Showing posts sorted by date for query harlan ellison. Sort by relevance Show all posts
Showing posts sorted by date for query harlan ellison. Sort by relevance Show all posts

Saturday, August 23, 2025

Friday's "Forgotten" Books: the links to the reviews and more: 22 August 2025

Patti Abbott: The Dramatist by Ken Bruen

Tony Baer: Lady Sings the Blues by Billie Holiday (with William Duffy)

Frank Babics: Paingod and Other Delusions by Harlan Ellison

grouped presentations (audio links): Pacificon II, September, 1964:"Anthony Boucher" (William White): "Use of Crime and Suspense Fiction Ideas in Science Fiction"; Karen Anderson, Poul Anderson, Bruce Pelz, Dian Pelz, George Scithers: "The World of Sword and Sorcery"; Richard Lupoff, Ron Ellik, Wally Weber, Arthur Thomson, Joe Gibson: "Ideas and Imagination in Fanzines"

Ben Boulden: The Wolf in the Clouds by Ron Faust

Randal S. Brandt: Plunder of the Sun by David Dodge, and the film adapted from it

Brian Busby: A Japanese Nightingale by "Onoto Watanna" [Winnifred Eaton]


Bill Crider: Among the Gently Mad by Nicholas Basbanes

"DforDoom": Murder on the Way! by Theodore Roscoe

Martin Edwards: Dream of Fair Women by Charlotte Armstrong

Will Errickson: Moths by Rosalind Ashe

Curtis Evans: The Cavalier's Cup by "Carter Dickson"/John Dickson Carr

Jose Ignacio Escribano Garcia-Bosque: Murder, M.D. by John Street

Aubrey Hamilton: The Tunnel Mystery by J. Lenehan

Bev Hankins: Murder in the Caravan and Murder in the Grave by Irina Shapiro

grouped reviews: Maureen Hogan: Hour of the Horde by Gordon Dickson; Victoria Silverwolf: Gateway to Hell by Dennis Wheatley; Amber Dubin: The Star Virus by Barrington J. Bayley and Mask of Chaos by John Jakes

Lesa Holstine: Of All Sad Words by Bill Crider

Rich Horton: Hidden Folk by Eleanor Arnason


Jerry House: Cadaver in Chief: A Special Report from the Dawn of the Zombie Apocalypse by Steve Hockensmith

Kate Jackson: Death of a Stray Cat by Jean Potts; my top 5 mysteries of the 1920s

Tracy K: Death by Accident by Bill Crider

Kaggsy: The Reader and the Writer by Christa Wolf

George Kelley: Space Ships! Ray Guns! Martian Octopods!: Interviews with Science Fiction Legends transcribed and edited by Richard Wolinsky

B. V. Lawson: Murder Among Friends by Elizabeth Ferrars

Steve Lewis: The House of Blue Lights by Robert J. Bowman

Todd Mason: You're All Alone (and variant version, The Sinful Ones) by Fritz Leiber (and some other 1950 fantasy-magazine fiction)

Marcia Muller: The Case of the Moth-Eaten Mink by Erle Stanley Gardner

Neeru: Frame-Up by Andrew Garve


J. F. Norris: The Croaking Raven by Gladys Mitchell

Jim Noy: Sorceror's House by Gerald Verner

"Paperback Warrior": the Mac Bolan series, created by Don Pendleton

"Puzzle Doctor": The Judas Window by "Carter Dickson" (John Dickson Carr)

James Reasoner: The Fast Buck by Ross Laurence

Kevin Tipple: At What Cost by James L'Etoile
--TM

Saturday, August 16, 2025

Robert Bloch: "The Clown At Midnight", ROGUE, March 1960; collected in ROBERT BLOCH: APPRECIATIONS OF THE MASTER, edited by Richard Matheson and Ricia Mainhardt (Tor Books, 1995)

As reprinted in this fine anthology: (<a link to the essay in this volume online)

the paperback edition, 1995

Meanwhile, Ted White (writer and editor) notes that while Hamling credited himself as editor as well as publisher, he wasn't the one doing the editing, in his experience as a contributor:

Hamling was ROGUE's *publisher* but not its editor. In 1960 Frank Robinson was ROGUE's editor.  I know this because I sold my first article ("Riot at Newport") to ROGUE that year, and Frank whipped it into much better shape than I'd written it. Easily the best editor I've ever worked with. ("They're all your words, Ted. I just rearranged them.")  In 1959 Harlan Ellison was also an editor, but I think Frank was his superior. (In 1960 Harlan left ROGUE and moved back to NYC.)

