Showing posts with label Bill Pronzini. Show all posts
Showing posts with label Bill Pronzini. Show all posts

Wednesday, March 26, 2025

SSW: "The Frenzy" by Joyce Carol Oates, THE NEW YORKER, 24 March 2025; "The Crack of Doom" by Bill Pronzini and Barry N. Malzberg, ALFRED HITCHCOCK'S MYSTERY MAGAZINE, October 2016: Short Story Wednesday

"The Frenzy" can be read online here.


"The Crack of Doom" was reprinted in Pronzini's collection Small Felonies 2, which can be had in print form from publishers Stark House for $7 a copy. (George Kelley reviewed the collection here.)



Two accounts of aging men, more sinning than sinned against, albeit one is more obliviously culpable than the other.

The recent Joyce Carol Oates story is the account of a late middle-aged man taking his still, if just barely, teen-aged mistress (he is careful to refer to her in his running interior monologue as very nearly 20yo) on a weekend getaway in Cape May, NJ. The somewhat older Malzberg/Pronzini  story is an account of a man perhaps a few years older, trying to make sense of his predicament as he awaits his orders to commit mayhem in NYC from an amorphous but deadly conspiracy that has him under their collective thumb. Malzberg's ultraviolet sense of humor, as frequently in their collaborations, is only augmented by Pronzini's contribution.

Both men mistake themselves for essentially benevolent, even if potential agent of chaos Elias is less certain of this than is philanderer Cassidy. 

Both have wives and children that they have grown somewhat estranged from, albeit their wives are still present in their lives and can be seen as trying to help both protagonists, however insufficiently from the point of view of both men. Oates's Cassidy first met his young mistress Brianna when she performed in the same high school Palestrina choral concert as Cassidy's daughter, who remains three years younger than his paramour. Brianna for her part is somewhat flighty and lost, floating through life haphazardly (as her affair might suggest), but still full of vigor that Cassidy draws on and enjoys controlling as best (or worst) he might.

Both stories are good examples of what their authors have been capable of. The collaboration cites the Rene Magritte painting that presumably served as partial inspiration; the Oates doesn't overplay the kind of smug self-justification its Cassidy wallows in, even as he feels a distant sense of shame for some, but by no means all, of his behavior. 

I'd been meaning to read the Oates for a week or so, since it was released on-line...I'd misplaced the book I was going to review along with the New Yorker story, but the long-buried AHMM issue had just been disinterred, so it makes an interesting counterpoint in paranoia of a different flavor...as I'd put the issue away almost a decade ago before I had a chance to read it.

For more of today's short stories (and another take on the Oates!), please see Patti Abbott's blog.


Wednesday, March 5, 2025

SSW: Bill Pronzini: new HITCHCOCK'S and QUEEN'S mystery magazine contributions: Short Story Wednesday

Today, after hearing last night the high whine and self-congratulation of our highest elected fictioneer go on at tedious, mendacious length and manage to alienate even his closest counterpart in Canada, Ontario Premier Doug Ford, while as ever trying to fanboyishly, even slavishly, Present Himself for Putin, now we can turn to one of his unelected bureaucrats for helpful hints https://www.rawstory.com/egg-prices/:

US Sec. of Agriculture Brooke Rollins suggests "beating" egg prices by raising backyard chickens...

But we know Rollins is in for a chewing-out, at least, for not floating the notion that we should all be buying Trump Eggs, always wholesome, spray-painted for your convenience either gold or pre-cancerous burnt umber. And with easy credit terms.

And, with luck, we won't die of avian flu as a result, nor as a result of it infecting our neighbors' cows...but this can be thwarted with New Trump Coops! They come with restrictive covenants that don't allow any viruses at all to move in within a thousand yards of your beautiful, sexy Trump Chickens (also available spray-painted gold or burnt umber). Should cover neighboring cattle. If that doesn't work, RFK, Jr. will be hosting (blue-jeans-required) raves on the White House lawn, with mandatory ingestion of steroids and Vitamin K in irresponsible doses, and carrion BBQ to follow.

(Conservative Charlie Sykes, who's left the GOP for the Libertarian Party in the wake of MAGA, put it this way.)

But on to more artful short stories:

"The Back End of Nowhere" by Bill Pronzini, AHMM March/April 2025, the current issue, edited by Linda Landrigan

"Tangled Web" by Bill Pronzini, EQMM March/April 2025, edited by Janet Hutchings and Jackie Sherbow (a Jake Runyon story)

I've been reading Bill Pronzini's fiction for half a century-plus at this point, and consistently enjoying it. Unsurprisingly, he's a Mystery Writers of America Grandmaster, and has been, along with his solo work, the most assiduous fiction-writing collaborator with his similarly talented wife, Marcia Muller, and with the recently late Barry N. Malzberg. His stories in the current Hitchcock's and Queen's are both worth reading, and not atypically of his work, both take a somewhat de-mythologizing approach to, in the AHMM story, a stand-alone revenge tale, and in the EQMM insurance detective series entry...both stories are good, if the Runyon series story a bit better, in part because of more complexity and detail and a bit more heft as result. 

I first read Pronzini's work in back issues of Hitchcock's my local public library kept in the kids' wing of the collection, perhaps because there were digest-sized spinner racks for YA paperbacks there, and perhaps because of the line-drawing illustrations in early-mid '70s issues of AHMM (and for a couple/few decades going forward) misled an unwary librarian or two about their nature...or she (usually the case at Enfield Central Library in the '70s) thought the magazine might hook some young minds. It was my first exposure to it, and in it Pronzini's series of stories about the "Nameless" private eye (eventually "outed" as named Bill), "The Scales of Justice"...in the July 1973 issue. And as I quickly exhausted Robert Arthur's YA-targeted "Alfred Hitchcock" anthologies from Random House, and moved on to his and, after his death, Harold Q. Masur's Alfred Hitchcock Presents: anthos, in hardcover from the library or the Doubleday Book Club, or in oddly-reconfigured Dell paperback editions (usually two paperbound editions drawn from every fat volume in boards0. And nearly all featuing a Pronzini story or so.

One aspect of Pronzini's work, throughout his career, I 've noted above--de-mythologizing crime-fiction tropes...Pronzini characters often realize grand fantasies of revenge are more satisfying to their bearers as fantasies when the realities of revenge become apparent, and the day-to-details of even the more dangerous aspects of private detection work are, very often, indeed quotidian rather than heroic fantasy...necessary work done, and it can take its toll, but that's what we're here for, to help others and get the work done. An early short story title for Pronzini was "Sometimes There is Justice"...sometimes. And often because people did what they needed to do, rather than flashily Set Everything Aright with a well-timed punch to a villain's jaw, or pulling and firing a crack shot through the villain's eye. 

Two good examples here, and you'll find a number of even better ones in his collections, but you probably won't begrudge the 10-spot you'll lay down for each of these issues, perhaps the last or penultimate ones published by Penny Press, as their fiction magazines, and The Magazine of Fantasy and Science Fiction, as noted here (and a Lot of places) recently have been purchased by a new firm, 1 Paragraph. Interesting that Pronzini gets the cover on the AHMM, and he isn't mentioned (nor is Lia Matera) on the EQMM's cover...feels almost random at times, with the Penny Press titles...

Also, a grandson of the second editor (after Hugo Gernsback) of Amazing Stories, Justin T. O'Connor Sloane, is attempting to make a go of revived Worlds of If and Galaxy Science Fiction magazines in hybrid online/paper format. Robert Silverberg gives guarded if  still interesting responses in an interview conducted by Sloane, and a few familiar names are among the contributors to the first issue of the attempted revival of Galaxy (November 2024), online for free, and the Worlds of If revival, slightly older, has a sample free issue up as well.

I might gather up the Short Story Wednesday entries again this week, as organizer Patti Abbott is probably still enjoying (we hope) her Florida vacation...

Wednesday, December 18, 2024

Short Story Wednesday: Barry N. Malzberg and Bill Pronzini: FINAL WAR AND OTHER FANTASIES (Ace 1969) and IN THE POCKET AND OTHER SCIENCE FICTION STORIES (Ace 1971) by Barry N. Malzberg: newly offered together; THE HANGING MAN AND OTHER WESTERN STORIES by Bill Pronzini, including one in collaboration with Marcia Muller; Stark House 2024

Barry N. Malzberg,  July 24, 1939-December 19, 2024.

Two sorts of retrospective, the kind of fine work Stark House continues to do...from two writers whose work I've been reading for nearly my whole literate life, Malzberg because my father had anthologies including his work when I was very young (and I would eventually inherit them), Pronzini whose work I would discover only a bit later via Alfred Hitchcock's Mystery Magazine and the essentially unrelated (except by paying license fees) Alfred Hitchcock Presents: volumes edited by Harold Q. Masur for Random House (reprinted in Dell paperbacks) in the '70s. As we face our Final Wars and try to avoid joining  the Hanging Man in his fate, this is a propitious time to take in these books, for me those stories I have read are usually decades ago, and those I haven't deserve to have my neglect remedied. 

Barry has also contributed to this blog, and very graciously indeed. Bill Pronzini and Marcia Muller have helped with a few projects of mine (and in her case, a very badly-handled project of one of my bookstore colleagues decades ago). I am glad to have been able to make the acquaintance of both.

Barry N. Malzberg's own writing on this blog:

Quoting Barry Malzberg

Guest FFB: Barry Malzberg and Charles Ardai on the last published Cornell Woolrich novel, as completed by Lawrence Block: INTO THE NIGHT

Cele Goldsmith Lalli, interviewed by Barry Malzberg


guest essay by Barry Malzberg: NEW AMERICAN REVIEW (later AMERICAN REVIEW), edited by Theodore Solotaroff: the best American literary magazine  (for some reason, Blogger has tagged this as featuring sensitive content...I'd say yes, but  not the way they mean it.)

Barry Malzberg's first two collections of his short fantastica stories were published as halves of Ace Doubles (and under his fantastic-fiction pseudonym "K. M. O'Donnell"--a tribute to writers, and married couple, Henry Kuttner and Catherine L. Moore, who among their collaborations signed some of their best as Lawrence O'Donnell), in 1969 paired with a John Rackham novel, and in 1971 with his own novella Gather in the Hall of the Planets. "Final War" has reminded at least two Richards, the late Richard Geis (of Science Fiction Review fame) and Rich Horton (of  Locus, his anthologies and his blog) strongly of Joseph Heller's  Catch-22, and was probably the most widely-admired of Malzberg's early fantastica stories, coming a close second in the balloting for the Nebula Award  in its contest. When asked what he'd like to be remembered for, he told his interlocutor that the latter might note just how funny he could be (since his work is shot through with wit, even at its most anguished). Particularly in the vignettes in these collections, he demonstrates this frequently.

Novella cover illustration by Jack Gaughan;
second cover by Karel Thole

Here are the two tables of contents (from ISFDB):  

[2] Final War and Other Fantasies (frontispiece) • interior artwork by Gray Morrow

In the Pocket and Other S-F Stories • (1971) • collection by Barry N. Malzberg [as by K. M. O'Donnell]
The Stark House edition has only one (new) cover, and Barry has decided to write a single new brief introduction, as he looks back less than fondly at either collection's original introduction; a decent bibliography of his books rounds out the book.
 
Malzberg cover by Jeff Jordan

Pronzini cover by Mark Shepard


Indexed by TM using links from the FictionMags Index.

7 * Preface * Bill Pronzini * in
28 * Hero, (ss) Small Felonies by Bill Pronzini, St. Martin's, 1988
“I’ll See to Your Horse”, (ss) Zane Grey Western Magazine February 1972; rewritten as the opening of The Gallows Land (Walker and Co., 1983; Berkley pb 1983); this is a composite of both.
49 * All the Long Years, (ss) Westeryear ed. Ed Gorman, M. Evans, 1988
109 * The Cruel and Deadly Winter, (ss) (2024 original publication in this volume)
130 * Doc Christmas, Painless Dentist, (ss) Louis L’Amour Western Magazine May 1994
147 * "Crucifixion River" by Marcia Muller and Bill Pronzini; apparently first published in the collection Crucifixion River: Western Stories  (Five Star, 2007; ISBN-13: 978-1594145568)  by Muller and Pronzini (this story won the WWA Spur Award)
202 * Pronzini Bibliography * bi





As the acute scanner might note, there is an overlap with, though not complete duplication of, The Best Western Stories of Bill Pronzini, Swallow Press, 1990...I picked that one up when it was new--at first thought, hard to realize it's been almost 35 years:

The FictionMags Index (FMI) listing:

For more of today's short stories, please see Patti Abbott's blog.






Friday, December 6, 2024

Books Received: COLLECTING MYSELF: THE UNCOLLECTED STORIES OF BARRY N. MALZBERG, edited by Robert Friedman and Gregory Shepard; CREAM OF THE CROP: BEST MYSTERY & SUSPENSE STORIES OF BILL PRONZINI edited by the author, Stark House 2024

Three of my favorite new stories in 1978, not quite a half-century ago but not far from it, the year I started reading fiction magazines regularly and probably more passionately than before or since, were "Strangers in the Fog" by Bill Pronzini, in EQMM's June issue, "Prowl" by Barry Malzberg in Fantastic dated July, and "Another Burnt-Out Case" by Malzberg and Pronzini in the October Fantastic, albeit arguably out of place in that issue, as it wasn't really fantasy, horror nor sf, but a bit of absurdism, that Barry remembers as including as much as they could that just made them laugh and laugh. (Barry doesn't seem to much like "Prowl"--it's an unsparing metaphor for relations between teens and their parents in the form of a vignette about werewolves--and the only reprint of it I'm aware of is in the Fall 2011 issue of Allen Koszowski's Inhuman magazine, apparently not with his permission.)


There's more to say about these, and the careers of these writers, and the noble efforts of Stark House, but it's been a distracting and busy week, and it's not over yet. (A d&b fortnight, by the time it's done.)

Collecting Myself: The Uncollected Stories of Barry N. Malzberg by Barry N. Malzberg (Stark House Press, March 8, 2024, 979-8-88601-081-7, $15.95, 186pp, tp, co) [edited by Robert Friedman & Greg Shepard]



Cream of the Crop: Best Mystery & Suspense Stories of Bill Pronzini edited by the author (all content by BP) Stark House Press, August, 2024, 979-8-88602-099-2, $19.95, 340pp, tp, co

9 * Preface * Bill Pronzini * pr

11 *  Standalones 
13 * Opportunity * Bill Pronzini * ss * Alfred Hitchcock’s Mystery Magazine December 1967
24 * Proof of Guilt * Bill Pronzini * ss * Ellery Queen’s Mystery Magazine December 1973
33 * Sweet Fever * Bill Pronzini * ss * Ellery Queen’s Mystery Magazine December 1976
38 * Smuggler's Island * Bill Pronzini * ss * Ellery Queen’s Mystery Magazine December 1976
53 * Under the Skin * Bill Pronzini * ss * Ellery Queen’s Mystery Magazine October 1977
58 * Strangers in the Fog * Bill Pronzini * ss * Ellery Queen’s Mystery Magazine June 1978
66 * A Craving for Originality * Bill Pronzini * ss * Ellery Queen’s Mystery Magazine December 17 1979 
95 * Liar’s Dice * Bill Pronzini * ss * Ellery Queen’s Mystery Magazine November 1992
102 * Out of the Depths * Bill Pronzini * ss * Ellery Queen’s Mystery Magazine September 1994
117 * Possibilities * Bill Pronzini * nv * The Strand Magazine #17, October 2005/January 2006
131 * The Cemetery Man * Bill Pronzini * ss * Ellery Queen’s Mystery Magazine July 2013
139 * Hooch * Bill Pronzini * ss * Ellery Queen’s Mystery Magazine June 2014
147 * Snap * Bill Pronzini * ss * Ellery Queen’s Mystery Magazine December 2015

171 * Carpenter and Quincannon
173 * Gunpowder Alley * [John Quincannon & Sabina Carpenter] * Bill Pronzini * ss * Ellery Queen’s Mystery Magazine August 2012  [Remarkable how often even conscientious reviewers will revise the Marcia Muller character's name into "Sabrina"...TM]

195 * Nameless Detective
197 * Thin Air [Nameless Detective] * Bill Pronzini * ss * Alfred Hitchcock’s Mystery Magazine May 1979
214 * Cat’s-Paw [Nameless Detective] * Bill Pronzini * nv * Waves Press, 1983, chapbook
233 * Skeleton Rattle Your Mouldy Leg [Nameless Detective] * Bill Pronzini * nv * The Eyes Have It ed. Robert J. Randisi, Mysterious Press, 1984
256 * Incident in a Neighborhood Tavern [Nameless Detective] * Bill Pronzini * ss * An Eye for Justice ed. Robert J. Randisi, The Mysterious Press, 1988
274 * Souls Burning [Nameless Detective] * Bill Pronzini * ss * New Crimes 3 ed. Maxim Jakubowski, Robinson, 1991
281 * La Bellezza Delle Bellezze [Nameless Detective] * Bill Pronzini * ss * Invitation to Murder ed. Ed Gorman & Martin H. Greenberg, Dark Harvest, 1991
305 * Home Is the Place Where [Nameless Detective] * Bill Pronzini * ss * Ellery Queen’s Mystery Magazine November 1995
313 * The Big Bite [Nameless Detective]  * Bill Pronzini * nv * Shots Winter 1999
326 * Who You Been Grapplin’ With? [Nameless Detective] * Bill Pronzini * ss * Ellery Queen’s Mystery Magazine December 2014

339 * Bill Pronzini (1943-date) Bibliography * Bill Pronzini * bi

TM

Wednesday, November 11, 2020

SHORT STORY WEDNESDAY: CHILD'S PLOY edited by Marcia Muller and Bill Pronzini (Macmillan, 1984)


1 * Introduction * Marcia Muller and Bill Pronzini (in)
5 * The Rocking-Horse Winner * D.H. Lawrence (ss)  Harper’s Bazar Jul 1926
23 * How Pearl Button was Kidnapped * "Katherine Mansfield" (Kathleen Murray) 
(ss) Rhythm Sep 12 1912, as by Lili Heron
29 * The Beautiful White Horse * William Saroyan 
(ss)  Esquire Jun 1938; also as “The Summer of the Beautiful White Horse” in My Name is Aram
38 * Paul's Case * Willa Cather 
(nv)   McClure’s May 1905
61 * Little Boy Lost * Q. Patrick (Richard Webb and Hugh Wheeler) 
(ss) Ellery Queen’s Mystery Magazine Oct 1947
90 * Too Early Spring * Stephen Vincent Benét 
(ss) The Delineator Jun 1933
105 * The Threatening Three * William Campbell Gault (as "
The Threatening Trio"), (ss) 10-Story Detective Magazine Oct 1948
123 * The End of the Party * Graham Greene 
(ss) The London Mercury Jan 1932
134 * The Landscape of Dreams * John Lutz 
(ss) Ellery Queen’s Mystery Magazine Mar 24 1982
143 * Fire Escape * Cornell Woolrich 
(na)  Mystery Book Magazine Mar 1947, as by William Irish (source story for The Window and its remake, The Boy Cried Murder)
191 * Ludmila * Jean L. Backus (as by "David Montross") first appeared in Alfred Hitchcock Presents: Stories to be Read with the Lights On, edited by Harold Q. Masur, Random House 1973
198 * Day for a Picnic * Edward D. Hoch 
(ss) The Saint Mystery Magazine (UK) Mar 1963, as by Pat McMahon
212 * Carnival Day * Nedra Tyre 
(ss) Ellery Queen’s Mystery Magazine Jul 1958
225 * Good Man, Bad Man * Jerome Weidman 
  (ss) The Saturday Evening Post Jul 1 1967
243 * Looie Follows Me * John D. MacDonald  
  (ss) Collier’s Aug 27 1949
258 * Here Lies Another Blackmailer * Bill Pronzini 
(ss) Alfred Hitchcock’s Mystery Magazine Jun 1974
266 * Morning Song * Betty Ren Wright 
(vi)  Mike Shayne Mystery Magazine Nov 1982
271 * The Hedge Between * Charlotte Armstrong 
(nv) Conflict: Stories of Suspense Fll 1953, as “Meredith’s Murder”
300 * Uncle Max * Edward D. Hoch 
(ss) The Saint Mystery Magazine (UK) Mar 1965 as by Pat McMahon

One of the only four? volumes of the Macmillan Midnight Library, all? anthologies by Muller and Pronzini from 1984/85 mixing with aplomb mystery, suspense, horror, fantasy, contemporary mimetic and other stories, despite the subtitle "An anthology of mystery and suspense stories", much in the manner of some of Pronzini's earlier selections, such as Midnight Specials, or the "Alfred Hitchcock"-branded anthologies for Random House Robert Arthur, Harold Q. Masur (one of whose volumes was the original source for the Jean Backus story--before today I was aware of only one original story in an AHP: anthology, Thomas Disch's "Casablanca" in the Arthur-edited volume he assisted the ailing Arthur with), and a few others had been assembling in both adult-targeted and YA-slanted series. I might have copies of all four...this one was recently unboxed in my effort to get my books back into some sort of order. All of them appear to have less than superb, but neither terrible nor conventional, cover designs and illustrations by Mary Mietzenfeid...and story headnotes from the editors. The packaging might've helped suppress sales; perhaps also the tendency for the books to turn up underappreciated (and some widely anthologized) stories from several decades previously.

My listing here seems as if it's the first online to include page numbers, and I've now added the first publication sites (contents and first publication data from WorldCat, the FictionMags Index and ISFDB). Much as I will reread the book in its entirety...but this doesn't stop me from commenting on some of my old favorites and stories I still remember well from this volume and previous encounters...at times in such similar volumes devoted to sf and fantasy stories about kids (Children of Wonder edited by Philip "William Tenn" Klass) or horror, suspense and fantasy stories likewise focused (The Little Monsters edited by Roger Elwood and Vic Ghidalia and sequels and similar efforts) and the like.

For example, the lead-off story is a mildly supernatural bit of a chestnut, the morose "The Rocking Horse Winner" by D. H. Lawrence, in which a boy takes on the burden of keeping his household financially afloat, in the wake of the collapse of his parents' marriage, by furiously riding his hobby-horse and gaining while doing so accurate prognostication of the winning horses at the local track. Graham Greene's nearly as famous "The End of the Party" is also a bit more outré than suspense fiction is usually accorded, involving twin brothers who have a rather bad time with a party game, and the unfortunate consequences that an empathy that tips over into telepathy between twins can have (even as Greene dismisses the term "telepathy" in a line in the story).

On the other end of the spectrum, "The Beautiful White Horse" is, as the editors note, a tale of nearly the most mild sort of horse-theft, or -borrowing, two young Armenian-American cousins in the early decades of the last century can get up to...it's the often-excerpted first chapter of William Saroyan's largely autobiographical and most popular book for young readers, My Name is Aram, but is by no means painfully naive reading for adults. While Stephen Vincent Benet's "Too Early Spring" is, as the editors suggest in that story's headnote, not a story of conventional crime at all...rather than one of too-conventional (and mean-spirited) outlook leading the parents of a community to blithely insist their suspicions of a sort of infraction on the part of their early-adolescent children must be true, and punished accordingly. The crime, as Muller and Pronzini suggest, is one against the kids--too often the case in human affairs...or even beyond, among other species (for we are also animals). 

Much of the rest of the book is indeed crime fiction as we usually understand it, and doesn't suffer for that. Further reportage on these stories soon!

The other three Muller/Pronzini Macmillan Midnight Library items I'm aware of are Witches' Brew (1984)--horror and supernatural fiction by women, and the 1985 duo Kill or Cure (medical crime fiction) and Dark Lessons (campus crime fiction).



The other three Macmillan Midnight Library anthologies edited by Muller and Pronzini:

Witches' Brew: Horror and Supernatural Stories by Women (1984)

Kill or Cure: Suspense Stories About the World of Medicine

(1985)

The resident patient / Sir Arthur Conan Doyle --
The superfluous finger / Jacques Futrelle --
The Cyprian bees / Anthony Wynne --
Easter devil / Mignon Eberhart --
But the patient died / Lawrence G. Blochman --
The problem of the covered bridge / Edward D. Hoch --
Hurting much? / Cornell Woolrich --
The memorial hour / Wade Miller --
Guilty witness / Morris Hershman --
The doctor takes a case / George Harmon Coxe --
Miracle of the fifteen murderers / Ben Hecht --
Doctor's orders / John F. Suter --
The splinter / Mary Roberts Rinehart --
Sound alibi / Jack Ritchie --
Paint doctor / Joe L. Hensley --
The other side of the curtain / Helen McCloy.



















Dark Lessons: Crime and Detection on Campus  
(1985)

William Wilson / Edgar Allan Poe --
Murder at Pentecost / Dorothy L. Sayers --
Murder at Mother's Knee / Cornell Woolrich --
The lethal logic / Norbert Davis --
To break the wall / Evan Hunter --
When Greek meets Greek / Graham Greene --
Charles / Shirley Jackson --
The ten o'clock scholar / Harry Kemelman --
The problem of the little red schoolhouse / Edward D. Hoch --
The disappearance of Maggie / Talmage Powell --
A matter of scholarship / Anthony Boucher --
Final exam / Bill Pronzini and Barry N. Malzberg --
Broken pattern / George C. Chesbro --
Dead week / L.P. Carpenter --
Van Der Valk and the high school riot / Nicholas Freeling --
Robert / Stanley Ellin --
The turncoat journal of Marc / Milton Stearns, Barry N. Malzberg.