Showing posts with label Short Story Wednesday. Show all posts
Showing posts with label Short Story Wednesday. Show all posts

Thursday, November 14, 2024

Jorge Luis Borges, Karen Joy Fowler, Clarice Lispector, Thom Jones: Short Story Wednesday (one might be a memoir) on Thursday (just my speed)

Outsiders

"Doctor Brodie's Report" by Jorge Luis Borges (as translated by Norman Thomas DiGiovanni and Borges, originally <<El informe de Brodie>>),  The Atlantic Monthly, January 1971, edited by Robert Manning; perhaps more easily read in the collection Doctor Brodie's Report, the Bantam paperback edition, posted for student use

"The Hen" and "The Smallest Woman in the World" by Clarice Lispector (as translated by Elizabeth Bishop), as first published, with "Marmosets" in Kenyon Review, Summer 1964, edited by Robie Macauley (and all three can be read at the KR site with a free registration, or paid subscription)

"The Last Worders" by Karen Joy Fowler, Lady Churchill's Rosebud  Wristlet, June 2007 (issue 20), edited by Gavin Grant and Kelly Link; also can be read in the June 2019 issue of Lightspeed, edited by John Joseph Adams (and in Rich Horton's and also in Ellen Datlow and Grant and Link's best fantasy-fiction of the year annuals for 2008)

"Cannonball: Love Sinks" by Thom Jones, The Washington Post Magazine, 11 July 2004, edited by Leonard Downie, Jr.

Writers do tend to be outsiders to at least some degree, of course, observers of the lives of others and themselves, sometimes even accurately. I read this essay from Vulture recently, Lili Anolik's take on her relation to Joan Didion and Eve Babitz, whom she wrote a book about, and Donna Tartt and her fellow students in the Class of '86 at Bennington College, most famously Jonathan Lethem and B. E. Ellis, whom she'd produced a podcast series about (an extension of this long essay in Eaquire). As usual with Vulture, a mix of gossipy biographical details and useful insights on how all these women she admires have made their way through the world. Anolik seeks, she notes, to get at the truth about these folks even if her subjects aren't so fond of what she discusses. Also, that sells.


So it can go with fiction-writers as well...Jorge Luis Borges was raised in relatively comfortable circumstances in and around Buenos Aires, Argentina, with his major life challenge running to his eyesight beginning to fail him at an early age...a grim fate for such a lover of the written word. Clarice Lispector was born in a Ukrainian shtetl, and her parents moved the family to Brazil to escape the Soviet pogroms; she would eventually marry a diplomat, and be posted with him in the U.S. and elsewhere, but got no joy out of being a diplo-spouse, and moved back to Brazil with the kids. They both were highly regarded at home and abroad for their work, but life at home wasn't always so easy (dictatorships tend to do that). I know (even) less about Karen Joy Fowler's personal life, though it's interesting that despite most of her work being fantastica, the novel she's best known for is The Jane Austen Book Club, a contemporary mimetic best-seller. And Thom Jones is best remembered for his collection The Pugilist at Rest, which was his best-selling book...his period of literary celebrity being sadly short. As with Robert F. Young, a published writer whose day-job for some time was as a janitor...not the happiest of conditions; his account, from the Washington Post Magazine, might actually be a straightforward memoir...however much shaped by time and reflection.

*a variant title for this issue
Both "Doctor Brodie's Report" and "The Smallest Woman in the World" double-down on outsidership, and I wonder if Borges was sparked by Lispector, in part or altogether, to conceive of his story, though they are by no means carbon-copies...both involve Westerners making their way and mark elsewhere, in the Borges a missionary, in the Lispector an explorer, investigating among outposts African (Lispector) or Brazilian (Borges--and another reason I suspect a nod to the younger writer and her slightly earlier work...along with a nod to Swift, as the nation Brodie is investigating is dubbed the Yahoos) of isolated hunter/gatherer societies of exotic custom and alternate approaches to language, under threat from somewhat more fierce neighbors. (Another reason to consider reading the Borges at the collection link, if it's still available, or seeking out the book otherwise, aside from not having a footnote blurb interpolated into the text as it is at The Atlantic link, is for Borges and DiGiovanni's notes on the texts...and the other stories.)

