hour 25: "Dick Lochte" (KPFK/Pacifica Radio)


How Did This Get Made?: Furious 7

Iba Dawson: Wes Craven

Ivan G. Shreve, Jr.: The Green Archer

Jack Seabrook: The Alfred Hitchcock Hour: "The Older Sister"

Jackie Kashian: Good Hair; Sumukh Tolgalkar on Saved by the Bell; Maria Bamford and her father Joel Bamford  (from the lo-fi days of 2007)

Jacqueline T. Lynch: Slim

James Reasoner: Powderkeg

Janet Varney: Dana Gould

Jerry House: Zacherley

Jim Knipfel: Walking Tall (courtesy Bill Crider)

John Grant: Gambling Sex; Republic of Sin (aka...)

Jonathan Lewis: I, Monster

Judy Geater: Kings Go Forth

Karen Hannsberry: Central Park

Kelly Robinson: Silent and Lost Film notes

Ken Levine: Mary featuring Katey Sagal

Kliph Nesteroff: "He Restoreth My Soul" with Merrill Womach

Kristina Dijan: Violent Saturday; Chandu the MagicianFive and Ten; Tell No Tales; The Deadly Mantis

Lance Charnes: The Honorable Woman


Laura: Oregon Passage; Martin Milner; The Rocketeer; The Love Bug (1968)

Lindsey: Happiness Ahead; Haunted Gold; Meet John Doe; Second Chorus

Lucy Brown: Best of Men

Martin Edwards: Gladfest

Marty McKee: Martin MilnerBorderline

Mystery Dave: Chicken Run

Patricia Nolan-Hall: Vacation from Marriage

Patrick Murtha: Night Beat

Patti Abbott: film endings...

Pop My Culture: Brian Palermo

Raquel Stecher: Ace in the Hole

Richard Robinson: The Adventures of Sherlock Holmes (Granada Television 1984)

Rick: Fool's Parade; guest reviews: A New Leaf (Yvette Banek); Out of the Blue (Paddy Lee); Blue Collar (John Greco)

Rod Lott: Death Race; RKO Dick Tracy films; Metamorphosis

Ruth: They Drive by Night


Sam Juliano: Lord of the Flies (1963 film); How Green Was My Valley

Sanford Allen: Deadly Friend

Scott Cupp: Coherence; National Trivia Challenge


Sergio Angelini: Top 25 Courtroom Drama Films


The Hunger
Stacia Jones: The Hunger

Stephen Bowie: Brenner

Stephen Mullen: Germany Year Zero

Todd Mason: comedian podcast videos, LA PodFest and otherwise
Mitzi Gaynor, 1970s

Victoria Loomes: Alice Guy-Blaché 

Vienna: Mitzi Gaynor

Yvette Banek: The Clouded Yellow 
The Clouded Yellow

Sunday, September 6, 2015

Podcasts: comedians and guests

LA Podfest 2015 remote access
Jackie Kashian: If you are coming to the fest, all good. If you can't make the fest you can LIVESTREAM the whole damn thing for $25... use the CODE "dork" and then it's $20. You can see ALL the PODS for that $20 (for a month). www.lapodfest.com

Comedy Bang Bang with Gillian Jacobs, Paul F. Tompkins, Mike Hanford hosted by Scott Aukerman


The JV Club: Janet Varney hosts Kether Donohue and HoneyHoney

The JV Club at home: #100 with Busy Phillips

Go Bayside!: April Richardson hosts Jimmy Pardo to discuss her teenage obsession: Saved by the Bell


Never Not Funny: Jimmy Pardo et al. host Patton Oswalt, who slanders James Randi and whines about placebo debunking for no good reason...


The Dork Forest: Jackie Kashian hosts Jimmy Pardo


The Dana Gould Hour


Girl on Guy: Aisha Tyler hosts Marc Maron

Aisha Tyler and Al Madrigal as guests of The Crabfeast

WTF: Marc Maron hosts Whitney Cummings, Shelby Ferro, Pamela Adlon, Desi Jedeikin, Amber Preston


Friday, September 4, 2015

FFB: THE STARCHED BLUE SKY OF SPAIN by Josephine Herbst (HarperCollins 1991), or a bohemian Leninist writer's progress and further education...

