|the final cover painting by Hannes Bok|
|Lee Brown Coye|
Fantasy and sf in the fiction magazines devoted to them trended ever more sophisticated from their introduction in the US and UK in the 1920s and '30s, and in other English-language countries (though most other Anglophone countries usually featured simply local editions of the US or UK magazines), till by the 1950s the good ones averaged on par with the run of more sophisticated
issue of his Amazing Stories Annual). F. Orlin Tremaine innovated as successor to Harry Bates and the latter's Astounding Stories of Super Science; John W. Campbell Jr. refined and continued those advances away from standard pulp adventure, and had the title changed from Tremaine's Astounding Stories to Astounding Science-Fiction, and then eventually to Analog (which it remains today); Sam Merwin, Jr. likewise in the latter '40s into the '50s improved on the efforts of his predecessors (at Thrilling Wonder Stories and Startling Stories, the latter-day versions of Gernsback's second set of sf magazines), Dorothy McIlwraith's Weird Tales (where she widened that magazine's remit beyond the kind of neo-gothic horror and purple overstatement that her predecessors favored, even as impressive as Farnsworth Wright's best editorial work had been), and even the young Frederik Pohl, at his promising magazines Astonishing Stories and Super-Science Stories, demonstrating their initially 19-year-old editor's quick learning curve but also his openness to the larger literary world, and as the most financially sound and widely-read of the magazines edited by the young lions of the Futurian Society of New York, a fan/ aspiring pro group of writers, editors, artists, agents and more who included a large number of the most notable conscious artists in fantastic fiction, albeit all still very young in the 1930s and '40s. Judith Merril, freelancing anthologies and establishing the second, and often controversial, sf and fantasy best-of-the-year annual, Donald Wollheim, at Avon Books, then Ace Books, then DAW Books, Robert Lowndes, at Columbia Publications and other low-budget publishers, and Larry Shaw in magazines and at Lancer Books, were among the other most prominent editors among the Futurians.
And so, as the new magazines of the 1950s entered the scene, including the four magazines represented in this review essay, the bend toward increasing literary excellence and ambition was already established ...the best of the new magazines, and the best work in the field published in the 1950s, was able to match the standards of fiction published in any other forum on a consistent basis, even given there was still a fair amount of relatively trivial and weak fiction also made available, as in every other field of fiction as well. By the early/mid '60s, the groundwork laid by the increasing urbanity and prose facility of fiction published in magazines such as Galaxy, The Magazine of Fantasy and Science Fiction, Fantastic: Stories of Imagination, and Science Fantasy had been building steadily on the good work of and in the previous issues of the same magazines, and not a few other allied periodical titles and anthologies of new work, and book publishers open to novels of ambition, at least fitfully... was resulting in some of what is collected in the books, and one special retrospective magazine issue, we consider here.
The four editors, or the three editors and a small cluster of editors at Science Fantasy in the early/mid-'60s the fiction collected here springs from, were doing, under some stressful limitations and not always fully successfully, some of the most important editorial work in fantastic fiction of their time. Frederik Pohl, officially the editor of Galaxy and its recently-acquired sibling If from 1962, had been responsible for an increasing amount of the editorial work behind the scenes since the late '50s, as Pohl's literary agency and Galaxy founding editor H. L. Gold were both facing extreme difficulty. Pohl had been a key supporter of Gold, as agent and as a contributor of fiction, from the magazine's founding in 1950, and was unsurprisingly tapped to serve. Galaxy and If under his initial official editorship faced tough times; one strategy he took to help the magazines weather slowing sales was to buy a certain amount of acceptable-to-good fiction at a new low rate of payment for stories, 1c/word, then immediately afterward begin editing more selectively, seeking better work at Galaxy's initial 1950 rate of three cents per word...and mix the better work in with the readable till reader support could be, he hoped, regained.
