Sunday, May 12, 2013

European Cinema for... Mother's Day?

Not that my mother (or my father) were or are particularly fond of (nor averse to) European films, if they didn't have to read subtitles...nor do they read my blog...so...this little freshet of satirical, mildly experimental work from the period in which my mother was first becoming a mother...

"Surrogate" aka "Ersatz" (1961; Academy Award 1962)

Who Are You, Polly Magoo? (1966) (for some reason, this one has a tendency to balk at starting properly, so you might want to pop it out to Watch on YouTube...where it also might balk temporarily before starting...)

"Dirty Girl" aka "Santa Lucia of Sanne Lucia" (1966) (some of the images in this film assembled from still photography, with a soundtrack devoted in part to Charles Mingus, are NSFW)

Fantasy Records swipes F&SF logo for earliest releases...then takes on GALAXY less actionably...


...or, why Kingsley Amis's comparison of the histories of jazz and sf was better than he gave himself credit for:


The popular science fiction magazine mentioned in Len Lyons notes was THE MAGAZINE OF FANTASY AND SCIENCE FICTION and the first 78 RPM singles released by the new label used the exact logo type and design that the magazine used on its cover.



The magazine owners no doubt sent the Weisses a “Cease and Desist” letter and the now familiar Fantasy logo was introduced on subsequent pressings released by the new label as seen on the examples of Fantasy 504 and 505 above [as the full post appears at the Jazz Research blog].


When the Weiss brothers launched a second label in 1951 they borrowed the name from another science fiction magazine, GALAXY SCIENCE FICTION, and came up with their own typeface to avoid any copyright problems like the one they encountered with Fantasy. (The author would like to thank reader Alan Parr for bringing this to his attention.)



Saturday, May 11, 2013

Saturday Music Club: yet more folk-rock

The first earlier post, Some Folk-Rock.
And Some More Folk Rock...

Arthur Lee & Co., performing the Love arrangement of Alone Again Or... at Glastonbury, 2003

The Strawbs: Who Knows Where the Time Goes 

Richard Thompson, Suzanne Vega & Loudon Wainwright III: Down Where the Drunkards Roll

Fairport Convention (2009 reunion concert): Meet on the Ledge
"Si Tu Dois Partir" at the same concert

Joni Mitchell and Johnny Cash: The Girl of the North Country

Joan Armatrading: The Weakness in Me

Salem 66: Red Barn

The Seekers: In My Life; Silver Threads and Golden Needles (2012 recording excerpts)

Rainy Day: Rainy Day (the album, 1984)



Friday, May 10, 2013

FFB: some Encyclopediae of Science Fiction: a quick survey

Science fiction, and the related literature, has had perhaps more than its share of attempts at comprehensive reference volumes, which (at least the ones I'll consider in this brief survey) focus primarily (and properly) on literary sf, but also attempt to include at least good and useful coverage of sf in related media, ranging from comics to films and/or television, radio to various sorts of games, and beyond.

Most of them, so far, have not been able to keep the promise that they initially offered, to do at least a reasonably thorough job in serving as a guide to the entirety of what's sfnal in the world, but some have come closer than others, and the 1979 Peter Nicholls-edited volume here is the direct ancestor of the best attempt so far, The Encyclopedia of Science Fiction (Third Edition) now edited by (among others) John Clute and David Langford, and being published online...finally, enough space for potential pages to cover everything anyone could want.

The Donald H. Tuck Encyclopedia was the first comprehensive attempt to guide the reader through the entirety of the field...an impressive and reasonably accurate production, whose major flaw (aside from Tuck's relative terseness with critical opinion in the book, for those who found it a bit dry as a result) is that for a three volume set first published in 1974, 1978, and 1983 (for the individual volumes), it basically covers the field only up to 1968. Tuck did a masterful job of representing the histories of the magazines he chose to cover, the form of which such resources as Phil Stephensen-Payne's Galactic Central have, at least somewhat, emulated in the years since.

The Tuck volumes were issued with no traditional dust jackets.

The Brian Ash volume from 1977 is a genuine curate's egg...the opening section, a timeline that covers several aspects of sf chronologically from the pre-Gernsback years up through much of 1976, is actually a good idea and reasonably well-executed. The rest of the book, while sometimes pretty (though the images accompanying the thematic essays that make up the bulk of the book are only occasionally the best illustrations for the points Ash, who appears to have written most of it himself, hopes to make), is at best a disappointing and not well-enough researched set of attempts to take the pulse of the field, as well as chart its history...moreso than those that follow. The page layout of the book, meant to emulate slick magazines with many sidebars, etc., is also excessively busy.  The short essay at the back of the book, meant to cover the many media sf can be found in, was hurriedly cobbled together by Ash, as I recall, when a supposed collaborator withdrew at the last minute.

Robert Holdstock's coffee-table book, even more than the other volumes under discussion, is less an encyclopedia than a collection of essays about the sf field, one that tries to cover a good range of what the field is all about, but is not quite...encyclopedic. And publisher Octopus Books did us all, particularly the contributors, a real favor in packaging the book: thank goodness Robbie the Robot is on the cover along with Darth Vader, so you can understand that this a sky-fie book, if the sadly Third Reich-reminiscent thunderbolts don't tip you off.

