|"The Miracle on 34th Street"|
Bill Crider: Being There [trailer]
Brian Arnold: A Muppet Family Christmas
Cullen Gallagher, Leo Goldsmith, Thomas Scalzo: the lesser-known films of Samuel Fuller
Elizabeth Foxwell: "The Miracle on 34th Street" (The 20th Century Fox Hour) (1955 television)
Evan Lewis: The Green Hornet (the original radio series)
George Kelley: Monty Python's Flying Circus...All the Bits...
|Much Ado About Nothing|
Ivan G. Shreve, Jr.: You Bet Your Life and other Julius Marx on the radio...
Jack Seabrook: John Collier on TV: "Wet Saturday" (Alfred Hitchcock Presents:)
James Reasoner: Deck the Halls
Janet Rudolph: Sherlock Holmes: "The Case of the Christmas Pudding" (1955 television)
Jerry House: Dragnet: "A Gun for Christmas" (1952 television version)
John Charles: Between God, the Devil and a Winchester (aka Anche nel west c'era una volta Dio)
Lawrence Person: Rare Exports
Juri Nummelin: Sledding
Kate Laity: "The Rook"
Laura: "Mickey's Christmas Carol"
Michael Shonk: The New Adventures of Beans Baxter
|Comfort and Joy|
Patti Abbott: Comfort and Joy
Prashant Trikannad: Chickens Come Home
Randy Johnson: A Durango Kid triple-feature
Rick: Daughter of the Mind; The Birdmen (The ABC Movies of the Week)
Rod Lott: Silent Night, Bloody Night
Ron Scheer: Broken Arrow (1950)
Scott Cupp. Going Postal
Sergio Angelini: Ghosts of Christmas Past
Stacia Jones: The Green Slime; Addicted to Fame
Stephen Bowie: Medical Center: "Countdown"
Stephen Gallagher: Valley of Lights and The Hidden
Todd Mason: "Fanfare for a Death Scene" (the unsold pilot for the series Stryker) (available on Netflix and Amazon streaming)
Yvette Banek: Christmas Silly Symphonies
Daystar Productions that were responsible for the original series of The Outer Limits, the latter-day western Stoney Burke, and still the only Esperanto-dialog feature film, the horror flick Incubus (starring William Shatner, doing his best with the manufactured language, a year or so before moving onto a series that would spawn at least one more popular Intentional language). The series was meant to be named Stryker, after Richard Egan's character John Stryker, who is so damned important to the world that his car has special not really licence plates, not vanity plates, that simply read "JS"...and why not, since Stryker is an amalgam of Batman (sans costume), Sherlock Holmes and James Bond, while also now a major industrialist who sees his responsibility as to provide as many jobs as possible...and that's the least improbable aspect of this childish creation. Embittered by the US government's unwillingness to see that the greatest threat to the US is not the large Leninist powers, but that all are equally threatened by the shadow organization led by the descendant of Genghis Khan (who is played by Telly Savalas, of course, in perhaps his first Yul Brynner sub role), Stryker has left government service...till the President pleads with Stryker to come back to find a literally mad scientist, Burgess Meredith, who holds the tech specs of All, every one, of the US's most top-secret military weapons in his mind...but these days more or less fantasizes that he is trumpeter Al Hirt. To tell much more is to needlessly spoil the joy of this ineptly-written, reasonably to very well-acted, beautifully shot (thanks mostly to Conrad Hall) telefilm, which you really should see (even as the running time has been padded a bit by inclusion of all the footage taken of airplanes taking off and landing)...as I failed to remember that I've put it in a 2011 entry in this series:
Television films have had a tendency to be bland, even when promising to revel in salacious material (hitting all the stops in notoriety from The War Game through Born Innocent to Mother May I Sleep with Danger? and Little Ladies of the Night), and shallow; only occasionally do we encounter the truly lunatic film-for-television, but some can stand proudly in this "alternative" (in the sense that Bill Pronzini applies this adjective to Harry Stephen Keeler's fiction, and others') field...and one such item is Fanfare for a Death Scene, co-written and directed by The Outer Limits creator Leslie Stevens, and one of the most joyously ridiculous crime/espionage dramas one can hope to encounter, straight out of the same well of creativity that led Stevens to also produce the only feature-length horror film in Esperanto, Incubus. Somehow, Stevens managed to get a script approved for the Kraft Suspense Theater [actually, dusted off for play in that series, presumably] which involves a disinterested Richard Egan seeking out a defecting scientist amidst a swirl that includes a crazed Burgess Meredith mistaking himself for Al Hirt, with the rest of the cast filled in by such stalwarts as Ed Asner, Tina Louise, Telly Savalas, Khigh Dhiegh (born Kenneth Dickerson, after The Manchurian Candidate but before Hawaii Five-0) and Viveca Lindfors. The climax is hilarious [and very abrupt, as if the budget was utterly spent; Stephen Bowie notes in his first post on the film that the original cut includes footage of Savalas chortling and promising this won't be the end of his perfidy, to set him up as the Fu Manchu/Wo Fat of this series]]; the entirety of the episode/telefilm, as the [then] only commenter on IMDb notes correctly, is surreal. It's genuinely fascinating in the way that a Stevens production gone wrong, as with several Outer Limits episodes and Incubus, can be...and you probably won't be wishing you were watching something else while it plays...and I'm happy to report that I've just discovered that Netflix is streaming this alternative classic, so that gray-market discs don't have to be relied upon. I shall have to reacquaint myself. [...as I have since done, via Amazon streaming, where it's free.]