Lispector's "Marmoset" (available only at the Ploughshares site online, I believe) also echoes much of the shape of her anthropology story, only involving the title monkey in a somewhat similar role, even as a pet vs. a human "discovery"...while "The Hen" deals with a similar mix of tragedy and comedy, as a hen meant by the household for a meal is "rescued" by semi-irrelevant circumstance. Lispector's "tragic sense of life" (to cop from Unamuno) is, if anything, even more omnipresent in her examples of fiction here than is Borges's similar somewhat satirical stance. By contrast, Karen Joy Fowler is more willing to indulge in a sort of small-scale version of cosmic laughter, as she unwinds her account of nearly dauntless twin sisters making their way though the enigmatic small Latin American city-state of San Margais, essentially in search of a lost chance at love, and what they find there. 

And Thom Jones's account of his summer as a corn-country public swimming pool lifeguard, and the not quite love he finds through that  task and what it all shows him, as he feels his way through his young life in a town lost in a sea of tall corn, with a polluted river running through it, and not much else to do there but eventually escape.

So, short accounts of varying degrees of alienation and yearning, all deftly told, all funny in part but sobering.

You can do worse.


Thursday, November 7, 2024

Wednesday Short Stories (on Thursday, due to recounts): Avram Davidson, Harlan Ellison, Thom Jones, John Sladek, Gahan Wilson, Isaac Asimov, et al: THE MAGAZINE OF FANTASY AND SCIENCE FICTION, March 1973, edited by Edward L. Ferman

A redux post from 31 July 2009. Comments can be seen here.

Cover painting by Leo and Diane Dillon. This issue can be read here.

From the F&SF index--not a perfect tool, as one of the mistakes in Ellison's citations refers to the misbegotten television series The Starlost, which abused Ellison's "bible" and groundwork, as The Starcrossed, also correctly noted as Ellison collaborator Ben Bova's parodic novel about the travesty:

Dean McLaughlin, The Trouble With Project Slickenside nv
Avram Davidson. Books, reviewing:
Donald A. Wollheim (ed): The 1972 Annual World's Best SF; Terry Carr (ed) The Best Science Fiction of the Year; Robin Scott Wilson (ed): Clarion II; Lester del Rey (ed): Best Science Fiction Stories of the Year
Gahan Wilson, Cartoon ct
Thom Jones. Brother Dodo's Revenge ss
Edward Wellen, Chalk Talk vi
Baird Searles, Films: Return to Cobra Island
reviews Cobra Woman (1944), starring Maria Montez; The Undead (1957)
Chris G. Butler, A Coffin in Egypt ss
Gahan Wilson, The Zombie Butler vi; 6th story in Moral Vignettes series;
Waldo Carlton Wright, Spirit of the White Deer ss
John Sladek, Solar Shoe-Salesman by Ph*l*p K. D*ck ss
andrew j. offutt, Sareva: In Memoriam ss
Isaac Asimov, Science: Down From the Amoeba essay
Michael G. Coney, The Manya ss; 1st story in Finistelle series
Walter H. Kerr, poem
Harlan Ellison, The Deathbird nv (Winner-1974 Hugo, Jupiter, Locus Awards; Nominee-1973 Nebula award)