Contents, courtesy of ISFDB:

Don D'ammassa's 2005 volume for Facts on File, which he followed up with a 2006 companion on horror and fantasy fiction, and a 2009 entry on adventure fiction, is the only one of these I deal with here that I've not yet read at all. Facts on File books are not inexpensive, and are aimed at library and other institutional purchasers, and some are very much better than others...but I'll suspect that D'ammassa, who might be the most prolific reviewer in sf (if anything, he appears to read too quickly, but still manages to write intelligent and pithy reviews) has done at least an interesting and valuable job with these volumes.
Meanwhile, the 1979 Nicholls encyclopedia (with John Clute as an assistant editor) was followed by this volume in 1993, and both have been monuments within the field...the most useful and apparently the most accurate and truly encyclopedic volumes since the Tuck, and rather closer to up to date by the time of their publication; also not inexpensive, particularly the 2003 edition, but this second edition is essentially twice as long as the later D'ammassa. Even with that, as with the first edition, certain editorial decisions had to be made, not all of which I agree with...most annoyingly to me, in this edition as well as the previous, a writer of short fiction who didn't publish a book, no matter how prolific and perhaps once important in the field or at least to the magazines where the work was offered, is likely to be ignored, while anyone who published a novel or collection, no matter how trivial, is much more likely to get a listing. As noted above, in the third/electronic edition, with less physical limitation, is much more likely to offer citations to those who didn't receive collection between boards or in paperback. In generally praising the first edition (if I recall correctly), Algis Budrys also noted a certain tendency, which he described as particularly common among British writers and critics, to treat the subject matter at hand (sf, of course) as if it wasn't entirely serious, which tend to encourage the question of why are the authors/editors of a volume such as this thus spending their time...but, nonetheless, the information gathered in the two volumes (and website) devoted to sf primarily is impressively wide-ranging, and led to similarly impressive subsequent and related projects as Science Fiction: The Illustrated Encyclopedia (briefly reviewed here) and the similarly sizable volume The Encyclopedia of Fantasy (which has seen only one 1997 edition, though there's a page of corrections and updates to which I have contributed in very small part.).

So, in short, despite their age, the Tuck volumes are a good supplement and alternate checking source for the three forms of the Nicholls/Clute et al. sf works (now sometimes referred to, along with the EoF, as "Clutepedias")...and the D'Ammassa volumes are almost certainly worth investigation and another good checking/alternate view source. None of these volumes is as useless as, say, Ed Naha's The Science Fictionary or Franz Rottensteiner's The Science Fiction Book, neither intended quite as seriously but both marketed as if they were, and certainly the strengths and weaknesses of, for example, the Ash volume (the first I read and owned) were a spur not only to me but those whose works above followed...


Patti Abbott hopes to have a list of today's books up by the afternoon, or perhaps early evening.

Tuesday, May 7, 2013

Tuesday's Overlooked Films and/or Other A/V: the links

Much Ado About Nothing
Below, today's set of reviews and citations of audiovisual works and related matter, with the posts at the links... as always, thanks to all the contributors and to all you readers for your participation. And, as usually, there are likely to be additions to this list over the course of the day, and if I've missed your, or someone else's, post, please let me know in comments...thanks again.

Bill Crider: Allan Quatermain and the Lost City of Gold  ...trailer

Brian Arnold: Grand

B.V. Lawson: Media Murder

Ed Gorman: The Great Gatsby
Wait, Wait...Don't Tell Me!

Elizabeth Foxwell: Lightning Strikes Twice

Evan Lewis: The Dawn Patrol (1938)

George Kelley: Wait, Wait...Don't Tell Me! (NPR and occasionally simulcast in theaters) (and Constitution USA with Peter Sagal beginning tonight on PBS)

Iba Dawson: This Summer's To Be Overlooked Films: A Preview: Frances Ha; The East; Much Ado About Nothing; The World's End

Ivan G. Shreve, Jr.: Checkmate: "Brooding Fixation" (The Mary Astor Blogathon)

Jack Seabrook: Alfred Hitchcock Presents: "Night of the Execution" (from a Henry Slesar short story)

She Gets What She Wants
Jackie Kashian: Chris Gore

Jake Hinkson: Orson Welles

James Reasoner: She Gets What She Wants (originally Slap Her, She's French!)

Jacqueline T. Lynch: Mary Astor

Jeff Flugel: At the Earth's Core

Jerry House: The Plainsman (1936)

John Charles: The Phantom Empire (1987)

Kliph Nesteroff: Firing Line: Mark Lane (1966); The Tonight Show: Albert Hammond (1973)

Laura: TCM Tough Guys Month

Lucy Brown: Irene (1940)

Martin Edwards: Portmeirion

Marty McKee: The Cutter

Mystery Dan: Fullmetal Alchemist: The Sacred Star of Milos

Patti Abbott: Joe (1970)

Prashant Trikannad: Sleepless in Seattle; You've Got Mail
Silver Saddle

Randy Johnson: Alice in Wonderland (1933); Silver Saddle (aka Sella d'argento)

RJG: Slattery's People

Rick: The Mark of Zorro (1940)

Rod Lott: Spiders 3D; The Suckers

Ron Scheer: Kit Carson (1940)

Sergio Angelini: Top 20 Private Eye Films

Stacia Jones: Holiday (1930; the Mary Astor Blogathon)

Stephen Bowie: Lee Harvey Oswald...and other Disruptors

Tim Lucas: Ray Harryhausen

Yvette Banek: Dodsworth (the Mary Astor Blogathon)

Sunday, May 5, 2013

Saturday Music Club on Sunday: Modern Sounds in Contemporary Surf Music (in High Fidelity)

The Bikini Lovers: No, No, No


The Continentals: Thunderbird


Hawaiian Samurai: Surf'N'Destroy


Morgus & the Daringers: Morgus Creep


The Go-Go's: Surfing and Spying


The Neptunas: The Shape of Things to Come


The Neptunas: Pipleline


The Crickettes: Hawaii Five-O


Junior Brown Band: Surf Medley