In its first half, as a collection of four essays, one never before published and two among the more famous items in The Noble Savage (Saul Bellow and co.'s first magazine project) and a third appearing in New American Review several years later (the Savage having been tamed into folding early on), this book can be frustrating even as it's rather easy to read. Josephine Herbst was a woman with a passion to write and a passion for justice, and one who had a sensible, nagging dissatisfaction with the log-rolling and willful blindness that being a member of any sort of Movement can require...at least, if one is going to have an easy time of it.  The larger sense of the frustration is perhaps unfair--when she glosses quickly over her interactions with many of the most clangorous writers of the 1920s (young Katherine Anne Porter, Ezra Pound, Ford Madox Ford, et al.), or her work with H. L. Mencken at The Smart Set or on unnamed pulp magazines (for all we are allowed to know, possibly including Black Mask) to get to an extended reminiscence of an end of summer sailing trip along the Maine coast, she is writing about what she wants to write about, and what was most important to her about the incompletely liberating young adulthood that had followed a good but not altogether pleasant childhood, one which had prepared her at least with desire to go forth and Do Great Things beyond the standard domestic life of Mid-American women of her time. (We learn that she was in university for three years before completely leaving her family's home, and that she spent time in France and Germany apparently in the '20s, but little more than that.) Rather less unfair is noting overindulgence in what Twain or Borges would call "Fine Writing," particularly in the first, unpublished essay, where a man's suspenders remind her of ladders and various colored stains are cited to no great end on a collection of her mother's correspondence...which much build-up is given about how Herbst dreaded and craved unsuspected revelations when she read the letters after her mother's death, but that thread of the narrative is almost immediately dropped, with not even a "ah, well, that turned out not to be the case" or something similar, as she moves onto other relatively quotidian matters. There is perhaps a reason no one chose to publish the first essay before the book's appearance, even though it does give an excellent sense of the time, just after the turn of the 20th Century, and the detailed account of a family vacation to visit the Pacific Ocean, for the Nebraska girl and her extended family, reminded me of similar passages in the autobiography of science fiction writer Jack Williamson, who had famously moved house as a child with his family via Conestoga wagon at about the same time. The practical feminism and unwillingness to accept the unacceptable her mother imbues her and her younger sister with is not the least of the gifts she's given in those years. She does very much get across the sense of how thrilling it was to see so many of her friends and peers energized by the new trends in literary and other arts, even when, for example, it was clear that some of the contributors to transition, the most famous of avant garde little magazines of the time, were simply aping the Joyce prose their work was published alongside. (And how it seemed both amusing and simply sensible that she and her peers might turn from writing something challenging for This Quarter or transition and then turn, without moderating their voices too terribly much, to work for such far more establishmentarian magazines as The Dial or American Mercury.)

 The latter two essays deal more with her adult experiences as a political radical and someone trying to do well with her art, while not choosing to write intentional propaganda, nor willing to parrot that which she is being instructed to say or write by those who Know Better, get to the heart of their matters more consistently and tellingly. You knew that Ernest Hemingway was a pampered  jackass (full stop) during his sojourn in the Spanish Civil War, literally feasting and partying while the Spaniards around him and not a few of the various temporary emigres were starving and rather more abruptly dying while actually conducting the war against Franco's Carlist, Fascist and related insurgents, and if you didn't, you need to read the title essay.  Herbst and her ex-husband had taken the kind of eye-opening trip Emma Goldman had not enjoyed decades previously to the USSR under the Leninists, and now the Stalinists by the time of Hebst's visit, and how (as Bakunin had put it back in his arguments with Marx) beating the people with the people's stick was not only visited on the Russian and other Soviet peoples but to those who sought to further the supposed champions of the proletariat. While they were in the orbit of the likes of Whittaker Chambers in the 1930s, and how that affected her attempt to do her part in US government work during World War II. 

Herbst was an interesting figure and doesn't spare herself much as she recalls the keys events (and not so key ones, except to her personally) that were not only important to the cultural but the political tumult of her century, and her capacity to refuse to blindly commit to any cause is admirable...this imperfect book is yet another unfairly obscure at the present, in part because it will tweak both discredited and entirely too robust (Papa Hemingway cultism) causes she had a better opportunity to observe than nearly anyone else. 

For more of today's books, please see Patti Abbott's blog. 

Wednesday, September 2, 2015

Tuesday's Overlooked Films and/or Other A/V on Wednesday: the links to reviews, interviews and more

Moonrise Kngdom



The selections (reviews, interviews and citations at the links below) of undeservedly (and a few deservedly) under-appreciated audio/visual experiences...apologies to everyone for yet another delayed presentation. As always, thanks to all the contributors and you readers... 

