Two anthologies with content that is difficult to dismiss, if one was even to try.
Sixty Years of Great Fiction from Partisan Review edited by William Phillips (Partisan Review Press, 1996 [or 1/97], ISBN 0-644377-5-9; $24.95. 425+xx pp, hc); jacket/pb cover painting by Helen Frankenthaler
vii * Foreword * Saul Bellow * fw
xix * Introduction * William Phillips * in
3 * Two Syllables * Ignazio Silone; translated by Samuel Putnam * ss Partisan Review October 1936 (V. 3#6)
xix * Introduction * William Phillips * in
3 * Two Syllables * Ignazio Silone; translated by Samuel Putnam * ss Partisan Review October 1936 (V. 3#6)
13 * Hurry, Hurry * Eleanor Clark * ss Partisan Review January 1938 (V. 4 #2)
19 * Red, White, and Blue Thanksgiving * John Dos Passos * ss Partisan Review Winter 1939 (V. 6 #2)
23 * The Autobiography of Rose * Gertrude Stein * pm Partisan Review Winter 1939 (V. 6 #2)
26 * The Only Son * James T. Farrell * ss Partisan Review Spring 1939 (V. 6 #3)
34 * A Goat for Azazel (A.D. 1688) * Katherine Anne Porter * ss Partisan Review May/June 1940 (V. 7 #3)
42 * The Man in the Brooks Brothers Shirt * Mary McCarthy * (nv) Partisan Review July/August 1941
65 * Josephine the Singer, or the Mouse Folk * Franz Kafka; translated by Clement Greenberg * ss Partisan Review May/June 1942 (V.9 #3)
76 * Of This Time, of That Place * Lionel Trilling * nv Partisan Review January/February 1943
111 * Cass Mastern’s Wedding Ring · Robert Penn Warren · nv Partisan Review Fall 1944
135 * The Prison * André Malraux; translated by Eleanor Clark * nv Partisan Review March 1948
151 * Two Prostitutes · Alberto Moravia; translated by Frances Frenaye · ss Partisan Review May/June 1950
166 * The Jail (Nor Even Yet Quite Relinquish--) * William Faulkner * ex Partisan Review September/October 1951 (V. 18 #5) (can be read at the link) (apparently freestanding; often referred to as simply "The Jail"; from Requiem for a Nun, Random House 1951)
186 * Gimpel the Fool · Isaac Bashevis Singer; translated by Saul Bellow · ss Partisan Review May/June 1953 (V. 20 #3)
206 * Seize the Day * Saul Bellow * na Partisan Review Summer 1956 (V. 23 #3)
268 * The Renegade * Albert Camus; translated by Justin O’Brien * ss Partisan Review Winter 1958 (V. 25 #1)
277 * Any Day Now * James Baldwin * ss Partisan Review Spring 1960 (V. 27 #2)
285 * From the Black Notebook * Doris Lessing * ex (The Golden Notebook, Michael Joseph 1962) Partisan Review Spring 1962 (V. 29 #2)
298 * It Always Breaks Out * Ralph Ellison * ex (Three Days Before the Shooting..., Random House 2010) Partisan Review Spring 1963 (V. 30 #1)
308 * The Will and the Way * Susan Sontag * ss Partisan Review Summer 1965 (V. 22 #3)
324 * Runaway * William Styron * ex (The Confessions of Nat Turner Random House 1967) Partisan Review Fall 1966 (V. 33 #4)
330 * Whacking Off * Philip Roth * ex (incorporated into Portnoy's Complaint Random House 1969) Partisan Review Summer 1967 (V. 34 #3)
339 * Mercier and Camier * Samuel Beckett * ex (Mercier and Camier, Grove Press [US] and Calder and Boyans [UK] 1974; French text published 1970) Partisan Review 1974 (V. 41 #3--in previous numbering, this would've been the Summer 1974 issue)
353 * Levitation * Cynthia Ozick * ss Partisan Review 1979 (V. 46 #3)
362 * The Idea of Switzerland · Walter Abish · nv Partisan Review 1980 (V. 47 #1)
381 * If on a Winter's Night a Traveler * Italo Calvino; translated by William Weaver; ex (If on a winter's night a traveler 1979 in Italian; Harcort 1981 in English translation by Weaver) Partisan Review 1981 (V. 48 #2)
389 * One Summer's Morning in the Village * Amos Oz; translated by Nicholas de Lange * vi Partisan Review 1984 (V. 51 #4)
390 * Passport Photograph * Amos Oz; translated by Nicholas de Lange * vi Partisan Review 1984 (V. 51 #4)
392 * The Red Dwarf * Michel Tournier; translated by Barbara Wright * ss Partisan Review 1984 (V. 51 #2)
411 * Proust's Tea * Norman Manea; translated by Mara Soceanu-Vamos * ss Partisan Review 1992 (V. 59 #1)
414 * Weddings * Norman Manea; translated by Cornelia Golna * ss Partisan Review 1992 (V. 59 #1)
- ix · Introduction · Charles L. Grant · in 1988
- 1 · Naples · Avram Davidson · ss Shadows ed. Charles L. Grant, Doubleday, 1978
- 11 · The Gorgon · Tanith Lee · nv Shadows 5 ed. Charles L. Grant, Doubleday, 1982
- 33 · Moving Night · Nancy Holder · ss Shadows 9 ed. Charles L. Grant, Doubleday, 1986
- 39 · Jamie’s Grave · Lisa Tuttle · ss Shadows 10 ed. Charles L. Grant, Doubleday, 1987
- 57 · Sneakers · Marc Laidlaw · ss Shadows 6 ed. Charles L. Grant, Doubleday, 1983
- 63 · The Man Who Would Not Shake Hands · Stephen King · ss Shadows 4 ed. Charles L. Grant, Doubleday, 1981
- 83 · At the Bureau · Steve Rasnic Tem · vi Shadows 3 ed. Charles L. Grant, Doubleday, 1980
- 89 · Mackintosh Willy · Ramsey Campbell · ss Shadows 2 ed. Charles L. Grant, Doubleday, 1979
- 107 · Following the Way · Alan Ryan · ss Shadows 5 ed. Charles L. Grant, Doubleday, 1982
- 121 · The Storm · David Morrell · ss Shadows 7 ed. Charles L. Grant, Doubleday, 1984
- 139 · The Silent Cradle · Leigh Kennedy · ss Shadows 6 ed. Charles L. Grant, Doubleday, 1983
- 153 · Wish · Al Sarrantonio · ss Shadows 8 ed. Charles L. Grant, Doubleday, 1985
- 165 · The Spider Glass [Comte de Saint Germain] · Chelsea Quinn Yarbro · nv Shadows 4 ed. Charles L. Grant, Doubleday, 1981
- 207 · Appendix A—Shadows by Volume · [uncredited] · bi 1988
- 213 · Appendix B—Shadows by Author · [uncredited] · bi 1988
Archive
.org:
this volume online.
Two volumes of impressive work from two of the best periodicals (even if Shadows was a series of anthologies in hardcover first, followed by paperback reprints, and never a magazine) in their respective compasses. Neither is packaged as well as the contents deserve--the Partisan Review volume is almost amateurish in that it's a poorly-bound, slightly oversized hardcover, with single-column pages that are laid-out almost as if it was a printout from a word-processing program, just wide enough across the oversized pages to make the eyetracks across those pages tiresome. I haven't yet looked to other Partisan Review Press volumes of its era to see if they were more professionally-packaged and "better-built"; I'd hope so. The Doubleday Foundation binding and layout of this best-of anthology is a step up from what the preceding volumes of Shadows saw from Doubleday in its cost-conscious days in the '70s and '80s, but I'm not so very impressed with the cover illustration. However, a small pat on the back to Doubleday for publishing ten volumes, more or less timed for release around Hallowe'en, for a decade. As with a relatively small number of further issues of Partisan Review published after its anthology's release, there was a final volume, accurately entitled Final Shadows, released in 1981.
But for our purposes today, I'll cite only how one piece of fiction in each impressed me (to say the least) on first reading. Oddly enough, the fiction of their authors in (particularly discursive) moods can often seem somewhat similar: the offhanded erudition, the waspish (not WASPish) wit, but nonetheless the compassion, of Avram Davidson and Saul Bellow are on display here as readily as in any of their other work, in, respectively, "Naples" (1978) and "Seize the Day" (1956). "Naples" led off the first volume of Grant's series, brilliantly; it would win the World Fantasy Award for best short fiction in 1979 (the excellent shortlist that year included another Davidson story and a story by editor Grant). I first read it in Shadows (the first volume), in a library copy, shortly after first publication in '78, and I picked up the Playboy Press mass-market paperback not too long after. "Seize the Day" I first read in my copy of 23 Modern Stories (1963), edited by Barbara Howe, which I picked up at a library sale, and read over"night" in a summer visit to Fairbanks, AK, with my family in 1981, visiting relatives and old friends of my parents' who still lived there and near(enough)by. The Bellow collection with "Seize" as title story was shortlisted for the 1957 National Book Award, losing, among several other impressive contenders, to Wright Morris's less well-remembered Field of Vision.
- vii • Introduction (Shadows) • essay by Charles L. Grant
- 1 • Naples • short story by Avram Davidson
- 8 • The Little Voice • novelette by Ramsey Campbell
- 26 • Butcher's Thumb • short story by William John Watkins [as by William Jon Watkins]
- 35 • Where All the Songs Are Sad • novelette by Thomas F. Monteleone
- 63 • Splinters • short story by R. A. Lafferty
- 76 • Picture • short story by Robert Bloch
- 83 • The Nighthawk • short story by Dennis Etchison
- 99 • Dead Letters • short story by Ramsey Campbell
- 104 • A Certain Slant of Light • short story by Raylyn Moore
- 116 • Deathlove • short story by Bill Pronzini
- 124 • Mory • novelette by Michael Bishop
- 142 • Where Spirits Gat Them Home • short story by John Crowley (variant of Her Bounty to the Dead)
- 151 • Nona • [Castle Rock] • novelette by Stephen King
More to say soon, as I post this at Saturday's end...our elder cat is in need of some reassuring attention.
2 comments:
This is just overwhelming, Todd. Makes me want to read it all or at least selections. And you put a lot of work into the links.
Thanks for asking how my sister and I are doing, at Patti's post. We have always been so different; I am quiet, she is very outgoing. I would say she is more open but in reality she has told me more often that she is doing well when really she has been through a lot. And of course we are both getting older.
Thanks, Tracy! Well, the links were less work than the index to the PARTISAN REVIEW antho. which hasn't (as far as I can tell) been indexed anywhere that doesn't charge to let you see an index (since Amazon bought out WorldCat, their often sloppy indices are behind paywalls)...most of the links were to citations of the stories or authors in question to other indexes...and the anthologies will reward you, and reading the PARTISAN REVIEW antho online might well be less tiresome on the eyes than the physical book is. I am sorry I haven't gotten back to it to add some meat to the skeletal review.
And you're quite welcome. As someone who hasn't heard from his sister for a while, all sympathies. And there's only one alternative to getting older...
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