Saturday Music Club: mostly jazz, a lot of keyboards, some singing...

Teo Macero and the Prestige Jazz Quartet: "Just Spring"

Randy Weston: "African Village/Bedford Stuyvesant"

Blossom Dearie Trio and Quartet: "I Wish You Love"; "Bag's Groove" 


Aretha Franklin Band: "Won't Be Long"


Toshiko Akiyoshi: "The Village"


Toshiko Akiyoshi 2007 interview:

from the same interview: on being a Japanese jazz artist

Toshiko Akiyoshi Jazz Orchestra: "Drum Conference"


Thelonious Monk: "Don't Blame Me"


Lenny Bruce's tv series pilot The World of Lenny Bruce 

Saturday Music Club (on Tuesday): some of Teo Macero's music, jazz and beyond, with Charles Mingus, Janis Ian, Thelonious Monk, the Brubeck Quartet and many others

Macero's music performed by him and others:

"Neally"

"Blues for Amy"


"Monk's Funk"

"How Low the Earth" 
 

"Ghost Story" 

 

Explorations (1953) [Full Album]  

N.Y.C., 5  December 1953
Teo Macero (ts)
"Lanny DiJay"/Orlando DiGiralomo (accordion)
Charles Mingus (b, cello)
Louis Labella (b)
Ed Shaughnessy (d)

"You Are Love" vocal by Janis Ian; from the Macero soundtrack for the film Virus

Bands Macero played with and/or produced:

The What Four: "I'm Gonna Destroy That Boy"


Charles Mingus/Teo Macero/John LaPorta/Wally Cirillo: Jazz Composers Workshop 

the Brubeck/Desmond/Morello/Wright Quartet plus Macero, Howard Brubeck and others: "Upstage Rhumba"

Teo Macero speaks:

working with Thelonious Monk, Charles Mingus and Miles Davis

Dave Brubeck, December 6, 1920-December 5, 2012

The last studio album, devoted to original compositions (save a reunion album they would record in 1976 for A&M), that the Paul Desmond/Joe Morello/Gene Wright quartet would record, 1966. This was the most famous and successful quartet, performing from 1958-66.

Dave Brubeck: “They Said I Was Too Far Out” by Ralph Gleason — 8/8/1957 An Exclusive Online Extra

A live recording of the quartet's arrangement of music from his oratorio, The Light in the Wilderness...one of the reasons for the end of the Desmond/Morello/Wright quartet, so that Brubeck could write some of his longer works, most with some spiritual import.


Iola Brubeck was the usual lyricist for her husband's songs...such as this from the song cycle, The Real Ambassadors. Louis Armstrong sings lead, supported by Lambert, Hendricks and Ross on "They Say I Look Like God."


An instrumental version of a work written in response to the murders at Kent State and Jackson State, Truth Is Fallen. This piece of the longer work is called, simply "Truth." Gerry Mulligan was actually not a "guest" here, but a regular member of the Brubeck/Mulligan quartet, with Allen Dawson and Jack Six.


The Octet was made up of largely of jazz players who were fellow students of Darius Milhaud, as Brubeck was, and was sort of a West Coast parallel to what the Gil Evans/John Lewis/Gerry Mulligan "Birth of the Cool" group was doing in NYC.


Brubeck and his sons performed for a while as Two Generations of Brubeck...this is an even larger, if slightly less purely Brubeckian, assembly.


A latter-day quartet version of one of the movements from Howard Brubeck's Dialogues.


And from the initial recording of Dave Brubeck's brother's composition, by the Brubeck Quartet and the New York Philharmonic under the direction of Leonard Bernstein.


The final track from the suite Miro Reflections, the lp having been released as Time Further Out...my default choice as a kid for my favorite record.


Teo Macero on how "Take Five" became a hit.