Wednesday, February 12, 2025

SSW: "Mosaic" by Mariah Rigg, BALTIMORE REVIEW Winter 2022, edited by Barbara Westwood Diehl; "Gershwin's Ghost" by Jerome Charyn; "Simone de Beauvoir is Living on Mars" by Mary Grimm; ALASKA QUARTERLY REVIEW, Winter/Spring 2024, edited by Ronald Spatz: Short Story Wednesday























these can be read  gratis at these links:

"Mosaic" by Mariah Rigg 

"Gershwin's Ghost" by Jerome Charyn

"Simone de Beauvoir is Living on Mars" by Mary Grimm

(sadly, the two AQR pieces at this hour have slightly distracting transcription typos as posted, though not so much that one can't enjoy the work as apparently intended.)

Part of what's interesting about these three stories, chosen not quite at random from two magazines I've read on occasion over their years, is that the Rigg and the Charyn are both about children more or less abandoned by one of their parents/replacement parent, and how that affected both the child/eventual adult and parent errant. The Grimm is a story of apparatus (one could consider it a poem), a series of numbered lines/bullet points about de Beauvoir's latter-day career on an international Mars colony, where she is a much (though not universally)-respected teacher, and perhaps also a parental or certainly a mentoring figure to some extent.

Mariah Rigg is a relatively young writer, still, with notable credits artistically and academically, whom I was put onto as she is very rooted in the Hawaii of her birth, though much of her career seems to have been spent in the contiguous states. In "Mosaic," her protagonist might not be patterned too closely on herself, but is a tile artist who has married a man whose first wife had died suddenly, leaving both him and their then-infant daughter. The story is mostly about the tension of events as she realizes the depth of the bond she's formed with her still-young stepdaughter, even as the marriage can be considered cooling, and how things can and will go if she leaves them. A meditation on how we can change the lives of others, even if against our will and desire to be better for them, as best we can.

Jerome Charyn takes up a slightly less Felt, slightly more humorous (but only slightly) approach to the son of a bohemian writer, who left his socialite wife and his then very young son to return to the environs of his early family life, near his parents. The son, who has just reached his 21yo Majority for purposes of trust funds, seeks him out to see how he is doing, and to get some answers, while dropping off a big check just to help him along (as the father is assumed to be in relatively tight straits, and was in early middle age when the son was born). Things are not quite as dire as the son assumed, he learns when they meet, and the young man does get a number of his questions answered, some surprisingly.

Mary Grimm's story isn't quite a surreal joke, even if the 156yo de Beauvoir, suddenly discovered some years ago at the opening to be still alive and interested in taking a teaching position in the schools of the well-established internationally-collaborative Martian colony, could be and is to some extent the basis of one (clearly, some U.S. presidents less contentious than Trump have been able to work together fruitfully with other world leaders, even if the Martian colonists do feel some tension with what they always refer to in all-caps as EARTH). It mixes no few details of SdB's life as reported along with such quotidian matters as the former French instructor at the colony school who felt a bit stiff about being replaced by the legendary writer in that task; the footnotes are very amusing, in toto.

I can cheerfully recommend all three.

For more of today's stories, as nearly always delivered more promptly overnight Tuesday/early Wednesday, please see Patti Abbott's blog.

Wednesday, January 29, 2025

SSW: Robert Bloch: "The Movie People" THE MAGAZINE OF FANTASY AND SCIENCE FICTION, (F&SF), October 1969, edited by Edward Ferman; Jorge Luis Borges: "The Gospel According to Mark" in translation in THE NEW YORKER, 23 October 1971, edited by William Shawn; Marcelle Dubé: "Sky Lanterns" THE SATURDAY EVENING POST, November/December 2024, edited by Patrick Perry; Carl Jacobi: "Phantom Brass" RAILROAD STORIES, August 1934 (editor uncredited); Joyce Carol Oates: "The Maker of Parables" KENYON REVIEW, Spring 1990, edited by David H. Lynn; Wilma Shore: "A Bulletin from the Trustees of the Institute for Advanced Research at Marmouth, Massachusetts" F&SF, August 1964, edited by Avram Davidson: Short Story Wednesday

Bloch: can be read gratis from the paperback edition of his collection Cold Chills at this site.

Borges: can be read gratis at this teacher's aid site, from the US Bantam paperback edition of the Borges collection Dr. Brodie's Report (as translated by Norman Thomas di Giovanni in consultation with Borges); originally in the newspaper La Nación, 2 August 1970

Dubé; can be read gratis at The Saturday Evening Post site.

Jacobi: can be read gratis online in his collection Revelations in Black at this link.

Oates: can be read online at the Kenyon Review site (free account access).

Shore: can be read gratis from the online posting of Robert Silverberg's anthology Voyagers in Time


Robert Bloch's "The Movie People" (first published in the issue above and very widely reprinted) is one of his best-remembered late '60s stories, and with good reason...Bloch, who was a film fan from his childhood in the silent era, who grew up to be the man who wrote the novel Psycho among much else in prose (including a nonfiction account of "H. H. Holmes"/"Herman W. Mudgett" decades before The Devil in the White City), as well as becoming a notable screenwriter and, before that, a radio scripter, posits a sort of afterlife in film, in a charming manner that I think I remember being filmed, but I don't see noted here. 



One of the better later Borges stories, and better read this way than in the clumsy translations by Andrew Hurley that are foisted on us these years by Penguin Books, an ironic not-quite-uncanny tale of perhaps too much piety, "The Gospel According to St. Mark" is a well-turned kind of philosophical crime fiction. one of the kinds of work, along with straightforward if cosmic fantasies and mythic gaucho westerns, that Borges loved to write. 


Marcel Dubé is one of only two living writers cited in this week's installment, with a story, "Sky Lanterns" in a recent issue of The Saturday Evening Post, not hardly weekly any longer, but too easy to forget as a source of magazine fiction (and income for writers). A deft tale of regret and lifelong debt, by a writer who usually publishes more straightforward fantasy and crime fiction


Carl Jacobi is best-remembered these years for his contributions to Weird Tales, the hugely influential horror and fantasy fiction magazine, but he was a veteran writer before he started publishing there, and inspiring younger writers, such as Bloch. This one's a bit of historical horror, set in the pre-radio days when railroads depended on telegraph operators for traffic control warnings. I hadn't reread Jacobi for decades, before George Kelley's recent piece on his most famous collection.

The other writer still with us is Joyce Carol Oates, whose highlighted contribution is a vignette verging on a parable, a fantasy that reminds me far too much of me, if I had achieved a bit more in these directions...I suspect it reminds Oates of herself in some senses as well.

While our last selection for this week is by Wilma Shore, of whom I've written before here, with her first story of two for F&SF, toward the end of an impressive and diverse career writing in a number of venues, not least the slick women's magazines of the '40s through the '60s, as well as leftist magazines and more than one volume of Best American Short Stories and the O. Henry Awards annuals...this was the first and for many years the last story by her I was to read, a charming and funny time travel tale of sorts. I read it when I was very young, in a battered copy of Robert Silverberg's anthology for young readers, Voyagers in Time--a copy my father might've picked up out of a shady bookdealer's collection of stripped paperbacks (their front covers sent back for store credit) in Boston, where he picked up a number of earliest '70s paperbacks for a dime each on his way home for the office...this one definitely caught my eye, and I've been able to thank Silverberg for this collection (though I'm not sure if I've ever mentioned to him that his fine time travel novel Hawksbill Station was the first adult sf novel I read by a living writer--as opposed to H. G. Wells, Mary Shelley or Edward Bellamy).




Thursday, January 23, 2025

2024: THE STARK HOUSE ANTHOLOGY edited by Rick Ollerman and Gregory Shepard (Stark House); DEATH COMES TOO LATE by Charles Ardai (Hard Case Crime): CF publishers celebrate their notable 2024 anniversaries (25th/20th)...and index to BEAT TO A PULP: ROUND 1, edited by David Cranmer and Elaine Ash


Gregory Shepard'Stark House, which has mostly specialized in bringing vintage novels and collections of hardboiled/noir and other crime-fiction classics and "forgotten" (including previously unpublished) work back or first into print, mostly in two (or more) novels-in-one-volume trade paperback editions, for the last 26 years, and Charles Ardai's Hard Case Crime line, which has mostly focused on new (and previously unpublished from decades past) work in a similar vein in mass-market and trade paperback editions for 21 years, both serving (clearly and justly) sustained and appreciative audiences, offered in 2024 anniversary compilations: an anthology of selections from Stark House authors (including a newly-published Peter Rabe short story and a Jada Davishort novel), and a collection of twenty of Ardai's short stories (offered in the stead of another novel, such as Fifty-to-One, which he wrote to celebrate the publication of Hard Case's first fifty titles, with chapter titles taken from each of those releases). Both have had notable sidelines: Stark House (as Shepard notes in his preface) having begun with a hardcover edition of a (Ms.) Storm Constantine fantasy collection, The Oracle Lips (a title that might've worked for a Fawcett Gold Medal crime novel, as well), and has offered some further horror and fantasy titles since, as well as a few sf and western items and other fiction, mass-market paperbacks in the Black Gat imprint, and the Staccato Crime and Film Noir Classics lines. Ardai's most visible other offering at first was his series of Gabriel Hunt adventure novels, each written by a different notable adventure/crime fiction writer, beginning with James Reasoner's Hunt for the Well of Eternity, though before he founded Hard Case he worked with the Davis Publications fiction magazine group (later bought by Dell, and currently published by Penny Press) and primarily on their anthology projects--and Hard Case itself has offered a line of graphic novels to go with the purely prose items.

Ninja, our elder, gray tabby cat, will scratch her face against the heavier paper of the Stark House publication's corners more readily. If this is a consideration, be aware of this.

Contents: 
The Stark House Anthology edited by Rick Ollerman and Gregory Shepard

7 * Stark House Press: The First 25 Years * Gregory Shepard * in
10 * Introduction * Rick Ollerman 
* in
13 * Hangover * Charles Runyon, (ss) Manhunt December 1960
24 * A Matter of Balance * Peter Rabe (ss) 2024 (first publication)
35 * Invitation to an Accident * "Wade Miller" (ss) 
Ellery Queen’s Mystery Magazine July 1955
48 * The Tormented * James McKimmey (nv) 
The Man from U.N.C.L.E. Magazine August 1967
64 * Murderer #2 * Jean Potts (ss) 
Alfred Hitchcock’s Mystery Magazine January 1961
75 * To Kill a Wife * Lionel White (nv) 
Murder September 1956
89 * So Curse the Day * Jada M. Davis (na) 2024 
(first publication)
198 * Art for Money’s Sake * Dan J. Marlowe (ss) 
The Elks Magazine February 1970
204 * Chester Drum Takes Over * Stephen Marlowe (ss) 
Ellery Queen’s Anthology #25, Spring/Summer 1973
216 * Sleep Without Dreams * Frank Kane (ss) 
[Johnny Liddell seriesManhunt February 1956
228 * The Memory Guy * Henry Kane (nv)
 [Peter Chambers series] Come Seven/Come Death ed. Henry Morrison, Pocket Books, 1965
241 * Nothing in My Way * Orrie Hitt (ss) 
Smashing Detective Stories July 1955
250 * Preventive Medicine * Harry Whittington (ss) 
Trapped Detective Story Magazine August 1956
256 * Die, Darling, Die * Gil Brewer (nv) 
Justice January 1956
275 * The Geek-Girl * "Day Keene" (nv) Adam October 1953
297 * Woman Missing * Helen Nielsen (nv) 
Alfred Hitchcock’s Mystery Magazine May 1960
318 * Backbite * Lorenz Heller (as "Fredrick Lorenz") (ss) 
Justice January 1956
323 * Angie * Ed Gorman (ss) 
999 ed. Al Sarrantonio, Avon Books, 1999
336 * Night Games * Bill Pronzini  (ss) Bullets and Other Hurting Things: A Tribute to Bill Crider ed. Rick Ollerman, Down & Out Books, 2021
343 * The Silent One * Fletcher Flora (ss) 
Hunted Detective Story Magazine #7, December 1955
349 * Beware of the Dog * Fredric Brown (ss) 
Ten Detective Aces February 1943, as "Hound of Hell"
354 * Hit Me * Rick Ollerman (ss) Down & Out: The Magazine v1 #1, 2017
370 * Axe * Gregory Shepard (ss) 2024 (first publication)
378 * Last Night at Skipper’s Lounge * Timothy J. Lockhart (ss) Down & Out: The Magazine v1 #2, 2017
390 * Barbarians (Chapters 1-3) * Robert W. Chambers (novel excerpt, 1917) 
402 * Politics Pays Best * E. Phillips Oppenheim (ss) 
[Major Radford series] The Country Gentleman February 1930
415 * Secretaries Make Such Nice Wives * A. S. Fleischman; also here (ss) Toronto Star Weekly (a 1941 issue; formerly the weekly magazine supplement to the Toronto Star and can be referred to as Star Weekly)
418 * The Dead Man’s Eyes * Robert Silverberg (ss) Playboy August 1988
432 * Disorderly * Barry N. Malzberg (ss) The Man from U.N.C.L.E. Magazine January 1968
436 * Instruction for Murder * Bruno Fischer (ss) A Mate for Murder and Other Stories from the Pulps ed. Gary Lovisi, Gryphon Books 1992 (the magazine[s] the stories were sold to folded before scheduled publication in the 1940s, and Lovisi published a slim original-publication collection of them)


Contents:
Death Comes Too Late (20 Stories) by Charles Ardai

15 * Introduction * Charles Ardai * (in)
161 * Jonas and the Frail Charles Ardai (ss) Blazing! Adventures Magazine #9, 2008
179 * The Deadly Embrace Charles Ardai (ss) Truth, Justice and..., edited by Thomas Deja, 2004 ebook
203 * Don't Be Cruel Charles Ardai (ss) Down These Dark Streets, edited by Thomas Deja, 2003 ebook
259 * Sleep! Sleep! Beauty Bright Charles Ardai (ss) Black Is the Night ed. Maxim Jakubowski, Titan, 2022
307 * My Husband’s Wife Charles Ardai  (ss) Ellery Queen’s Mystery Magazine July 2009
327 * A Bar Called Charley’s * Charles Ardai (ss) Alfred Hitchcock’s Mystery Magazine November 1990
345 *  A Free Man Charles Ardai (ss) BEAT to a PULP, Round 1 edited by David Cranmer and Elaine Ash (BEAT to a PULP, 2010)
363 * The Investigation of Things Charles Ardai (nv) Alfred Hitchcock’s Mystery Magazine February 1991

Fiction reviews, long delayed, to follow. Thanks to Charles Ardai, Gregory Shepard and Patricia Abbott for help with bibliographic information.  TM



And, to add to the indices here, here's the trade paperback version of BEAT to a PULP, Round 1, the 2010 anthology drawn mostly, apparently, from stories first published by the BEAT to a PULP online magazine.

BEAT to a PULP, Round 1 edited by David Cranmer and Elaine Ash (BEAT to a PULP, 2010), xiv+396pp, ISBN-13: ‎ 978-0615388243, cover illustration by James O'Barr (BtaP 20XX indicates the year the story was featured on the webzine)

vii * Foreword * Bill Crider * fw BtaP 2010
xi * Introduction * David Cranmer * in
xiii * Acknowledgements * Elaine Ash * ak
1 * Maker's and Coke * Jake Hinkson * ss BtaP 20o9
7 * A Free Man * Charles Ardai * ss BtaP 2010
23 * Fangataufa * Sophie Littlefield * ss BtaP 2010
37 * You Don't Get Three Mistakes * Scott D. Parker * ss BtaP 20o9
45 * Insatiable * Hilary Davidson * ss BtaP 20o9
53 * Boots on the Ground * Matthew Quinn Martin * vi BtaP 2010
55 * Studio Dick * Garnett Elliott * ss BtaP 2010
67 * Killing Kate * Ed Gorman * ss BtaP 2010
74 * The Ghost Ship * Evan Lewis * ss BtaP 2010
86 * The Strange Death of Ambrose Bierce * Paul Powers * ss BtaP 2010
96 * Heliotrope * James Reasoner * ss BtaP 2010
110 * The Wind Scorpion * Edwin A. Grainger * ss BtaP 2010
122 * Hard Bite * Anonymous-9 * ss BtaP 20o8
132 * Crap is King * Robert J. Randisi * ss BtaP 2010
151 * The All-Weather Phantom * Mike Sheeter * ss (first published as "Swing High, Sweet Chariot" in the online magazine Hardluck Stories, 2008, edited by Dave Zeltserman and Ed Gorman)
164 * Pripet March * Stephen D, Rogers * ss BtaP 2010
169 * Ghostscapes * Patricia Abbott * ss BtaP 2010
183 * Off Rock * Kieran Shea * ss BtaP 2010 
195 * At Long Last * Nolan Knight * ss BtaP 2010
203 * A Native Problem * Chris F. Holm * ss BtaP 2010
219 * Spend It Now, Pay Later * Nik Morton * ss BtaP 20o9
225 * Spot Marks the X * I. J. Parnham * ss BtaP 2010
236 * Hoosier Daddy * Jedidiah Ayres * ss BtaP 2010
251 * Anarchy Among Friends: A Love Story * Andy Henion * ss BtaP 2010
265 * Cannulation * Glenn Gray * ss BtaP 2010
280 * The Unreal Jesse James * Chap O'Keefe * ss BtaP 20o9
292 * Acting Out * Frank Bill * na BtaP 2010
357 * A History of Pulp * Cullen Gallegher * es BtaP 2010




Fairbanks, Alaska flood, August 1967

 

Flood

[edit]

Fairbanks Area

[edit]

The flood was the worst disaster in Fairbanks' history. Roughly 95% of Fairbanks was flooded, and the flood water's depth reached a maximum of 5 feet.[2] Nearly every house received water damage, and there was at least an inch of brown mud on every submerged surface. The cost of damage in Fairbanks alone was estimated to be $85 million.[2][4]

The Richardson Highway was washed out near Salcha for about half a mile.[2]

Tuesday, January 21, 2025

January Music on MLK, Jr. Day and Afterward

Fotheringay, featuring Sandy Denny: "Banks of the Nile" from Fotheringay (Island Records, 1970) 

Brian Arnold: Wonder Woman Season 1 opening credits

Jayme Lynn Blaschke: Friday Night Videos (occasional)

James Cameron: Sam Moore, RIP: Sam & Dave: "Hold On"; Brenton Wood, RIP: "The Ooogum Boogum Song" and "Gimme Little Sign"; Garth Hudson, RIP: The Band: "Up on Cripple Creek" (The Ed Sullivan Show, 1969); composer and saxophonist Don Nix, RIP: Freddie King: "Going Down"; The Mar-Keys: "Last Night"

Rick Covert: Nina M. DiGregorio; "Comfortably Numb"; Daily Rock History

Pearce Duncan: Richard Delvy: "The Green Slime" (the opening credits theme of MGM's Other 1969 SF movie, aside from 2001)

Jim Fourniadis: Caroline Eyck: Ennio Morricone: "Ecstasy of Gold" (as performed with voice and theremin)

Jeff Gemmill: On Music, Memories and Nostalgia; Lucy Kaplansky: The Lucy Story, 1976-2023 (LucyKaplansky.com, 2024); Sara Bug: "Back in Nashville (Take 2)" (2025); Hardwicke Circus: Cumbria Pizza (Alternative Facts, 2024); Diane Coll: Up From the Mud (CD Baby, 2024); Camille Schmidt: Nude #9 (Six Castle Road, 2025); much more.

Ted Gioia: 6 (of 16) Videos I'm Watching This Week

Michael A. Gonzales: Radiohead: "The National Anthem" (on Later with Jools Holland, 2001)

Jerry House: Sandy Denny; Slim Whitman; Hymn Time [weekly]

Jackie Kashian interviews Allen Strickland Williams about They Might Be Giants, the band

George Kelley: Joni Mitchell: Archives, Volume Four: The Asylum Records Years (1976-80): Dua Lipa and Sabrina Carpenter concert videos; Heartbreak is the National Anthem: How Taylor Swift Reinvented Pop Music by Rob Sheffield; Decade of Music V.1-3 (Sony, 1992); Lost and Found in the Seventies (Capitol, 2004); Prom Night: This Magic Moment (Time/Life, 2008); A Complete Unknown (2024 film); Joan Osborne: Breakfast in Bed (Time/Life 2007); Clinton Heylin: Bob Dylan: Behind the Shades Revisited (2021) and The Double Life of Bob Dylan: 1941-66; The Last Five Years: A Musical

Tom Kraemer: Postmodern Jukebox/Dave Koz, Robyn Adele Anderson, Adam Kubota, Allan Mednard: "Careless Whisper" (with nods to the Police and Paul Desmond)

Kate Laity: Jean-Jacques Perrey and Gershon Kingsley: The In Sound From Way Out! (Vanguard, 1966); Witch Songs

Lisa Lapp: Irma Thomas and the Rolling Stones: "Time is On My Side" (New Orleans Jazz Fest, 2 May 2024)

D. F. Lewis: Petersen Quartet: César Franck: String Quartet in D major; BBC Symphony Orchestra: Elliott Carter: Symphonia: "Sum fluxae pretium spei"

Steve Lewis: Marianne Faithful: "As Tears Go By"

Barry N. Malzberg (in 2024): Anton Bruckner: Symphony No. 3 in D Minor; Bavarian Radio Symphony Orchestra conducted by Sir Georg Solti; BrucknerSymphony No. 6: Frankfort Radio Symphony conducted by Christoph Eschenbach

Todd Mason: "She's Not There": the original record and an array of cover versions8 (+1) Examples of Trombonists in Action (for Jackie Kashian and THE DORK FORESTers); Arooj Aftab & Her Band: "Raat Ki Rani", The Late Show (CBS, 10 December 2024)The American Folk Scene ed. David DeTurk & A. Poulin Jr.; Bob Dylan: Don't Look Back transcribed & edited by D.J. Pennebaker et al.; Dangerously Funny [the Smothers Bros.] by David Bianculli

Neeru: Ustad Zakir Hussain (1951-2024)

Harry Shearer: Le Show (weekly)