From ISFDB:
I'd picked this issue up off a stack and browsed the Table of Contents, and realized I couldn't remember reading the Avram Davidson book review column...Davidson, the brilliant fiction writer and former F&SF editor, would occasionally drop back in during the 1970s to offer a book column, one which otherwise would be conducted in those years by a rotating group including James Blish till his final illness, Algis Budrys with ever-greater frequency in the latter '70s, Joanna Russ, Barry Malzberg, and others from time to time (the best lineup any fantastic-fiction magazine has ever had in this wise, F&SF in the 1970s, even if Damon Knight didn't publish reviews again in F&SF after 1960, and Fritz Leiber in the 1970s published most of his in longterm "rival" magazine Fantasticinstead). Sadly, this consideration of three of the Best of the Year annuals and a Clarion writing workshop anthology is unusually slight and terse for a Davidson review, if gracious and witty. Oddly enough, one of Harlan Ellison's few book-review essays for F&SF, a year before, was also a rundown of the available BOTYs, and a very good one.

But, quite aside from offering a gorgeous wraparound cover by Leo and Diane Dillon, one of the best the magazine has published (and it's a pity the Dillons and Ellison don't seem to work together any longer [by the 2000s]--a falling out, or is it simply that the Dillons are too expensive for most of Ellison's publishers these days?), for the best Harlan Ellison story I've read so far (both in terms of its power and breadth and even its flaws being so much of the Ellison geist)...quite aside from that, this issue also contains the one Thom Jones contribution to F&SF, a story which The Pugilist at Rest writer might've been ashamed of (or he might've feared that being associated with fantastic fiction or the magazine might tar him somehow, the Vonnegut Perplex or the Hortense Calisher flitter). As it is, it is a reasonably deftly-written if rather heavy-handed Orwellian animal fantasy; rather than Lenin and Trotsky with trotters, we have a convocation of Black Panthers and the American Indian Movement and the Young Lords as a Pogo-esque mixture of human-hating animals, including insects and an ill-fated "Tomming" martyr to the Revolution in the form of a cow, sacrificed not altogether accidentally to further the cause (which is greater than the fate of any one constituent, doncha know). Like myself, only fifteen years or so earlier, Thom Jones was a University of Hawaii dropout who took his degree elsewhere.

Ed Ferman's editorship was at least as notable as those around his for the occasional contributions from fiction writers better known for work in other modes...the first F&SF I ever perused, but decided against buying since I had only so many quarters on hand and the magazine was a buck, was the Janauary, 1976 issue...led off by and perhaps best remembered for Joanna Russ's "My Boat," but also featuring Stuart Dybek's disturbing "Horror Movie." Ellen Gilchrist would place her "The Green Tent" with F&SF a decade later.

Some quick notes: Edward Wellen's vignette is one of the few linguistics fantasies, Chomskyite deep structure and all, that I've come across. Wellen, much like such others as Henry Slesar, Fredric Brown, and Miriam Allen de Ford, was a crime fiction/fantastic fiction amphibian, and like them a multiple-story contributor to F&SF and its short-lived sibling magazine Venture Science Fiction. In fact, he was enough of a favorite with Edward Ferman, editor of both magazines from the mid '60s to the turn of the '90s (well, the Venture revival lasted only a year or so at the turn of the '70s), so that Ferman took Wellen's long novella/short novel Goldbrick and ran it, despite it having essentially no sf nor fantasy content, in the November, 1978 issue...it was more a crime fiction, but the only cf magazine running any long stories at this point was Mike Shayne Mystery Magazine, and the only long-form fiction it wanted to run were the ghosted Shayne novellas.

John Sladek's Dick parody was one of a series of short lampoons that Sladek was publishing in those years...I don't have the issue at hand at this moment, but it's a rich and dense parody, and if there's an indispensable line in it, it would be (paraphrased from memory, to be corrected later): "This was the end of existence, they all agreed."

Gahan Wilson contributed a cartoon to every issue of F&SF for 17 years, from Edward Ferman's first issue till Ferman and Wilson had a falling out...a loss all around, particularly since Wilson's occasional fine fiction for the magazine also ceased.

andrew j. offutt often made a point of using all miniscules in his signatures in those years, and his story is almost a parody of Fritz Leiber's Conjure Wife at the point where I've broken off (I will slog through soon). offutt is probably best known these days for the rather bad relation he's had with his writer son Chris Offutt (who likes capitals). (The whole story is about how much less your kids like you than your spouse does, as well as pulling in some heavy winks toward Bewitched the television series.)