Allan Fish: Oliver Twist (1948 film); The White Balloon

Anne Billson: 5 Romantic Comedies 

Anonymous: L'Atalante

Bill Crider: Black Moon Rising  [trailer]

BV Lawson: Media Murder

BNoirDetour: Gaslight

Colin: Broken Lance

Comedy Film Nerds: Greg Fitzsimmons: Studio Ghibli, The End of the Tour, Wes Craven, etc.

Cynthia Fuchs: Meru; Approaching the Elephant

David Cramner: Jack Nicholson westerns

David Vineyard: The Intruders

Dorian: His Kind of Woman

Elgin Bleecker: The List of Adrian Messenger

Ellen Datlow: Sasquan (WorldCon 2015) Photos

Elizabeth Foxwell: A Slight Case of Murder; Great Lives: "P.D. James"

Evan Lewis: The Lady in the Morgue

Gary Deane: Laurence Harvey noir

Gary Dobbs: Rise of the Krays

Gilligan Newton-John: horror films on television

Harlan Ellison: Mike Hodel's Hour 25: "Charles Beaumont Memorial" with Richard Matheson, Roger Anker, Richard Christian Matheson and Chris Beaumont (KPFK/Pacifica Radio)

Iba Dawson: A Single Man

Ivan G. Shreve, Jr.: Milton Berle on radio

Jackie Kashian: The HeatStephen Brophy on super villains; Maria Alexander and Aaron Vanek on horror (from the lo-fi days of 2010)

starring Jackie Kashian and Brandie Posey (some NSFW dialog)

Jacqueline T. Lynch: Louise Beavers

Jake Hinkson: Chicago: City of Film

James Reasoner: Moonrise Kingdom

Janet Varney: Kimberly Brooks

Jerry House: Sydney Greenstreet

John Grant: "Eroticide"; Bars of Hate

John Greco: Little Fugitive


Jon Warner: Boyhood


Jonathan Lewis: Doctor Who: "The Daemons"

Judy Geater: Angel and the Badman

Karen Hannsberry: The Best of Everything and...

Kelly Robinson: Clara BowLouise Brooks: Lost Films 

Ken Levine: tv presidents

Kliph Nesteroff: Pistols and Petticoats:"Petrified"

Kristina Dijan: There Was a Crooked Man; IndiscreetLost Heroes and...; Last Passenger and...; TCM September

Lance Charnes: Transporter: The Series (television)


Laura: Highway 13; Motor Patrol; Radar Secret Service; D23 Expo: Disneyland

Lindsey: Hi, Nellie; Our Town (1940 film); The Window

Lucy Brown: Scott & Bailey

Marilyn Ferdinand: American Graffiti

Martin Edwards: The Riot Club

Marty McKee: Martial LawThe Marine 4: Moving Target

Mystery Dave: The Young Girls of Rochefort

Nik Bloodstorm: Witch and Satanic Cult films (courtesy Kate Laity)

Patricia Nolan-Hall: The Strawberry Blonde

Patrick Murtha: Mississippy Missippi Tu-Polo

Patti Abbott: 1976: Ten Best Films; The End of the Tour

Pop My Culture: Diane Franklin and Amanda Wyss

Raquel Stecher: Anatomy of a Murder

Rich Horton: WorldCon/Sasquan Report (particularly here)

Rick: The NannyThe Witches; Boggy Creek films

Rod Lott: Surrogates; Stay Alive; The Scarlet Claw; The Jinx

Ruth: Ingrid Bergman


Sanford Allen: A Girl Walks Home Alone at Night

Scott Cupp: Seven Footprints to Satan


Sergio Angelini: A Man Lay Dead (BBC Radio 4); The Alleyn Mysteries: "A Man Lay Dead"

Stacia Jones: The Last American Virgin

Stephen Bowie: Breaking Bad: a dissent

Steve Lewis: Crime Doctor; The Crime Doctor's Courage

Victoria Loomes: All About Eve

Vienna: Executive Suite

Walter Albert: The Circus Queen Murder

William Lampkin: Pulpfest 2015

Yvette Banek: "Krakatoa Katie"

Tuesday, September 1, 2015

the six (at least) horror and related fantasy annuals in English this year

To be released this fall by Undertow Books and ChiZine Publications: final contents might include one further story:

“The Atlas of Hell” by Nathan Ballingrud (Fearful Symmetries, ed. Ellen Datlow, ChiZine Publications)
 “Wendigo Nights” by Siobhan Carroll (Fearful Symmetries, ed. Ellen Datlow, ChiZine Publications)
 “Headache” by Julio Cortázar. English-language translation by Michael Cisco (Tor.com, September 2014)
 “Loving Armageddon” by Amanda C. Davis (Crossed Genres Magazine #19, July 2014)
 “The Earth and Everything Under” by K.M. Ferebee (Shimmer Magazine #19, May 2014) 
“Nanny Anne and the Christmas Story” by Karen Joy Fowler (Subterranean Press Magazine, Winter 2014)
“The Girls Who Go Below” by Cat Hellisen (The Magazine of Fantasy & Science Fiction, July/August 2014)
“Nine” by Kima Jones (Long Hidden: Speculative Fiction From the Margins of History, eds. Rose Fox & Daniel José Older, Crossed Genres Publications)
“Bus Fare” by Caitlín R. Kiernan (Subterranean Press Magazine, Spring 2014)
“The Air We Breathe Is Stormy, Stormy” by Rich Larson (Strange Horizons Magazine, August 2014)
“The Husband Stitch” by Carmen Maria Machado (Granta Magazine, October 2014)
“Observations About Eggs From the Man Sitting Next to Me on a Flight from Chicago, Illinois to Cedar Rapids, Iowa” by Carmen Maria Machado (Lightspeed Magazine #47, April 2014)
“Resurrection Points” by Usman T. Malik (Strange Horizons Magazine, August 2014)
“Exit Through the Gift Shop” by Nick Mamatas (Searchers After Horror: New Tales of the Weird and Fantastic, ed. S.T. Joshi, Fedogan & Bremer)
“So Sharp That Blood Must Flow” by Sunny Moraine (Lightspeed Magazine #45, February 2014)
“The Ghoul” by Jean Muno, English-language translation by Edward Gauvin (Weirdfictionreview.com, June2014)
“A Stretch of Highway Two Lanes Wide” by Sarah Pinsker (The Magazine of Fantasy & Science Fiction, March/April 2014)
“Migration” by Karin Tidbeck (Fearsome Magics: The New Solaris Book of Fantasy, ed. Jonathan Strahan, Solaris)
“Hidden in the Alphabet” by Charles Wilkinson (Shadows & Tall Trees 2014, ed. Michael Kelly, Undertow Publications)
“A Cup of Salt Tears” by Isabel Yap (Tor.com, August 2014)

  • Publication: Best British Horror 2015
  • Editors: Johnny Mains
  • Year: 2015-05-25
  • ISBN: 978-1-78463-028-7 [1-78463-028-4]
  • Publisher: Salt Publishing
  • Price: £9.99
  • Pages: 384
“Shaddertown” by Conrad Williams (Shadows & Tall Trees, Volume 6)
“Quarry Hogs” by Jane Jakeman (Supernatural Tales 27, Autumn 2014)
“Random Flight” by Rosalie Parker (Terror Tales of Yorkshire, edited by Paul Finch, Gray Friar Press)
“A Spider Remember” by Sara Pascoe (Dead Funny, edited by Robin Ince and Johnny Mains, Salt Publishing)
“Eastmouth” by Alison Moore (The Spectral Book of Horror Stories, edited by Mark Morris, Spectral Press)
“Learning the Language” by John Llewellyn Probert (Terror Tales of Wales, edited by Paul Finch, Gray Friar Press)
“Reunion” by Rebecca Lloyd (Mercy and Other StoriesTartarus Press)
“The Third Time” by Helen Grant (Ghosts and Scholars Book of Shadows, Volume 2, edited by Rosemary Pardoe, Sarob Press)
“Drowning in Air” by Andrew Hook (Strange Tales, Volume IV, edited by Rosalie Parker, Tartarus Press)
“Alistair” by Mark Samuels (Written in DarknessEgaeus Press)
“In the Year of Omens” by Helen Marshall (Gifts for the One Who Comes AfterChiZine Publications)
“Apple Pie and Sulphur” by Christopher Harman (Shadows & Tall Trees, Volume 6)
“On Ilkley Moore” by Alison Littlewood (Terror Tales of Yorkshire, edited by Paul Finch, Gray Friar Press)
“The Broken and the Unmade” by Stephen J Dines (Black Static, Issue 39)
“Only Bleeding” by Gary McMahon (Horror Uncut, edited by Joel Lane and Tom Johnstone, Gray Friar Press)
“The Night Porter” by Ray Russell (Shadows & Tall Trees, Volume 6)
“Something Sinister in Sunlight” by Lisa Tuttle (The Spectral Book of Horror Stories, edited by Mark Morris, Spectral Press)
“Summerside” by Alison Moore (Shadows & Tall Trees, Volume 6)
“Private Ambulance” by Simon Kurt Unsworth (Noir, edited by Ian Whates, NewCon Press)
“The Rising Tide” by Priya Sharma (Terror Tales of Wales, edited by Paul Finch, Gray Friar Press)
“The Slista” by Stephen Laws (The Spectral Book of Horror Stories, edited by Mark Morris, Spectral Press)
“Dog” by Reece Shearsmith (Dead Funny, edited by Robin Ince and Johnny Mains, Salt Publishing)

