Friday, December 9, 2011

FFB: DANCING NAKED: THE UNEXPURGATED WILLIAM TENN, V. 3, by Philip Klass (aka WT), edited by Laurie Mann (NESFA Press)

Philip Klass (1920-2010), who never quite 'fessed up to wanting to run a pun on the name "William Penn" with his pen name for much of his fiction and nonfiction writing (including some of the best and most influential satirical sf written so far, not least such short stories as "Child's Play" and "The Liberation of Earth"), was a genteel man, open and friendly and in all the good ways professorial, in meeting even bumptious long-term readers such as I...and, as this collection mostly of his nonfiction writing (with some early campus-magazine fiction and other bits) informs us directly and indirectly, who'd learned a few skills in the presentation of himself, as a man of great passions, over his years of teaching at Penn State (a university currently more famous for harboring an accused serial child-rapist for years, because the pampered head football coach thought the other guy useful) and elsewhere. The previous two volumes in this series from NESFA Press collected his fantasticated fiction; while this one by no means gathers all of his nonfiction, it seems a fair representation, including such reasonably famous highlights as his PS magazine essay "The Student Rebel: Then and Now" (an essay with new relevance in these de-Occupied times) and "The Bugmaster" (about electronic surveillance), apparently commissioned by Esquire or some comparable magazine but then spiked in favor of a similar staff contribution, which became probably the only piece ever published by the men's sweat magazine True to be collected in the then-equivalent of Best American Essays, in 1968. Also, such outliers as his short story "Murdering Myra" (from the cf magazine Suspect), a 1901 E. E. Kellett short story Klass suggests, in the essay that precedes it in the book, might've helped inspire Shaw's Pygmalion, an introduction by Klass writing student David Morrell, and an essay by Klass's brother, Morton Klass (a writer, editor and professor in his own right) help round out the book, which also includes excellent long interviews with Philip Klass by Josh Lukin and Eric Solstein.

This is a book which "jumped the queue"...I'd meant to read others this week, but in my typical time-crunch I kept turning back to this one, with its autobiographical essays about the early life of this British child-immigrant, his Marxist father having been an illegal alien here for decades after fleeing England for daring to volubly oppose WW1, and Klass himself only becoming naturalized, back in London no less, after entering WW2 military service; the continuing point of amused pride that he, Klass, had never managed to obtain a Bachelor's degree in his campus career yet served for decades as a full professor at PSU; his adventures in Greenwich Village in the '50s, hanging with Calder Willingham, Theodore Sturgeon, Judith Merril, Dylan Thomas and others; and the less happy duty of memorializing old friends (a selection of his obituaries is included, along with several of his introductions to his anthologies and the collections of others).

One of the few books I've cited in this series which is not out of print (though not nearly as well-known as it might be), and worth looking into even for those casually interested in Klass and the subjects he deals with.

from the Locus Index:
Dancing Naked: The Unexpurgated William Tenn William Tenn (NESFA Press 1-886778-46-9, Sep 2004, $29.00, 427 + vi, hc, cover by Bob Eggleton) Non-fiction collection of 36 articles and essays, many autobiographical, published to commemorate his being GoH at Noreascon 4, Worldcon 2004. Includes a bibliography of the author’s work. Introduction by David Morrell. Available from NESFA Press, PO Box 809, Framingham MA 01701; [www.nesfa.org/press]; add $2.50 postage.

iii · Master Class · David Morrell · in (*), 2004
1 · Myself When Young
3 · In the Beginning · William Tenn · ss The Evolution of William Tenn or Myself When Young, Pretentious Press, 1995
5 · Anecdote [as by Philip Klass] · William Tenn · vi Apprentice, 1939
7 · Eleven P.M. [as by Philip Klass] · William Tenn · vi Apprentice, 1939
9 · The Apotheosis of John Chillicothe [as by Philip Klass] · William Tenn · ss Apprentice, 1939
15 · Incident Gourmandien [as by Philip Klass] · William Tenn · vi Apprentice, 1939
17 · Sonnet [as by Philip Klass] · William Tenn · pm Cargoes, 1935; restores author’s preferred text
19 · Personal Story
21 · Constantinople [as by Philip Klass] · William Tenn · ts U.S. Catholic, 1994
31 · The Enormous Toothache · William Tenn · ts Stories, 1985
41 · The Frank Merriwell Compulsion or Winning the Championship the Hard Way [“Frank Merriwell’s Syndrome”] · William Tenn · ts Rogue Apr ’63
49 · What’s Wrong with My Daughter? [as by Philip Klass] · William Tenn · ts The Reader’s Digest, 1992
53 · My First Deer · William Tenn · ts *
57 · Creative Fiction and NonFiction
59 · Murdering Myra · William Tenn · ss Suspect Detective Stories Nov ’55
69 · 8 Eyes on Strange New Worlds · William Tenn · ms Esquire, 1966
71 · The Bugmaster [“Mr. Eavesdropper”] · William Tenn · ar True, 1968
91 · The Student Rebel: Then and Now · William Tenn · ar P.S. Jun ’66
107 · Notes Toward a History of Science Fiction
109 · On the Fiction in Science Fiction · William Tenn · ar Of All Possible Worlds, Ballantine, 1955; revised from “The Fiction in Science Fiction”, Science Fiction Adventures March 1954
119 · Jazz Then, Musicology Now · William Tenn · ar F&SF May ’72
127 · An Innocent in Time: Mark Twain in King Arthur’s Court [as by Philip Klass] · William Tenn · ar Extrapolation Dec ’74
143 · “The Lady Automaton” by E. E. Kellett: A Pygmalion Source? [as by Philip Klass] · William Tenn · ar Shaw: The Annual of Bernard Shaw Studies 1982, Pennsylvania State University Press, 1982
153 · The Lady Automaton · E. E. Kellett · ss Pearson’s Magazine Jun ’01
171 · Welles or Wells: The First Invasion from Mars · William Tenn · ar Synergy SF: New Science Fiction, ed. George Zebrowski, Gale Group/Five Star, 2004; revised from an earlier version in The New York Review of Books 1988 as by Philip Klass
183 · It Didn’t Come from Outer Space · William Tenn · ar The Digital Deli, ed. Steve Ditlea, Workman, 1984
185 · Author Emeritus Speech: Given Here Without the Gestures, Intonations and Pauses Which Made It Moderately Funny in the First Place · William Tenn · sp The Bulletin of the Science Fiction and Fantasy Writers of America, 1999
193 · Intros and Obits
195 · Introduction to Children of Wonder · William Tenn · in New York: Simon & Schuster, 1953
205 · Introduction to What Mad Universe [as by Philip Klass] · William Tenn · in Pennyfarthing; San Francisco, CA, 1978 [Fredric Brown]
215 · From a Cave Deep in Stuyvesant Town—A Memoir of Galaxy’s Most Creative Years [as by Philip Klass] · William Tenn · in Galaxy: Thirty Years of Innovative Science Fiction, ed. Frederik Pohl, Joseph D. Olander & Martin H. Greenberg, Playboy Press, 1980
219 · Introduction to The Ova Hamlet Papers [as by Philip Klass] · William Tenn · in Pennyfarthing; San Francisco, CA, 1979 [Richard A. Lupoff]
225 · John W. Campbell, Jr.: A Memoir [as by Philip Klass] · William Tenn · ob Pennsylvania English, 1984 [John W. Campbell, Jr.]
231 · Sturgeon, The Improbable Man · William Tenn · bg Bright Segment, North Atlantic Books, 2002 [Theodore Sturgeon]
237 · Judy Merril [as by Philip Klass] · William Tenn · ob Locus Nov ’97 [Judith Merril]
243 · Poul Anderson [as by Philip Klass] · William Tenn · ob Locus Jun, 2001 [Poul Anderson]
245 · Dancing Naked: The Interviews—and a Bit of PR
247 · A Jew’s-Eye View of the Universe · Dr. Josh Lukin · iv Para*doxa, 2003 [William Tenn]
279 · Eric Solstein Interviews William Tenn · Eric Solstein · iv * [William Tenn]
403 · Philip Klass: Wit with a Flair for the Incredible · Anon. · ar Penn Stater, 1973 [William Tenn]
409 · Klass Class
411 · Recruiting New “Huddled Masses” and “Wretched Refuse”: A Prolegomenon to the Human Colonization of Space · Morton Klass · ar Futures, 2000
423 · Bibliography · Laurie Mann · bi *

For more of today's books, please see Patti Abbott's blog.

Tuesday, December 6, 2011

Tuesday's Overlooked Films and/or Other A/V


Thanks to all contributors (of the critiques of films that are linked to below...some readers of the notes I send out to various lists have noted today that they are uncertain as to what the names and titles imply when they see the weekly lists) and readers...there will be a few more entries, I suspect, including my own (squeezed by morning meetings and such vagaries...).

Bill Crider: Dark City

Brian Arnold: One Magic Christmas

Chuck Esola: Lisztomania

Dan Stumpf: The 3rd Voice

Evan Lewis: The Rider of the Law

Geoff Bradley: Tough Love

George Kelley: A Perfect World

Iba Dawson: Enchantment (1949)

James Reasoner: Zorro's Black Whip

Jerry House: Rage at Dawn

Juri Nummelin: My Friend Ivan Lapshin (aka
Moy drug Ivan Lapshin)


Michael Shonk: The Best of B.L. Stryker

Mike Tooney: Edward D. Hoch and Hollywood

Patti Abbott: The Pumpkin Eater

Philip Schweier: films of The Shadow

Randy Johnson: The Last Musketeer

Steve Lewis: The Vicious Circle (1957) (aka The Circle)

Ron Scheer: Bend of the River

Scott Cupp: The Laughing Dead

Tina Silber: Nero Wolfe (CBS 1959...never aired)

Todd Mason: Wainy Days

Sergio Angelini: The Mirror Crack'd

Walter Albert: Life in the Raw

Yvette Banek: All That Heaven Allows

Related Matters:

Prashant Trikannad: Lady and the Tramp

Stacia Jones: December Cable Movie Highlights

Friday, December 2, 2011

FFB: HARD LANDING by Algis Budrys...and SFBC's Gary Viskupic covers


Algis Budrys's last novel, which was featured in the October/November 1992 "double" anniversary issue of F&SF and published in both hardcover and paperback by Questar with a remarkably ugly cover design the next year, has been almost criminally neglected (the October issue of Ellery Queen's Mystery Magazine that year featured a Joyce Carol Oates novelet, "The Model", which I thought a nice parallel...).

His first long fiction to be published in fourteen years (after "The Silent Eyes of Time" [F&SF 1978] and Michaelmas [Berkley 1977]) and the last he would publish, it is a graceful and well-worked-out account of a handful of humanoid aliens, forced to crash-land on Earth in midcentury, and choosing to hide themselves among the Americans they find themselves among. It traces their progress, if it can be called as much, and the investigations of various US/human agencies and plenipotentiaries...a fairly rich situation for Budrys to work through his obsessions with coping with the often puzzling foreign society and attempting to conform, at least superficially, with the stresses of hierarchy and self-realization (both obvious concerns for a child of military/spy/diplomat parents, who was probably the last living citizen, by US State Dept. reckoning, of pre-WW2 Lithuania for a decade or so...he only became a US citizen after Lithuania gained independence again). His graceful prose, his wit, and his informed take on political and media matters are on display, as his characters deal with their specific situation and the larger-world developments of the four decades starting in 1940. Perhaps because of his already having engaged heavily with the Church of Scientology's publishing arm, administering their Writers of the Future workshop and prize (and helping launch its related) programs, this late work was ridiculously underappreciated...as Scott Cupp notes in comments, most of his work from throughout his career is underappreciated, perhaps least the novel that served as the climax for the first decade of his interrupted sf-writing career in 1959, published by Fawcett Gold Medal as Rogue Moon (and finally republished under one of his preferred titles, The Death Machine not long before his death). Budrys seemed a natural for Gold Medal, as his sf novels have the same sort of alienation and sense of contending with fate as the most fondly-recalled of GM's crime fiction, even if they couldn't leave such titles as Halt, Passenger (for "Rogue Moon") or The Iron Thorn (for "The Amsirs and the Iron Thorn," an even more ridiculous meddling).

Speaking of ugly covers, including for Budrys's first magnum opus, I'm not sure we've had a worse run of covers by an artist of some talent (though Kelly Freas's for Laser Books was close) than Gary Viskupic's series of rotten covers for Science Fiction Book Club dustjackets for books with no previous or negotiable hardcover editions for SFBC to reprint covers from:










































































It wasn't as if Viskupic isn't talented...I believe he's still alive, but might well be retired from professional illustration, as these examples of his newspaper work (I particularly like the Andrei Sakharov portrait and the montage to represent the beginning of the 1973 US syndicated run of the Thames Television series The World at War, from Viskupic's primary '70s gig at the Long Island/NYC-area Newsday), and even jacket images from A.E. van Vogt and P. J. Farmer novels attest (even if the Farmer, perhaps well in keeping with the work, seems a somewhat jejunely jokey pastiche of the kind of work Diane and Leo Dillon are most famous for, such as these illustrations for Ellison's work.)
























But then there are all these others he'd done...even given the Del Rey, and perhaps even the Slan, aren't terrible...but I suspect he was given probably very little time to do them, and little incentive to do his best for them.

Tuesday, November 29, 2011

My own late Overlooked Film/Other A/V item(s) for this week...NOBODY WAVED GOOD-BYE and MORT DIGS HORROR



But I don't have time to write up Nobody Waved Good-Bye the way I'd like tonight, any more than I've had time to review it (after decades)...but this entry will be revisited! (And since on some browsers the National Film Board window can't be expanded properly, I've added the link to the film page on the title...)

Meanwhile, independent film and radio writer/director/and more David Schmidt has set up a web series which recommends the overlooked among horror films, Mort Digs Horror:

Tuesday's Overlooked Films and/or Other A/V: a few added reviews


Thanks as always to all contributors and to you readers...

Bill Crider: Cotton Comes to Harlem (trailer)

Brian Arnold: An American Christmas Carol

Chuck Esola: Texas Chainsaw Massacre: The Next Generation

Dan Stumpf: Deadlier than the Male (Bulldog Drummond) (1967)

Eric Peterson: Rolling Thunder

George Kelley: Sigur Ros: Inni

Iba Dawson: Center Stage; The Company (2003)

Jack Seabrook: "The Cuckoo Clock" (Robert Bloch on Alfred Hitchcock Presents:)

James Reasoner: Only Angels Have Wings

Jeff Segal: Hallowe'en Marathon viewing (slightly delayed)

Jerry House: Santa Claus Conquers the Martians

John Charles: The Dirty Game (1965)

Juri Nummelin: The Sadist (1963)

Michael Shonk: Charlie Wild, Private Detective

Mike Tooney: "Knife in the Darkness" (Harlan Ellison's Jack the Ripper script) Cimarron Strip; "The Mind Reader" (The Rifleman)

Patti Abbott: The L-Shaped Room
Pearce Duncan: Warlock (1989)

Philip Schweier: The Mr. Wong films

R. Emmett Sweeney (courtesy Ed Gorman): Runaway Daughters (1994)

Randy Johnson: Little Chenier: A Cajun Story

Ron Scheer: Meek’s Cutoff

Scott Cupp: Destroy All Planets

Sergio Angelini: Taste of Fear (aka Scream of Fear)

Stacia Jones: The Phantom Creeps, Chapter 5

Steve Lewis: Assassin for Hire; Criminal Investigator; Time Lock

Todd Mason: Nobody Waved Good-Bye; Mort Digs Horror

Yvette Banek: Bite the Bullet

Related Matters:

Brent McKee: You Deserve This

Prashant Trikannad: In the Heat of the Night (1968)

Friday, November 25, 2011

Friday's "Forgotten" Books: 54.40 Edition (O Canada and other Pioneers)

This the link list for this holiday week, featuring at least a few choices that emphasized Canadian writers and their work (even as FFB founder and usual host Patti Abbott is escaping Canadian proximity for some time in Arizona, though not New Mexico to solidly pound in the irony--as it turns out, this trip is upcoming, and the ducking out was simply to NY this go 'round). If I've missed your review, please let me know in comments, and I'll happily add it...and apologies!
Patti Abbott will be hosting the links again next week.

Patti Abbott: Depth Rapture by Carol Bruneau

Sergio Angelini: Necessary Evil by Kelley Roos

Yvette Banek: Salamander by J. Robert Janes

Joe Barone: Merry, Merry Ghost by Carolyn Hart

Brian Busby: The Hidden Places by Bertrand W. Sinclair

Bill Crider: D'Shai by Joel Rosenberg

Deb: Beautiful Losers by Leonard Cohen

Martin Edwards: Tour De Force by Christianna Brand

Ed Gorman: The Last Match by David Dodge (please see below) Original version

Jerry House: What's Bred in the Bone by Robertson Davies

Randy Johnson: Suspicious Circumstances by Sandra Ruttan

George Kelley: Tempest-Tost by Robertson Davies

Richard & Karen La Porte: The Gathering Place by Jon Breen

B. V. Lawson: Fool's Gold by Ted Wood

Steve Lewis: A Real Gone Guy by Frank Kane

Todd Mason: The Ways We Live Now: Contemporary Short Fiction from the Ontario Review edited by Raymond Smith; review delayed by reviewer cleverly hiding the book from himself shortly after beginning it.

Kent Morgan: The Kate Henry Series by Alison Gordon


John F. Norris: Novels by Frank L. Packard

Juri Nummelin: The Flagellator by "Carter Brown"

Richard Pangburn: "Horseman" by Richard Russo

Eric Peterson: Ill Wind by Kevin J. Anderson and Doug Beason

James Reasoner: The Master of Dragons by H. Bedford-Jones

Karyn Reeves: Our Hearts were Young and Gay by Cornelia Otis Skinner & Emily Kimbrough

L. J. Roberts: The Case of the Missing Servant by Tarquin Hall

Richard Robinson: Never Cry Wolf and And No Birds Sang by Farley Mowat

Gerald Saylor: Black Fly Season by Giles Blunt

Ron Scheer: Smith and Other Events: Tales of the Chilcotin by Paul St. Pierre

Kerrie Smith: A Landscape of Lies by Peter Watson

Charlie Stella: Let It Ride by John McFetridge

TomCat: St. Peter's Finger by Gladys Mitchell

Mike Tooney: The Best of Ellery Queen by "Ellery Queen" (edited by Francis Nevins and Martin Harry Greenberg)

Prashant Trikkanad: The Big Fisherman by Lloyd C. Douglas and Upon This Rock by Frank G. Slaughter

John W: Look Behind You, Lady by A.S. Fleischman

...and, Pre-emptively: Doug Levin: The Adjustment by Scott Phillips


Ed Gorman:
The Last Match by David Dodge
Dictionary: The word “picaresque” is taken from a form of satirical prose originating in Spain, depicting realistically and often humorously the adventures of a low-born, roguish hero living by his/her wits in a corrupt society.
This is the only word I can find to adequately describe The Last Match by David Dodge, a 2006 Hard Case Crime presentation. In a winningly cynical voice, a young swindler tells us all about working scams in places as far flung as Cannes, Tangiers and Lima, among others. He is particularly deft with women.
Good to remember that Dodge was also a travel writer of considerable note, so the backdrops here are almost as vivid as the characters, who are mostly low-borns working their way downward reeking of sweat, booze and occasionally blood.
Dodge hangs a good deal of his tale on the romance between Curly and a fetching young woman of British royalty named Regina. She, unlike most other humans who trod the earth, seems to feel that Curly’s soul is worth saving and she attacks this task with almost saintly (and sexy) determination.
I didn’t care much about the story, but was won over completely by the high style of the prose, the incorrigible personality of the narrator and the unending list of badasses who appear along the various map points. This has the feel of a memoir rather than a novel, and that makes it all the more realistic.
I think you’d have to say that Dodge – who wrote this novel sometime in the early ’70s even though this is its first publication – didn’t have much interest in the usual tropes of genre thriller fiction. Graceful and sardonic writing seem his biggest fascination, a true world view with some gunfights, fist fights and bad ladies thrown in every once in a while to honor pulp expectations. I should note here that early in the first chapter, Dodge struts his stuff, introducing us to an attractive and appealing middle-aged woman who is using him as her current boy-toy. You know you’re in the hands of a real writer when Dodge makes us like and even respect the woman. Not a cliché in sight. I knew right off I’d like book just because of its opening chapter.
His daughter Kendal Dodge Butler provides a loving, even endearing afterword about her father. He seems to be about what I expected: a man who had his darkest adventures early on and then settled into a respectable middle-aged family life that allowed him the leisure and luxury to pursue his writing where he got to polish up some of those old adventures and display his wide knowledge of cons and scams.
–Ed Gorman