Baird Searles was the film, television, and general A/V club reviewer for F&SF from 1969 till moving over to be the book reviewer in Asimov's after the recently late Charles Brown left, in the early '80s. He and his life partner Martin Last ran The Science Fiction Shop in NYC in the '70s, as well. Searles had been preceded in the late 1950s by Charles Beaumont as film reviewer (with William Morrison also submitting at least one stage review), and was succeeded by Harlan Ellison, Kathi Maio, Lucius Shepard and the recently-late David J. Skal.

Dean McLaughlin was one of the folks who did usually good work for various magazines starting around the turn of the '60s...the last time Davidson, Ellison, and McLaughlin had been in the same issue was a decade before, when Davidson had been editing.

Walter Kerr the poet eventually started adding his middle initial to his F&SF contributions to stave off confusion with the NYC stage critic. F&SF contributor Paul Darcy Bowles felt a similar responsibility.

Isaac Asimov eventually wrote 399 monthly pop-science essays (a few touched only peripherally on science) for F&SF, and credited that series, and the predecessor column in the short first run of stablemate Venture Science Fiction, with inspiring his most prominent public career, as a popular-science writer. The Intelligent Man's Guide to Science, later revised as Asimov's Guide to Science, was his first borderline bestseller, and his royalties allowed him to give up his full-time university position and become a full-time freelance writer.


Wednesday, October 30, 2024

Wednesday's Short Stories (and related fiction): Abbott Vacation Edition: 30 October 2024

thanks to John Boston and Sandra Kisner for spotting linking errors in earlier drafts!

Brad Bigelow: "Five Star Final", a play by Louis Weitzenkorn

John Boston: Amazing Stories, November 1969, edited by Ted White

Ben Boulden: "Battered Spouse" by Jeremiah Healy, The Armchair Detective, Fall 1990, edited by Allen J. Hubin; Eight Very Bad Nights edited by Tod Goldberg

Brian Busby: Barnabas, Quentin and the Crystal Coffin by "Marilyn" (W. E. D./Dan) Ross, and other Dark Shadows tie-in literature; "Woman-handled" by Arthur Stringer, The Saturday Evening Post, 2 May 1925, edited by George Horace Lorimer

Eric Compton/Tom Simon (Paperback Warrior): Killer Delivery by Calum France, e-chapbook

Will Errickson: Night Visions 1 aka In the Blood edited by Alan Ryan

Paul Fraser: "A Thing of Beauty" by Norman Spinrad, Analog Science Fiction/Science Fact, January 1973, edited by Ben Bova

Rich Horton: Miss Pickerell and the Geiger Counter by Ellen MacGregor (with a long comment by Jerry House)

Jerry House: Astounding Science Fiction, October 1949, edited by John W. Campbell, Jr. (a birthday post); Miss Pickerell short novels

Kate Jackson: The Shadowed Circle Compendium edited by Steve Donoso

JJ: Wicked Spirits edited by Tony Medawar

Kaggsy: El informe de Brodie/Doctor Brodie's Report by Jorge Luis Borges (translated by Andrew Hurley)

George Kelley: Murder Most Delectable edited by Martin Harry Greenberg; Final War and Other Fantasies and In the Pocket and Other Science Fiction Stories by Barry N. Malzberg

David Levinson: Venture Science Fiction, November 1969, edited by Edward Ferman

Evan Lewis: "The Unspeakable Affair" by "Robert Hart Davis" (apparently Dennis Lynds, in this case), The Man from U.N.C.L.E. Magazine, April 1966, edited by Cylvia Kleinman and Alden H. Norton

Steve Lewis: "Fly Paper" by Dashiell Hammett, Black Mask, August 1929, edited by Joseph Shaw; The Big Knockover and Other Stories by Dashiell Hammett, edited by Lillian Hellman

Robert Lopresti: "Shakedown Street" by James D. F. Hannah, Friends of the Devil: Crime Fiction Inspired by the Songs of the Grateful Dead edited by Josh Pachter

Todd Mason: Swords and Deviltry by Fritz Leiber; Night's Black Agents by Fritz Leiber; The Aleph and Other Stories 1933-1969 by Jorge Luis Borges (translated by Borges and Norman Thomas diGiovanni)

Fiona Moore: New Worlds, November 1969, edited by Michael Moorcock

Neeru: 84 Charing Cross Road by Helene Hanff (our token epistolary memoir)

John O'Neill: The Magazine of Fantasy and Science Fiction, Summer 2024, edited by Sheree Renée Thomas; Analog Science Fiction and Fact, September/October 2024, edited by Trevor Quachri; Asimov's Science Fiction, September/October 2024, edited by Sheila Williams

"MPorcius": World's Best Science Fiction: 1968 edited by Donald A. Wollheim and Terry Carr

James Reasoner: Battle Birds, February 1940, edited by Harry Steeger; Texas Rangers, February 1952, edited by Jim Hendryx; "Hero Stuff" by Frederick C. Davis, Wings, February 1928; Fighting Western, October 1946; Exciting Western, December 1944; Weasels Ripped My Flesh! The Illustrated Men's Adventure Anthology edited by Robert Deis, Wyatt Doyle and Josh Alan Friedman; Looking for Lost Streets and High Fliers, Middleweights and Lowlifes by Cullen Gallagher; "Lair of the Serpent Queen" (a novella) by James Reasoner

Jack Seabrook: "11 O'Clock Bulletin" by Robert Turner, Bluebook, February 1955, edited by André Fontaine; adapted for Alfred Hitchcock Presents: with a teleplay by Evan Hunter as "Appointment at Eleven"

Robert Silverberg: The Worlds of Robert F. Young (in review column "The Spectroscope")

Victoria Silverwolf: Fantastic Stories, October 1969, edited by Ted White

Kevin Tipple: Sex and Violins: An Erotic Crime Anthology edited by Sandra Murphy

"TomCat": "The Oblong Room" by Edward D. Hoch, The Saint Magazine July 1967, edited by Hans Stefan Santesson

*Performance: Joyce Carol Oates's "Pumpkin Head" performed by Bill Connington

*J. Kingston Pierce's report on the Bulwer-Lytton Fiction Contest

Happy All Hallows!

Wednesday, August 21, 2024

Short Story Wednesday: "Angels and Saints" by Bobbi A. Chukran (Undertaker Press 2024 e-chapbook); "Chessboard" and "The Mirror" by Emmy Li, THE MAILER REVIEW 15, 2021, edited by Philip Sipiora and Michael Shuman

"Angels and Saints" is one of the first stories to be offered, as a free download, from an upcoming sequel ebook/bound paper anthology to the Undertaker Books anthology Stories to Take to Your Grave, Volume One. It's by Bobbi A. Chukran, a veteran writer of nonfiction and some fiction and plays (including a novel in 2006, and the continuing "Nameless, Texas" series of short stories) who is now turning some of her efforts to "weird western" fiction and related fantastica. The Mailer Review's 15th anniversary issue similarly arrived yesterday in the mail, as a surprise, after managing editor Michael Shuman's kind offer of the previous issue, a while back, to members of the FictionMags email discussion list. So, friendly netquaintances are the source of this week's texts.


"Angels and Saints" is a finely-detailed short story, set in Texas in the 1920s, involving a minister out riding his horse in open country to help, among other things, formulate the next sermon he'd deliver, who gets caught up in a storm and finds shelter at an isolated house, occupied solely by a caretaker while the other residents are away, who has his own sort of religious expression, carving icons such as the one pictured above, which is one Bobbi owns and which inspired this story. The arc of the story is a familiar one, but it demonstrates Bobbi's love of the setting and deft employment of small details. 


Bobbi Chukran is a professional writer expanding her palette; while Emmy Li, in the 2021 volume (and latest so far) of The Mailer Review, largely devoted to the work of Normal Mailer, gives us two examples of the very young writer showing promise. "Chessboard" is also a ghost story, involving a young woman's last game with her late grandfather's spirit, who had engaged her in the game from early childhood, and it had been a goal for her to finally win a game with him. "The Mirror" is a less cozy sort of ghostly horror, which gives away its author's youth in the slightly rushed set-up, in which a doppelganger manages to gain access to the life of the protagonist (albeit surfiction by elders can also take a similarly "OK, why not?" tack). She wrote well for a 9th grader, and presumably is now a high-school graduate likely on her way to college (her desire was to become a professional educator, the contributors' notes indicate...there was no headnote on her two short stories, that lead off the fiction and poetry in this issue of the Review, to suggest her mid-teens status at time of composition, and the work is certainly of the better sort for a writer of her years).

For more of today's Short Story Reviews, please see Patti Abbott's blog.




Monday, August 19, 2024

Short Story Wednesday+: links to the reviews for the week of 14 August 2024



Short Story Wednesday:

Patricia Abbott: "How to Talk to Your Mother" by Lorrie Moore, first published in her collection Self Help (1985). The story can be read here.

Jerry House: "Gynecologia" by Gilbert Cannan, first published in his collection Windmills: A Book of Fables (1915). The story can be read here.

George Kelley: Margolyam by Matthew Hughes (reviewed as a collection of linked stories, though Hughes considers it a novel), 2024.

Todd Mason: "She-Bear" by Janet Fox, an "Arcana" story, Fantastic Stories, January 1974, edited by Ted White. Can be read here.

Plus:

John Boston: Amazing Stories, September 1969, edited by Ted White

Rachel Cordasco and "Joachim Boaz": "Drugs'll Do You" by Kathinka Lannoy, translated by Joe F. Randolf, for publication in Terra SF edited by Richard D. Nolane

Will Errickson: "Talent" by Theodore Sturgeon, Beyond: Fantasy Fiction, September 1953, edited by H. L. Gold; "Naturally" by Fredric Brown, Beyond, September 1954, edited by Gold

Rich Horton: Peace by Gene Wolfe (and the stories "retold" in it); Olivia (a novella) by "Olivia" (Dorothy Strachey Bussy)

Jerry House: A Visit from the Goon Squad by Jennifer Egan

Tracy K: Tales from the Café by Toshikazu Kawaguchi; Nearly Nero by Loren D. Estleman

Steve Lewis: Weird Tales, January 1949, edited by Dorothy McIlwraith; Analog Science Fiction/Science Fact, August 1967, edited by John W. Campbell, Jr.

Neeru: Pippi Longstocking by Astrid Lindgren (translated by Edna Hurup) A children's novel, therefore basically a novella (a woman's work in translation entry)

James Reasoner: Texas Rangers, July 1949, edited by ?G. B. Farnum

Steven H. Silver: "Cronus" by Marianne Puxley, Interzone, May-June 1989, edited by Simon Ournsley and David Pringle

Victoria Silverwolf: Fantastic Stories,August 1969, edited by Ted White 

and:

Evan Lewis: some 1934 Spicy Detective covers

K. A. Laity: "Murder, Surrealism, Women’s Rage, and Les Abysses"

William Gibson and Malcolm Edwards: On Neuromancer

 

Wednesday, August 7, 2024

SSW: WORLD LITERATURE TODAY July 2024: International Horror in Translation, edited by Daniel Simon and Rachel Cordasco; stories by Junko Mase, C. E. Feiling, Mahmoud Fikry, John Ajvide Lindqvist: Short Story Wednesday



International Horror in Translation