  • Publication: The Year's Best Dark Fantasy & Horror: 2015
  • Editors: Paula Guran
  • Year: 2015-06-24
  • ISBN: 978-1-60701-454-6 [1-60701-454-8]
  • Publisher: Prime Books
  • Price: $19.95
  • Pages: 576
Content (in alphabetical order by author)
  • Kelley Armstrong, “The Screams of Dragons” (Subterranean Press Magazine, Spring 2014) 
  • Dale Bailey, “The End of the End of Everything” (Tor.com, 23 Apr 2014) 
  • Laird Barron, “(Little Miss) Queen of Darkness” (Dark Discoveries #29)
  • Elizabeth Bear “Madam Damnable’s Sewing Circle” (Dead Man’s Hand, ed. John Joseph Adams) 
  • Richard Bowes, “Sleep Walking Now and Then” (Tor.com, 9 July 2014)
  • Nadia Bulkin, “Only Unity Saves the Damned” (Letters to Lovecraft, ed. Jesse Bullington)
  • Gemma Files, “A Wish From a Bone” (Fearful Symmetries, ed. Ellen Datlow) 
  • S. L. Gilbow, “Mr Hill’s Death” (The Dark #4)
  • Lisa L. Hannett & Angela Slatter, “The Female Factory” (The Female Factory)
  • Maria Dahvana Headley “Who Is Your Executioner?” (Nightmare Magazine, Nov 2014)
  • Stephen Graham Jones, “The Elvis Room” (The Elvis Room)
  • Caitlín R. Kiernan, “The Cats of River Street (1925)” (Sirenia Digest #102)
  • Alice Sola Kim, “Mothers, Lock Up Your Daughters Because They Are Terrifying” (Monstrous Affections, eds. Kelly Link & Gavin Grant/Tin House #61) 
  • John Langan, “Children of the Fang” (Lovecraft’s Monsters, ed. Ellen Datlow) 
  • Yoon Ha Lee, “Combustion Hour” (Tor.com, 10 Apr 2014)
  • V. H. Leslie, “The Quiet Room” (Shadows & Tall Trees: 2014, ed. Michael Kelly)
  • Ken Liu, “Running Shoes” (SQ Mag, Issue 16, Sept 2014)
  • Usman T. Malik, “Resurrection Points” (Strange Horizons, 4 August 2014) 
  • Helen Marshall, “Death and the Girl from Pi Delta Zeta” (Lackington’s, Issue 1, Winter 2014)
  • Brandon Sanderson, “Dreamer” (Games Creatures Play, eds. Charlaine Harris & Toni L. P. Kelner)
  • Simon Strantzas, “Emotional Dues” (Burnt Black Suns)
  • Steve Rasnic Tem, “The Still, Cold Air” (Here with the Shadows)
  • Lavie Tidhar, “Kur-A-Len” (Black Gods Kiss)
  • Jeff VanderMeer, “Fragments from the Notes of a Dead Mycologist” (Shimmer #18)
  • Kali Wallace, “Water in Springtime” (Clarkesworld, Issue 91, Apr 2014)
  • Damien Angelica Walters, “The Floating Girls: A Documentary” (Jamais Vu Issue Three, Sept 2014)
  • Kaaron Warren, “The Nursery Corner” (Fearsome Magics, ed. Jonathan Strahan) 
  • A. C. Wise, “And the Carnival Leaves Town” (Nightmare Carnival, ed. Ellen Datlow)
  • Publication: The Best Horror of the Year, Volume Seven
  • Editors: Ellen Datlow
  • Year: 2015-08-11
  • ISBN: 978-1-59780-829-3 [1-59780-829-6]
  • Publisher: Night Shade Books
  • Price: $15.99
  • Pages: 416
“The Atlas of Hell” by Nathan Ballingrud (Fearful Symmetries, edited by Ellen Datlow, ChiZine Publications)
“Winter Children” by Angela Slatter (Postscripts #32/33 Far Voyager, edited by Nick Gevers, PS Publishing)
“A Dweller in Amenty” by Genevieve Valentine (Nightmare Magazine, March 2014)
“Outside Heavenly” by Rio Youers (The Spectral Book of Horror Stories, edited by Mark Morris, Spectral Press)
“Shay Corsham Worsted” by Garth Nix (Fearful Symmetries, edited by Ellen Datlow, ChiZine Publications)
“Allocthon” by Livia Llewellyn (Letters to Lovecraft, edited by Jesse Bullington, Stone Skin Press)
“Chapter Six” by Stephen Graham Jones (Tor.com, June 2014)
“This is Not for You” by Gemma Files (Nightmare Magazine, September 2014)
“Interstate Love Song (Murder Ballad No. 8)” by Caitlín R. Kiernan (Sirenia Digest #100, May 2014)
“The Culvert” by Dale Bailey (The Magazine of Fantasy & Science Fiction, September/October 2014)
“Past Reno” by Brian Evenson (Letters to Lovecraft, edited by Jesse Bullington, Stone Skin Press)
“The Coat Off His Back” by Keris McDonald (Terror Tales of Yorkshire, edited by Paul Finch, Gray Friar Press)
“the worms crawl in” by Laird Barron (Fearful Symmetries, edited by Ellen Datlow, ChiZine Publications)
“The Dog’s Home” by Alison Littlewood (The Spectral Book of Horror Stories, edited by Mark Morris, Spectral Press)
“Tread Upon the Brittle Shell” by Rhoads Brazos (SQ Magazine, Edition 14, May 2014)
“Persistence of Vision” by Orrin Grey (Fractured: Tales of the Canadian Post-Apocalypse, edited by Silvia Moreno-Garcia, Exile Editions)
“It Flows From the Mouth” by Robert Shearman (Shadows & Tall Trees, Volume 6)
“Wingless Beasts” by Lucy Taylor (Fatal Journeys, Overlook Connection Press)
“Departures” by Carole Johnstone (The Bright Day is Done, Gray Friar Press)
“Ymir” by John Langan (The Children of the Old Leech, edited by Ross E. Lockhart & Justin Steele, Word Horde)
“Plink” by Kurt Dinan (Postscripts #32/33 Far Voyager, edited by Nick Gevers, PS Publishing)
“Nigredo” by Cody Goodfellow (In the Court of the Yellow King, edited by Glynn Owen Barras, Celaeno Press)