As one can see below, the masthead of the magazine labeled Robinson and Ellison as "associate editors"...Hamling and Ms. Hamling were given supervisory titles...

Some folks, such as Eric Jamborsky, first saw the essay as reprinted in Forrest J Ackerman's Famous Monsters of Filmland magazine, apparently broken into two parts (over two issues?) in 1962, which "Garson O'Toole" notes at his Quote Investigator site.





















Saturday, August 9, 2025

Late Friday's "Forgotten" Books: On ORBIT 6 edited by Damon Knight (Putnam, 1970) a discussion on Facebook initiated by Gregory Feeley


Gregory Feeley (link here) August 7







The anthology begins with “The Second Inquisition” by Joanna Russ and ends with “The Asian Shore” by Thomas M. Disch. In between are “Goslin Day” by Avram Davidson, “Entire and Perfect Chrysolite” by R.A. Lafferty, “The End” by Ursula K. Le Guin, “Where No Sun Shines” by Gardner R. Dozois, and “Debut” by Carol Emshwiller.
Neither of the two short stories by Gene Wolfe are among his classics (that began with the next volume), and I don’t remember anything about the story by Kate Wilhelm—I will try reading it next week when the present project is finished.
In terms of sheer quality, this may be one of the very best original anthologies ever published, Harlan Ellison’s not excepted.

Anthology Title: Orbit 6 • [Orbit • 6] • anthology by Damon Knight

Contents (view Concise Listing)

Rich Horton
"The Creation of Bennie Good" isn't my favorite early Sallis story, when he was at his weirdest, but I think it's at least intriguing. And of the two Wolfe stories, I think "How the Whip Came Back" is pretty good -- for me it's the earliest of his stories to really make an impression (though I do like "Trip Trap".)
Definitely a remarkable original anthology. The next issue is pretty strong too, with two of Lafferty's best stories, one of Wolfe's very best and another good one, one of the best early Sallis stories, a strong Wilhelm novella, very good stories from Disch, Emshwiller, and Dozois, and probably the only Laumer story that stands out in my memory.
Knight really knew what he was doing. And so of course the old farts in SF got really ticked off at him, and pulled stunts liking voting for No Award in the Nebulas to keep Gene Wolfe from winning.

[in response to a Brett Cox conjecture on the No Award "winner" in a Hugo ballot at the height of New Wave/Old Guard hostility in SF; at the 1971 SFWA Nebula Awards ceremony, MC Isaac Asimov, reading from the list of various nominees and winners, assumed that "No Award" getting the most votes in the short fiction category must be a transcription error, and read off Gene Wolfe, whose story "The Island of Doctor Death and Other Stories" received the second-highest number of votes, as the winner:]
Brett Cox For Jo Walton's "Revisiting the Hugos" project, I made a comment about that particular controversy repeating the "confusing ballot instructions" explanation, and Gardner Dozois, who was there, responded as follows:
'There’s no “supposedly” about it, Rich. I was there, sitting at Gene Wolfe’s table, in fact. He’d actually stood up, and was starting to walk toward the podium, when Isaac was told about his mistake. Gene shrugged and sat down quietly, like the gentleman he is, while Isaac stammered an explanation of what had happened. It was the one time I ever saw Isaac totally flustered, and, in fact, he felt guilty about the incident to the end of his days.
'It’s bullshit that this was the result of confusing ballot instructions. This was the height of the War of the New Wave, and passions between the New Wave camp and the conservative Old Guard camp were running high. (The same year, Michael Moorcock said in a review that the only way SFWA could have found a worse thing than RINGWORLD to give the Nebula to was to give it to a comic book). The fact that the short story ballot was almost completely made up of stuff from ORBIT had outraged the Old Guard, particularly James Sallis’s surreal “The Creation of Benny Hill”, and they block-voted for No Award as a protest against “non-functional word patterns” making the ballot. Judy-Lynn del Rey told me as much immediately after the banquet, when she was exuberantly gloating about how they’d “put ORBIT in its place” with the voting results, and actually said “We won!”
'All this passion and choler seems far away now, as if we were arguing over which end of the egg to break.' 

Damon’s story selection model made him open to getting great stories from not just established writers but new voices. He took unsolicited submissions (I have the rejection slips!), but I’m guessing he also invited Milford [Writer's Workshop] and other writers to submit.
If he stumbled upon a good story he also grabbed it, as when he bought Kim Stanley Robinson’s Clarion [Writer's Workshop] application story. I think it was Damon who suggested Stan use his full name so as to not be confused with Spider Robinson.

Buggerly Otherly
(aka Michael Moorcock, among other tasks editor of New Worlds magazine in the latter '60s/early '70s)
ORBIT & NEW WORLDS were publishing similar authors sometimes almost simultaneously -- Sallis and Wolfe for instance -- and occasionally even taking stories which for some reason were not quite suitable for our respective markets. I think ORBIT was, indeed, the best original anthology series. 

Steve Rhodes
Orbit 6 & 13 others in the series can be checked out at Internet Archive


Ian McDowell notes that the Roderick Thorp listed on the cover is the same Thorp who might be best-remembered for such novels as THE DETECTIVE (adapted to a Frank Sinatra film) and NOTHING LASTS FOREVER (the novel source for the film DIE HARD).



Wednesday, March 19, 2025

SSW: Spring 1992: US fantasy fiction magazines: CONJUNCTIONS (Spring), THE MAGAZINE OF FANTASY & SF (March), WEIRD TALES (Spring), CEMETERY DANCE (Spring) (and the 1993 annuals which drew from them)

33 years ago. It seems odd that I gathered all these a third of a century ago. More specific comments to follow...indexing the Conjunctions issue was more time-consuming than I expected, to say the least.

7 *  Editor's Note * Bradford Morrow * ed (issue dedicated to the memory of Angela Carter, 1940-1992)
9 * Three Tales from Puerto Rico * translated and retold from Spanish by Rosario Ferré * gp
  9 * The Three Hunchbacks * ss 
  12 * The Monkey Whose Tail was Stepped On * ss
  15 * The Little Half Chicken * ss
18 * Tale of the Enchanted Pig * Norman Manea; translated from Romanian by Marguerite Dorian and Elliott Urdang * ss
24 * Kitty Blue * James Purdy * ss
42 * Five Dark Tales * Lydia Davis* gp
  42 * The Cedar Trees * vi
  43 * A Natural Disaster * vi
  44 * The Cats in the Prison Recreation Hall * vi
  45 * Love * vi
  46 * The Rape of the Tanuk Women * vi
47 * The Child Who Raised Poisonous Snakes · Can Xue; translated by Ronald R. Janssen & Jian Zhang · ss * translated from the Chinese (Harvest Jun ’91) 
59 * Zho-Jan * John Ash * vi in translation from Tarim, translated by Ash 
  59 * A Note on the Text * John Ash * in
  62 * Zho-Jan * vi  (translated by John Ash from an uncredited Tarim document)
67 * The Bewitched Burr  and Other Tales * Grozdana Olujic * translated from Serbo-Croatian by Jascha Kessler and the author * gp
  67 * The Man Who Went Looking for His Face * Grozdana Olujic * ss
  71 * Parrots and Sheep * Grozdana Olujic * ss
  75 * The Bewitched Burr * Grozdana Olujic * ss
79 * Fish Story * Diana Hartog * ex P0lite to Bees (a prose bestiary, published as poetry by Coach House Books)
81 * Three Tales from the Tale Known as Princess Hoppy or the Labrador Tale * Jacques Roubaud; translated from the French by Bernard Hoepffner * nt
115 * The Black Angel * Gary Indiana * ss
121 * Complaint on Her Cat * Diane Ackerman * pm
122 * How I Became One of the Invisible * David Rattray * ss (illustrated by Rattray)
131 * Three Folktales from India * collected and translated from Tamil and Malayalam by * A. K. Ramanujan * gp
  131 * Crossing A River, Losing a Self * vi
  133 * A Friend in Need * vi
  133 * Shall I Show You My Real Face? * ss
138 * Four Bear Poems * Kurt Schwitters * gp (translated from the German by Jerome Rothenberg)
140 * Kuzma and the Worm * Forrest Gander * vi
142 * Convicta et Combusta * Joanna Scott * ss
153 * The Parakeet and the Cat * Scott Bradfield * ss
166 *  The Reduction of the Nativity * Fanny Howe * pm
168 * The Rose and Other Fairy Tales * Ludmilla Petrushevskaya * gp * translated from the Russian by Jamie Gambrell
   168 * The Rose * vi
   170 * Once Upon a Time There Was an Alarm Clock * vi
   170 * Uncle Well and Aunt Ah * vi
173 * James Laughlin * Eight Parables and Poems * gp * adapted from the Tawney/Penzler translation from the Sanskrit of Somadeva's Katha Sarit Sagara) 
   173 * Story of a Snake Who Told His Secret to a Woman * pm
   174 * Story of the Fool and the Cakes * pm
   174* The Transformation * pm (based on Richard Burton's translation                              of the Koran)
   175 * An Attestation * pm
   175 * The Old Indian * pm
   176 * The Sultan's Justice * pm
   176 * The Inscription * pm
   177 * The Enchanted BirchTree * pm
178 * Lynne Tillman * Madame Realism: A Fairy Tale * illustrated by                                     Silvia Kolbowski
187 * Sally Pont * Ich Liebe Dich and Other Lies Too Hideous to Utter * ss
198 * Jerome Rothenberg * The Lorca Variations: "Lunar Grapefruits" * ss
203 * Dennis Tedlock * Three Maidens at the Bath * ss/pm
217 * Two Lithuanian Fairy Tales: * gp
223 * Alvyta *  O. V. de L. Milosz; translated by Edouard Roditi * vi
223 * Green Beard * O. V. de L. Milosz; translated by Edouard Roditi * ss
228 * The Children of Montjoie * Wendy Walker * ss
236 * Two Tales * Mary Egan * gp
236 * Valter the Wall-Builder * vi 
238 * Jonah *  vi 
239 * The Woman of Stone * Paola Capriolo * ss; translated by Lawrence Venuti
257 * O'Malley and Schwartz * Patrick McGrath * ss
261 * The Butterfly Girl * William T. Vollmann  * ss
267 * Rupert Killamarsh's Other Life * Paul West * ss; illustrated by Joe Servello
275 * The Pig Story * Russell Edson * vi 
277 * Snowbird and Other Tales * Yannick Murphy * gp
  277 * The Forest That Had No Trees * vi
  278 * Saddy Wampus * vi
  280 * Snowbird * vi
281 * My Grandmother's Story of the Buried Treasure and How She Defeated the King of Chacachacari and the Entire American Army with Her Venus Fly-Traps * Robert Antoni * nt
301 * Mété * Theodore Enslin * ss
316 * The [a Pictogram Resembling a Short Flight of Stairs] * Armand Schwerner * ss * illustrated by Schwerner
323 * Four Folktales from Nigeria * collected and translated from the Igbo by Romanus Egudu * gp [Egudu's first name given as "Romanos" on the back cover of the issue, and nowhere else...online sources confirm Romanus is correct]
   323 * Debtor and Creditors *vi
   325 * Monkey, Man and God * vi
   326 * Trusted Wife * vi
   328 * Three Brothers and a Half * vi
332 * Daughter * Mei-mei Berssenbrugge  * pm
333 * Papa Will * Charles Wartts, Jr. * ss
339 * R'ha-l'a R'a-H'oum * Patricia Eakins * ss
345 * The Channah Tales * Bradford Morrow * gp
   345 * Claro * ss
   351 * Tale of a Tub * vi
   352 * The Man Who Didn't Know Any Better * vi
   353 * The Seven Sheiks * vi
   356 * Cowboy * vi
   356 * Obadiah and Them Ilk * vi
   359 * The Faithless * vi
   360 * Chili Pepper Man * vi
   362 * The Tale of Ahmed, and His Ear * vi
   365 * The Bridge Song * vi
367 * Notes on Contributors


The following indices taken from the FictionMags Index: