Friday, August 21, 2015

FFB: NIGHT'S BLACK AGENTS by Fritz Leiber (Arkham House 1947; Ballantine 1961; Berkley 1978)

Fritz Leiber's first book (as opposed to his first two novels, first published in magazines in 1943) was this brilliant collection, which has seen three major variant editions over the decades in the U.S.: the original Arkham House edition, with the jacket by Ronald Clyne below; the Ballantine paperback, part of their loose horror line around the turn of the 1960s, featuring (as did the other horror titles) a Richard Powers cover (at right) (and with the novella "Adept's Gambit" dropped so as to result in a rather thin paperback, much cheaper for Ballantine to produce in those years and thus easier to offer at the 35c price-point); and the Berkley edition, with a Wayne Douglas Barlowe cover, at bottom, and two stories added to the original contents, the important early story "The Girl with the Hungry Eyes" and the impressive mid-career "A Bit of the Dark World"...whether these additions were made at Leiber's request or that of Berkley editor David Hartwell is a question I'll have to ask the latter.  This certainly leaves the Berkley as in some ways the best edition to have, in terms of value, and the Gregg Press 1980 clothbound library edition (on acid-free paper) is a facsimile reprint of the Berkley pages (with an introduction by Richard Powers's son, the historian Richard Gid Powers).

Even without the extra stories, all three variants would be eminently worth the reading even if they contained only the extremely seminal story "Smoke Ghost," one of the several stories where Leiber can be seen to be expanding the palette of fantastic fiction and pointing to new areas for exploration that he and many others would colonize over the next several decades; a very modern sort of haunting (even as "The Girl with the Hungry Eyes" is a notable extrapolation of, and new approach to, vampirism). Others here are almost as influential and as entertaining, not least one of the three stories (including "Adept's Gambit") originally published in the Arkham House edition, "The Man Who Never Grew Young"--a neat inversion of the conceit at the heart of F. Scott Fitzgerald's "The Curious Case of Benjamin Button" and similar fantasies...and the novella itself, one of the key stories in, and the best of the early contributions to, the Fafhrd and Gray Mouser series of sword and sorcery fantasies, often with autobiographical elements, Leiber would write throughout his career.

Night’s Black Agents Fritz Leiber (Arkham House, 1947, $3.00, x+237pp, hc)
    Ballantine 1961 edition omits “Adept’s Gambit”.
    • ix  Foreword · fw
    • 5  Smoke Ghost · ss Unknown Worlds Oct 1941
    • 21  The Automatic Pistol · ss Weird Tales May 1940
    • 38  The Inheritance · ss Weird Tales Jan 1942, as “The Phantom Slayer”
    • 53  The Hill and the Hole · ss Unknown Worlds Aug 1942
    • 66  The Dreams of Albert Moreland · nv The Acolyte Spr 1945
    • 83  The Hound · ss Weird Tales Nov 1942
    • 99  Diary in the Snow · nv *
    • 127  The Man Who Never Grew Young · ss *
    • 137  The Sunken Land [Fafhrd and the Gray Mouser] · ss Unknown Worlds Feb 1942
    • 155  Adept’s Gambit [Fafhrd and the Gray Mouser] · na *
The 1977 Sphere (UK) edition TOC, with the subsection breakdowns.
    Night’s Black Agents Fritz Leiber (Ballantine 508K, Jun ’61, 35¢, 143pp, pb)
    Omits “Adept’s Gambit”.  "For Jonquil, My Wife." on page 2. 
    • 7 · Smoke Ghost · ss Unknown Worlds Oct 1941
    • 22 · The Automatic Pistol · ss Weird Tales May 1940
    • 37 · The Inheritance · ss Weird Tales Jan 1942, as “The Phantom Slayer”
    • 52 · The Hill and the Hole · ss Unknown Worlds Aug 1942
    • 64 · The Dreams of Albert Moreland · nv The Acolyte Spr 1945
    • 80 · The Hound · ss Weird Tales Nov 1942
    • 94 · Diary in the Snow · nv Night’s Black Agents, Arkham 1947
    • 119 · The Man Who Never Grew Young · ss Night’s Black Agents, Arkham 1947
    • 127 · The Sunken Land [Fafhrd and the Gray Mouser] · ss Unknown Worlds Feb 1942
    Night’s Black Agents Fritz Leiber (Berkley, Mar ’78, $1.75, xii+275pp, pb) This edition adds two stories not in the Arkham House ed. Note: it reverses the order of the subsections of the Arkham House edition.

Good things of day begin to droop and drowse; 

Whiles night’s black agents to their preys do rouse. 
--William Shakespeare, Macbeth

Indices courtesy of ISFDB (which see for original magazine-issue contents) and Homeville.  
For more of today's books, please see Patti Abbott's blog.

Thursday, August 20, 2015

A photo.

My father and my recently late aunt as small children, ca. 1940 (courtesy my aunt Linda Wheeler):
Robert and Shirley Mason...eventually Shirley Gauthier.

Wednesday, August 19, 2015

Tuesday's Overlooked Films and/or Other A/V: new links to the reviews, interviews, etc.

Kim Novak and Fred MacMurray in Pushover






The selections (reviews, interviews and citations at the links below) of undeservedly (and a few deservedly) under-appreciated audio/visual experiences...as always, thanks to all the contributors and you readers... 

Allan Fish: The Long Day Closes; Mon Oncle

Anne Billson: The dangers of excessive whimsy...

Anonymous: Yellow Sky

Bill Crider: Slow West  [trailer]
Slow West

Brian Arnold: Ultraman and other Japanese SF tv series 

Brian Busby: Without Warning

BV Lawson: Media Murder

BNoirDetour: No Way Out with Linda Darnell (courtesy of John Grant)
No Way Out

Colin: Dawn at Socorro

Comedy Film Nerds: Ric Meyers on martial arts films; Baron Vaughn

Cynthia Fuchs: A Gay Girl in Damascus: The Amina Profile; Cartel Land

David Cramner: 9 Best Gunsmoke television episodes

James Garner and Margot Kidder in Nichols

Elgin Bleecker: James Garner

Elizabeth Foxwell: Dark Hazard

Evan Lewis: Dashiell Hammett in San Francisco; LanceCon '82


Gary Deane: noir at the 2015 Palm Springs International Film Festival


George Kelley: Justice League: Gods and Monsters

Gilligan Newton-John: Twisted NerveDeadly Strangers


How Did This Get Made?: Minisode

Iba Dawson: Two Thousand Maniacs

Ivan G. Shreve, Jr.: The franchising of Bozo

Jack Seabrook, Christine Scoleri & John Scoleri: On Borrowed Time
Colleen Smith and fellow puppeteers

Jackie Kashian: Rise of the Guardians; Murray Valeriano and Monty Franklin on surfing and surfing culture

Jacqueline T. Lynch: The Barrymores

Jake Hinkson: Pushover

James Reasoner: Project Almanac

Janet Varney: Colleen Smith of No, You Shut Up!

Jerry House: The Six Shooter

John Grant: Out of the RainOut of the Shadow

Jonathan Lewis: Two Flags West


Karen Hannsberry: Blondie Johnson

Kelly Robinson: IDing silent films at the Mostly Lost Festival; The Werewolf (1913 film; lost)

Ken Levine: wardrobe at music awards shows and how not to (courtesy Ed Gorman)

Kliph Nesteroff: Betsy Palmer
Leigh Brackett

Kristina Dijan: Leigh Brackett; Shadows on the Stairs; A Free Soul; Cobra WomanThe Hired Gun

Lance Charnes: Rush (tv series)


Laura: Hell's Five Hours; Oliver & Company

Lawrence Person: 2014 WorldCon


Lindsey: The Women; Ida Lupino (courtesy John Grant)

Lucille Juliano: The Miracle Worker (1962 film)

Lucy Brown: Homefront

Mark Evanier: KPFK (Pacifica Radio) Television Comedy Panel (1961): Groucho Marx, Carl Reiner, Steve Allen, Robert Young

Martin Edwards: Lifeboat
The Saint

Marty McKee: Tattoo; Love and Bullets

Mystery Dave: The Saint (1997 film)

Patrick Murtha: Alan Ladd

Patti Abbott: Holiday (1938 film)

Paul Bishop: Miss Fisher's Murder Mysteries: Part 2
Agnes Bruckner

Pop My Culture: Agnes Bruckner

Randy Johnson: Fantastic Four (1994 film)

Raquel Stecher: Fury (1936 film)


Rick: Patrick McGoohan

Rod Lott: The City of the Dead (aka Horror Hotel); Watch Me When I Kill; I Drink Your Blood  [Sergio Angelini on The City of the Dead]

Ruth: Alice Guy

Sam Juliano: Willy Wonka and the Chocolate Factory

Sergio Angelini: Strangler's Web

Stacia Jones: Alibi (1929 film)

Stephen Bowie: The Defenders: "Fires of the Mind"

Steve Lewis: PulpFest 2015; Johnny Rocco


Stuart Galbraith IV: Kaiun! Nandemo kanteidan 


Victoria Loomes: June Mathis


Vienna: They Met in a Taxi

Walker Martin: PulpFest 2015


Yvette Banek: 23 Paces to Baker Street





















Bud Yorkin and Yvonne Craig, RIP.


Sunday, August 16, 2015

it's a gothic if we say it's a gothic...

The Lair of the White Worm...as gothic.  Paperback Library was perhaps the most opportunistic about  this kind of repackaging....
































































They at Paperback Library were particularly fond of conflating the original sort of Gothic fiction with post-Dark Shadows "supermarket gothics"...



Recycled for one of DC's short-lived gothic comics...

































But PL wasn't alone...the first Award edition explicitly labeled this as a gothic...cover by Jeff Jones.




















































And if gothic readers were disappointed, as they were, by a fairly standard suspense novel...



...imagine what the innocent gothic fan made of "Carmilla"...












































































































A Weird Tales serial, in boards from Arkham House, that *might* just fit if you squint at it the right way...






















As Kelly Robinson mentions in comments below, Dell Books decided to package this Newbery Award-winning YA historical novel as a gothic without tagging it in any way as a gothic (or a YA) for at least one edition that saw multiple printings as a "Fic" title (on the spine) and with gothics advertised on the back pages...the back cover headline is "Prisoner in a House of Strangers"...Dell also had a Yearling edition (digest-sized YA line) in print simultaneously.  Pretty outrageous, but as Ed Gorman has mentioned to me in email, paperback publishers could routinely look forward to over 100,000-copy sales for any gothic by the early 1970s.

For some good reading on the subject, including the repackaging of other sorts of suspense and horror books to sell them to the Phyllis Whitney-style gothic audience, please see this excerpt from Joanna Russ's essay "Somebody's Trying to Kill Me and I Think It's My Husband: The Modern Gothic" as collected in Russ's To Write Like a Woman.

The Vault of Evil post that inspired this one...

Late additions: Bantam 1972 paperback reprint:






































Paperback Library again...1967 reprint:

Friday, August 14, 2015

FFB: YESTERDAY'S TOMORROWS edited by Frederik Pohl (Berkley, 1982) and, essentially, EDITORS edited by Saul Bellow and Keith Botsford (Toby Press, 2001); Lancer Books, Airmont Classics and other editorial adventures of the ex-Futurians...

This wasn't the book I was going to review this week, but it kind of shouldered its way in...it arrived the same day as what was supposed to be Editors, edited by Saul Bellow and Keith Botsford, which was a similar volume with a similar remit...both were meant to cover the previous forty years in their editors' careers as editors of various magazines and often periodical book series. But, instead, the inventory sticker for Editors had been slapped onto a back issue of Granta (and not the cleanest copy I've ever seen), #99, one highlighted by an interview with Richard Ford (I have one of his books hanging fire, waiting for me to read it for this exercise as well). Bellow and Botsford, in their fat volume (1100 pages), pulled items from their various collaborative projects beginning with The Noble Savage (and I have a book in the queue that was mostly invented there) and wrapping up with their last such effort, News From the Republic of Letters; the rather fat Pohl volume (a mere 430 pages) begins with selections from the magazines Pohl began editing when 19 years old, Astonishing Stories and Super Science Stories; from there, the book draws on items from Pohl's first reprint anthologies, then the new-story Ballantine anthology series (and for one issue a magazine) Star Science Fiction; then onto taking over Galaxy and its sibling magazines (most notably If), at first while officially helping out the ailing H. L. Gold, and then in the clear, for more than a decade (ca. 1958 to leaving with the magazines' sale in 1969), editing for several months at the collapsing Ace Books of the early '70s and moving on from there to rather less chaotic times at Bantam Books for most of the decade; the last years are represented by novel excerpts, as Pohl didn't have an anthology series at Bantam: one each from Samuel Delany's Dhalgrenfellow former Futurian Society member David Kyle's completion of the planned but unfinished "Lensman" adventure novels by the late E.E. Smith, and Gustav Hasford's The Short-Timers, which, after this anthology was published, would be adapted for film as Full Metal Jacket, the script a collaboration between Hasford, Michael Kerr and Stanley Kubrick which won them an Oscar
Bantam let Arbor House do the hardcover edition (left), which they packaged atrociously as well.

In the prefatory material running through this utterly functional (and no more than that) physical package, Pohl spells out, in more detail than I've seen elsewhere, the nature of his working life at each of his editorial desks, even if the reprint-anthology selections are a bit out of any sort of chronological or other apparent order.  He can be cagy about certain matters (he mentions in passing that he met his second wife as a colleague at Popular Publications, the artist and writer Dorothy Les Tina, but doesn't mention her name here, even as he never mentioned meeting her at his first editorial job in his book-length memoir The Way the Future Was), but nonetheless is engaging and informative about the day-to-day production and business practices as well as the editorial work itself in each of his gigs.  (It's notable that the Bellow/Botsford is similarly a no-frills physical presentation, featuring memoirs by its editors that include such bits as Bellow's boyhood acquaintance with the first professional writer he knew, a 1930s contributor to Popular's Argosy magazine and Street and Smith's Doc Savage; even as Pohl includes stories he'd gathered for his reprint anthologies, the B men include some of reprinted items they'd run in their magazines, particularly The Noble Savage's front pages, and the editorial offices of their magazines were not free of the odd romantic/emotional entanglement, such as the affair that inspired Bellow's Herzog.)  The Pohl (courtesy the Homeville/William Contento indices):

EDITORS  [their introductory memoirs]
Keith Botsford: On the Facts
Saul Bellow: Great and Not so Great Expectations, Noble Savage 3
Saul Bellow: Hidden Within Technology’s Empire, A Republic of Letters, The New York Times
Saul Bellow & Keith Botsford: Dialogue: As seen from the ground, ANON

ARIAS [essentially, editorials from the four magazines, including ANON and Bostonia]
Saul Bellow: Pains and Gains, Noble Savage 1
Stephen Spender: Doctor of Science, Patient of Poetry, Noble Savage 4
Saul Bellow: The 11:59 News, Noble Savage 4
Keith Botsford: Obit on a Witness, Noble Savage 4
Saul Bellow: Mr. Wollix gets an Honorary Degree, ANON
Mark Harris: Nixon and Hayakawa, ANON
Saul Bellow: White House and Artists, Noble Savage 5
Felix Pollak: The Poor Man’s Civil Defense Manual, Noble Savage 5
Philip O’Connor: A few Notes on the Changing World, Noble Savage 5
Saul Bellow: View from Intensive Care, The Republic of Letters 1
Saul Bellow: Graven Images, The Republic of Letters 2
Philip O’Connor: Last Journal, The Republic of Letters 2
James Wood: Real Life, The Republic of Letters 2
Martin Amis: Cars and the Man, The Republic of Letters 3
Julia Copeland: Objective Correlative,The Republic of Letters 7

ARCHIVES [reprints from what they reprinted in their magazines]
Samuel Butler: Ramblings in Cheapside, Noble Savage 1
DH Lawrence: Portrait of Maurice Magnus, Noble Savage 2
Joseph de Maistre: The Executioner, ANON
Victor Hugo: The Interment of Napoleon, The Republic of Letters 4

INVESTIGATIONS
George P. Elliott: Critic and Common Reader, Noble Savage 2
Harold Rosenberg: Seven Numbered Notes, Noble Savage 3
Louis Simpson: On Being a Poet in America, Noble Savage 5
Herbert Blau: The Public Art of Crisis in the Suburbs of Hell, Noble Savage 5
Marjorie Farber: The Romantic Method, Noble Savage 5
Raymond Tallis: A Dark Mirror, The Republic of Letters 2

LIVES
Josephine Herbst: A Year of Disgrace, Noble Savage 3
Antoni Slonimski: Memories of Warsaw, Noble Savage 4
G V Desani: With Malice Aforethought, Noble Savage 5
Rudolf Kassner: Sulla and the Satyr, ANON
Saul Bellow: Mozart, Bostonia, Spring 1992
Saul Bellow: Ralph Ellison in Tivoli, The Republic of Letters 3
Alan Govenar and Leonard St. Clair: Life as a Tattoo Artist, The Republic of Letters 6
Saul Bellow: Saul Steinberg, The Republic of Letters 7

POEMS
Howard Nemerov: Life Cycle of Common Man, Noble Savage 1
Oonagh Lahr: The Advance on the Retreat, Noble Savage 4
Alexander Pushkin: Count Nulin, Noble Savage 4
Anthony Hecht: Message from the City, Noble Savage 5
Cesare Pavese: What an Old Man has Left, ANON
Michael Hulse: Winterreise, The Republic of Letters 7

TEXTS 
Edward Hoagland: Cowboys, Noble Savage 1
Harold Rosenberg: Notes from the Ground Up, Noble Savage 1
Josephine Herbst: The Starched Blue Sky of Spain, Noble Savage 1
Arthur Miller: Please Don’t Kill Anything, Noble Savage 1
Wright Morris: The Scene, Noble Savage 1
Mark Harris: The Self-Made Brain Surgeon, Noble Savage 1
Louis Guilloux: Friendship, Noble Savage 2
Sol Yurick: The Annealing, Noble Savage 2
Dan Wakefield: An American Fiesta, Noble Savage 2
Jara Ribnikar: Copperskin, Noble Savage 3
John Berryman: Thursday Out, Noble Savage 3
Seymour Krim: What’s This Cat’s Story? Noble Savage 3
Thomas Pynchon: Under the Rose, Noble Savage 3
Herbert Gold: Death in Miami Beach, Noble Savage 3
G V Desani: Mephisto’s Daughter, Noble Savage 4
Louis Guilloux: Palante, Noble Savage 4
Louis Gallo: Oedipus-Schmoedipus, Noble Savage 4
Elémire Zolla: An Angelic Visit on Via dei Martiri, Noble Savage 4
Robert [Chapin] Coover: Blackdamp, Noble Savagee 4
John Hawkes: A Little Bit of the Old Slap and Tickle, Noble Savage 5
Nelson Algren: Dad among the Troglodytes, or Show Me a Gypsy and I’ll Show You a Nut, Noble Savage 5
Bette Howland: Aronesti, Noble Savage 5
Anthony Kerrigan: Don Alonso Quixano, Lineal Descendants, Noble Savage 5
Arthur Miller: Glimpse at a Jockey, Noble Savage 5
Sydor Rey: Hitler’s Mother, Noble Savage 5
Leon Rooke: The Line of Fire, Noble Savage 5
Meyer Schapiro: Lichtenberg, Diderot, Galiani , ANON
Christopher Middleton & Cristoph Meckel: Pocket Elephants, ANON
Umberto Saba: A Jewish Savant, Bostonia, November 1989
John Auerbach: Distortions, Bostonia, March 1990
Bette Howland: A Little Learning, Bostonia, May 1990
S J Perelman: Strictly from Hunger, Bostonia, June 1990 (reprint of a classic reprint)
Conall Ryan: Grace Notes, Bostonia, September 1990
Keith Botsford: The Second Life of Gioacchino Rossini, Bostonia, February 1992
Silvio d’Arzo: Two Old People, Bostonia, September 1993
G T de Lampedusa: Lighea, or the Siren, Bostonia, September 1994
Karl Logher: My Father in the Mirror, The Republic of Letters 3
Saul Bellow: All Marbles Accounted For, The Republic of Letters 4
Murray Bail: The Seduction of My Sister, The Republic of Letters 5
S Scibona: Prairie, The Republic of Letters

So, basically, books you can swim around in. A lot of work to be proud of for all three men, and yet also it would've helped had Berkley taken (and perhaps Toby Press to have had the resources to have taken) more care in packaging these bug-crushers so that they might be more pleasing to the eye.  Though whether you're basking in the casual brilliance of R. A. Lafferty ("Slow Tuesday Night" is almost the template for what's best of his short work) or of Thomas Pynchon ("Under the Rose" isn't too far from his correspondent to the Lafferty), or we enjoy the work editorially pointedly solicited from Josephine Herbst and Alice Sheldon (aka "James Tiptree, Jr.") in these largely boys' clubs, you do get a good helping of why the editorial efforts of these writers mattered, and what kept drawing them back to the editorial chair.  (Certainly, I was pleased in small, petty part to be appointed editor-in-chief of Hawaii Review when 18, beating Pohl's appointment to his first professional magazines by some months, but more because I hoped to do a fraction of what he'd done in the decades since...and have done rather a smaller fraction than I'd hoped.) Bellow, too, if more distantly, had also been a spur...I was perhaps a bit too much like Herzog even as a teen, and his "Seize the Day" if anything moved me more profoundly. (It should be noted that striving to mirror either Pohl or Bellow, and even Botsford in comparison, is setting a high bar.)























But in considering these books for today (while I'm still awaiting the delivery of
Editors, I did read another copy some years ago), it occurred to me how much the complex of the former Futurians (including Pohl, Merril, Kyle, Isaac Asimov, Damon Knight and other geniuses) had an outsized influence on my literary life...not only the anthologies edited by Donald Wollheim (including the first story I read by ex-Futurian Richard Wilson, "A Man Spekith", being one of the first adult and rather grimly satirical sf stories I read, in my father's copy of the Wollheim and Terry Carr's World's Best Science Fiction 1970) but also in my wider reading, as the first edition of Dracula I picked up, about age 9, was the Airmont Classic paperback, a series edited and with introductions from ex-Futurian Robert A. W. Lowndes (he was already editing the Magazine of Horror by then, and would publish the first stories by Stephen King and F. Paul Wilson in Startling Mystery Stories not long after publishing his edition of the Stoker); even more importantly, I was collected as many of the Lancer Books Magnum "Easy-Eye" classics paperbacks, going for a quarter apiece at the local W.T. Grant's discount department store, a series edited and with brief introductions by ex-Futurian Larry Shaw (who was briefly married to Lee Hoffman, and had done a lot of interesting if usually underfunded editorial work as well...Lancer's 1960s reprints of Conan stories had done nothing to hurt the popularity of Robert Howard nor sword & sorcery fiction generally)...not solely the Poe collection (the first I'd bought of the Magnum Classics line) or sf such as Wells's The Time Machine and Edward Bellamy's socialist utopian Looking Backward, but also Mark Twain, Rudyard Kipling, Jane Austen, Joseph Conrad, Helen Keller's autobiography (no lack of socialists!), Booker T. Washington's and Benjamin Franklin's, O. Henry, Bret Harte, Edward Everett Hale, Henry James and such other fantasists as Lewis Carroll and Kenneth Grahame. Signet Classics and others were important as well to my early reading, but these editions, which I could obtain by the handful through parental largesse on every trip to that store, had a profound effect.  It wasn't too many years later that I was reading Pohl's and Knight's memoirs, and even given the tough times they faced, decided that even more than a writer what I wanted to be was an editor.  It was through Knight's The Futurians that I first read excerpts from and about Doris Baumgardt, one of the first female members of the Futurians and, in the 1940s photos in the Knight, devastatingly pretty; she and Pohl married, albeit briefly, and she took her first editorial job with the same low-rent entrepreneurs, the Albings, who gave Donald Wollheim his first (barely) professional gig; Pohl and Wollheim
recall that Baumgardt, known to her friends as Doë and professionally and in fandom in those years mostly as "Leslie Perri", wrote most of the content of her no-budget stablemate, Movie Love Stories, to Wollheim's no-budget Cosmic Stories and Stirring Science Stories. I finally read, last night, one of only three short stories Perri apparently published in the sf magazines, and sadly it's probably the least of them, a vignette written in the kind of overstated prose Lovecraft favored, perhaps as an experiment; it and the longest Perri story were both published in magazines Shaw edited at the time, this one in If for September 1953 (which is highlighted by ex-Futurian James Blish's important "A Case of Conscience" as well as stories by Philip Dick and eventual hardboiled crime-fiction specialist James McKimmey), the longer one in an issue of the later Infinity Science Fiction I'm going to need to pick up, given how much interesting unreprinted fiction is contained there. Baumgardt and Richard Wilson eventually were married, a period when they were both primarily employed as newspaper journalists, before their divorce in 1965, and her death from cancer in 1970...not too long after the publication of "A Man Spekith" in 1969, and republication in the 1970 book where I would read it ca. 1973. Life is full of almost closed circles and gossamer connections such as that...for more of today's books, please see Patti Abbott's blog (and her novel and those of several other friends and acquaintances await me in the TBR/Re-Read stack as well).
Albing magazines--better covers than they paid for...
...whether of Rita Hayworth or by Hannes Bok...