Title: The Year's Best Australian Fantasy & Horror 2014 
Editors: Liz Grzyb and Talie Helene 
Year: 2015
Type: ANTHOLOGY 
Series: Year's Best Australian Fantasy and Horror 
Series Number: 5



BEST NEW HORROR #26  Edited by Stephen Jones: 

ACKNOWLEDGEMENTS
INTRODUCTION: HORROR IN 2014The Editor 
SECONDHAND MAGICHelen Marshall 
THE CULVERTDale Bailey 
THE PATTER OF TINY FEETRichard Gavin 
THE FOUR STRENGTHS OF SHADOWRon Weighell
THE NIGHT RUNSimon Kurt Unsworth 
HOME AND HEARTHAngela Slatter 
DUSTRebecca Lloyd 
SUFFER LITTLE CHILDRENRobert Shearman
THE NIGHT DOCTORSteve Rasnic Tem 
THE DESECRATORDerek John 
THE WALKDennis Etchison 
DIRT ON VICKYClint Smith 
SKULLPOCKETNathan Ballingrud 
TESTIMONY OF SAMUEL FROBISHER REGARDING EVENTS UPON HIS MAJESTY'S SHIP CONFIDENCE, 14-22 JUNE 1818, WITH DIAGRAMSIan Tregillis 
AT LORN HALLRamsey Campbell 
SELFIESLavie Tidhar 
MATILDA OF THE NIGHTStephen Volk 
THE COLLECTED SHORT STORIES OF FREDDIE PROTHERO, INTRODUCTION BY TORLESS MAGNUSSEN, PH.D.Peter Straub 
BURNT BLACK SUNSSimon Strantzas 
NECROLOGY: 2014Stephen Jones and Kim Newman 
USEFUL ADDRESSES
...PS Publishing is also reprinting some past volumes of the series, including last year's, with EC Comics-esque covers: