Wednesday, July 9, 2025

SSW: "Plenitude" by Will "Worthington"/Mohler, THE MAGAZINE OF FANTASY AND SCIENCE FICTION, November 1959, edited by Robert P. Mills



















This issue can be read at the Internet Archive here.

Heinlein and Fast as the cover draws. John Collier's story was a reprint. Starship Soldier was, as editor/critic John Boston has noted in email, a truncated form of  Starship Troopers, which was published in book form about the same time the second and final installment in the next month's F&SF was on the stands.

From the FictionMags Index and ISFDB:

I first read the story in this volume of Judith Merril's annual:
(note the early Lawrence Block story collected below; a good volume even for Merril...)


Can't imagine why ("Snirsk!" says Ninja the cat as she walks by), but post-crisis fiction and drama is at least as common (and perhaps popular) as ever, though one of the more memorable post-crisis stories that has stuck with me through the decades (I would've read it perhaps forty years ago, and it wasn't so very new then) was by Will Mohler, who apparently published all his fiction in a five-year span from 1958-63, almost all of it signed "Will Worthington", and that was that, despite a receptive audience for it in the field.  

"Plenitude" is an interesting mixture of outsider resentment of conformity culture--through that conformity seeking a kind of community and security which can be all too poisonous (hello, current crises, particularly when the current power structure is, more than usual, in the hands of particularly self-regarding irresponsible, ignorant fools), and how one might attempt to imagine a better, truer existence through turning away from all that. It's not a brilliant story, but it does rather cleverly outline what seems at first to be a post-apocalypse scenario which turns out to be something rather different, a latter-day refinement of H. G. Wells's Eloi and Morlock dynamic, if less systematically brutal. Mohler's a better polemicist than he is a fashioner of fully human characters (the adult women characters are puzzling wonders to the [not quite fully] adult viewpoint character, and this is something he brushes off improbably, given their situation...such obliviousness might make more sense in a story set in a 1960s US reasonably affluent suburb). It's a relatively short story, and it mostly surprised me back then in its critique...Mohler mockingly uses Hegelian terms to chide its upper middle-class conformist survivors, and one will find it more difficult in a quick search for the term "Parmenidean" than it should be, as our bots of today are made to be certain we must mean to search for "Pomeranian"...I believe I first read this story in the back volume of the Merril annual rather than the back issue of F&SF, which with even a glance at the contents marks it as a typically star-studded one...editor Robert Mills, like his predecessors "Anthony Boucher" and J. Francis McComas, being as much at home in crime fiction as fantastica.

I suppose I should make a study of  Mohler's work in toto, as far as we know of it, with three stories in Fantastic, one each in If and the British Science Fantasy, and six in total in F&SF, the last one, along with a single story in Galaxy, as Mohler:
***For more of today's story reviews, please see Patti Abbott's blogpost here.
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