At The Magazine of Fantasy and Science Fiction, or F&SF, increasingly frequent contributor Avram Davidson was asked in 1962 to become its fourth editor, and third solo editor, the first in that position to not have been either a co-founder or an old hand around the magazine. Davidson as editor was often seen as willing to explore eccentricity even more than had predecessors Robert P. Mills and founding editors "Anthony Boucher" and J. Francis McComas, but he managed to publish a considerable amount of pathbreaking fiction; he remains my favorite of the editors of the magazine, in a very impressive field.
Similarly, Cele Goldsmith (later married and signing herself Cele Lalli, and later yet Cele Goldsmith Lalli) had joined the magazine staff at Ziff-Davis in the mid '50s with the primary task of editing a short-lived magazine called Pen Pals which was devoted to just that, facilitating new mail correspondents. She was also tasked with assisting the ever-more nonchalant fiction magazine editor on staff, Howard Browne, who had been founding editor of Fantastic, but whom increasingly spent his on-the-clock time at the offices writing his own fiction for publication elsewhere. Goldsmith didn't know very much about fantasy or sf as fields, but was the conscientious presence on the staff, as Browne was succeeded by an old writing colleague of his, and founding editor of If, Paul W. Fairman, if anything even more oblivious to the quality of the magazine he was barely editing. Goldsmith would comb through the "slush pile" of unsolicited manuscripts, and found as a result, among other work, what would be Kate Wilhelm's first published story, which Fairman disinterestedly published along with the fiction he bought unread from his five "regulars": Robert Silverberg, Harlan Ellison, Milton Lesser (before he legally changed his name to Stephen Marlowe), Randall Garrett and Henry Slesar, a very talented quintet who were not usually offering their best work to an editor who wanted manuscripts on-time and unproblematic much more than he wanted them good. Others, including Fairman himself, would also contribute, particularly for some special issues devoted to wish-fulfillment fantasy that led up to a short-lived spinoff magazine called Dream World. Goldsmith learned a lot about what to do and more of what not to.
All of these items have been packaged on the cheap--standard practice at Doubleday in the '60s when not dealing with their "lead titles", and Ultimate and Surinam Turtle Press were and are all but one-person shops, Ultimate a retirement job for publisher Sol Cohen and STP kind of an avocational project of Richard Lupoff's.
- The Seventh Galaxy Reader ed. Frederik Pohl (Doubleday, 1964, $3.95, 247pp, hc) Cover: Roger Zimmerman
Introduction · Frederik Pohl · in
For Love · Algis Budrys · nv Galaxy Jun 1962
Come Into My Cellar · Ray Bradbury · ss Galaxy Oct 1962
The Tail-Tied Kings · Avram Davidson · ss Galaxy Apr 1962
Crime Machine · Robert Bloch · ss Galaxy Oct 1961
Return Engagement · Lester del Rey · ss Galaxy Aug 1961
Earthmen Bearing Gifts · Fredric Brown · vi Galaxy Jun 1960
Rainbird · R. A. Lafferty · ss Galaxy Dec 1961
Three Portraits and a Prayer · Frederik Pohl · ss Galaxy Aug 1962
Something Bright · Zenna Henderson · ss Galaxy Feb 1960
On the Gem Planet [Casher O’Neill] · Cordwainer Smith · nv Galaxy Oct 1963
The Deep Down Dragon · Judith Merril · ss Galaxy Aug 1961
The King of the City · Keith Laumer · nv Galaxy Aug 1961
The Beat Cluster · Fritz Leiber · ss Galaxy Oct 1961
An Old-Fashioned Bird Christmas · Margaret St. Clair · nv Galaxy Dec 1961
The Big Pat Boom · Damon Knight · ss Galaxy Dec 1963
The Big Pat Boom · Damon Knight · ss Galaxy Dec 1963
- The Best from Fantasy and Science Fiction: 14 ed. Avram Davidson (Doubleday, 1965, hc; 251pp, $4.50) Cover: Tom Chibbaro
- Introduction · Avram Davidson · in
- Sacheverell · Avram Davidson · ss F&SF Mar 1964
- Trade-In · Jack Sharkey · ss F&SF Jun 1964
- The Illuminated Man · J. G. Ballard · nv F&SF May 1964
- A Bulletin from the Trustees of the Institute for Advanced Research at Marmouth, Mass. · Wilma Shore · ss F&SF Aug 1964
- Automatic Tiger · Kit Reed · ss F&SF Mar 1964
- The Court of Tartary · T. P. Caravan · ss F&SF Dec 1963
- Touchstone · Terry Carr · ss F&SF May 1964
- Thaw and Serve · Allen Kim Lang · ss F&SF Jan 1964
- Nada · Thomas M. Disch · ss F&SF Aug 1964
- Into the Shop · Ron Goulart · ss F&SF Apr 1964
- A Rose for Ecclesiastes · Roger Zelazny · nv F&SF Nov 1963
- Olsen and the Gull · Eric St. Clair · ss F&SF Sep 1964
- Dark Conception · Louis J. A. Adams · ss F&SF Nov 1964
- The Compleat Consumators · Alan E. Nourse · ss F&SF Apr 1964
- The House by the Crab Apple Tree · S. S. Johnson · nv F&SF Feb 1964
- The Girl with the Hundred Proof Eyes · Ron Webb · ss F&SF Jul 1964
- Fred One · James Ransom · ss F&SF Apr 1964
- Sword & Sorcery Annual  ed. Sol Cohen (75¢, 132pp, digest, cover by Steve Fabian)
- 4 · Queen of the Black Coast [Conan] · Robert E. Howard & L. Sprague de Camp · nv The Coming of Conan, Gnome 1953; lightly edited by de Camp from the story of the same name (Weird Tales May 1934).
- 24 · L. Sprague de Camp: Sword and Satire · Sam Moskowitz · bg Amazing Stories Feb 1964
- 34 · The Pillars of Chambalor [Brak] · John Jakes · ss Fantastic Mar 1965
- 50 · Master of Chaos [Earl Aubec] · Michael Moorcock · ss Fantastic May 1964
- 64 · The Mirror of Cagliostro · Robert Arthur · nv Fantastic Jun 1963; adapted from Arthur’s TV script “The Prisoner in the Mirror” broadcast on Thriller 5/23/61.
- 94 · The Cloud of Hate [Fafhrd and the Gray Mouser] · Fritz Leiber · ss Fantastic May 1963
- 107 · The Masters · Ursula K. Le Guin · ss Fantastic Feb 1963
- 127 · Horseman! · Roger Zelazny · vi Fantastic Aug 1962
- Perchance to Wake: Yet More Selected Stories from Science Fantasy
- Editors: Damien Broderick, John Boston
- Date: 2016-01-19 ISBN: 978-1-60543-874-0 [1-60543-874-X]
- Publisher: Surinam Turtle Press; Price: $20.00; Pages: 259 Cover design by Fender Tucker
- 11 • Introduction (Perchance to Wake) • essay by Damien Broderick
- 17 • Bring Back a Life • (March 1965) • novelette by John T. Phillifent [as by John Rackham]
- 39 • Vashti • (May 1965) • novella by Thomas Burnett Swann
- 75 • The Wall • (November 1965) • short story by Josephine Saxton
- 83 • Beyond Time's Aegis • (November 1965) • novelette by Brian Stableford and Craig A. Mackintosh [as by Brian Stableford and Craig Mackintosh]
- 113 • The Circulation of the Blood • (March 1966) • novelette by Brian W. Aldiss [as by Brian Aldiss] [appeared a few months earlier in an anthology, Window on the Future, edited by Douglas Hill]
- 143 • You and Me and the Continuum • (March 1966) • short story by J. G. Ballard
- 153 • The Run • (May 1966) • short story by Christopher Priest
- 163 • Corfe Gate • [Pavane] • (July 1966) • novelette by Keith Roberts
- 219 • Stop Seventeen • (November 1966) • short fiction by Robert Wells
- 229 • Mantis • (January 1967) • short fiction by Chris Boyce
--More to come...