10 further actors...

Eva Mendes

Paula Patton

Suleka Mathew

Judy Greer

Joan Chen

Julie Benz

Claudia Black

Lindsay Price

Glenne Headly

Madchen Amick

Saturday Music Club: more newer schools of jazz and jazz-offshoot

Chamber jazz:
Chico Hamilton Quintet: "Blue Sands"


The Jazz Abstractions Band: "Variants on a Theme by Thelonious Monk (Criss Cross)"


Jan Garbarek Quartet: "Molde Canticle"


New acoustic/"New Age":
Paul Winter Consort: "Icarus"


Dave Grisman Quartet (with the Tonight Show Band): "Dawg Jazz"


Steve Tibbetts, Marc Anderson, Ani Choying Dolma:


Jazz into "world music":
Gabor Szabo: "Bacchanal"


Return to Forever: "Light as a Feather"


Randy Weston et al.: "African Rhythms"


Jazz dance:
Chico Hamilton: "Conquistadores"


Elvin Jones/Richard Davis Band: "Raunchy Rita"


Charles Mingus Band: "Ysabel's Table Dance"


The Modern Jazz Quartet: "The Jasmine Tree"

 Brubeck Quartet: "Three's a Crowd":

And just because:
Toshiko Akiyoshi and John Lewis: "Willow Weep for Me"


Dave Grisman Quintet: "Dawg's Rag"

FFB: The Book of Fritz Leiber (and The Second...); The Best of Fritz Leiber; The Worlds of Fritz Leiber

second edition; George Barr cover

Jonquil & Fritz Leiber, with cat, 1937

Fritz Leiber was having a pretty good time of it, professionally at least, in the 1970s. (Personally, he lost his wife, Jonquil, in 1969, after more than three decades of marriage, and had to fight his way out of the alcoholic tailspin her death put him into.) He was almost universally respected and admired by his peers, as well as by discriminating readers of fantastic fiction, and was collecting more awards from that community than anyone else had (Harlan Ellison, whose career more completely coincided with the award-giving years, would eventually surpass Leiber thus). His cycle of stories about characters analogous to himself and his old friend Harry Fischer, who had originally helped him devise Fafhrd and the Gray Mouser, were being issued in uniform editions by Ace Books by the turn of the decade, and the stories, which spanned the publishing career of the man who had invented the term "sword and sorcery" fiction, were popular enough to inspire a "mainstream" comic book devoted to them, Sword of Sorcery (Samuel Delany had slipped the two characters into the continuity he was writing for Wonder Woman at the time, encouraging DC Comics to take a flier on letting Dennis O'Neil adapt the stories and write original scripts about the characters); over at Marvel, Gerard Conway was given the go-ahead to start a fiction magazine, rather than a comics title, The Haunt of Horror, and among the new fiction that magazine offered was a two-part serialized reprint of Leiber's first great novel, Conjure Wife (which had been and has been only rarely out of print since first book publication). In yet another medium, several of Leiber's best short stories were adapted, unfortunately not very well ("The Girl with the Hungry Eyes" comes closest to a decent translation), for the television anthology series Night Gallery. While it couldn't've made up much for the loss of his wife, 1969 also saw the second fantasy magazine special issue devoted to Leiber, the July F&SF (even as there had been a Leiber issue of Fantastic in 1959 and would be a Leiber issue of Whispers in 1979); not long after, his novella You're All Alone finally saw book publication in unadulterated form, also from Ace. Leiber continued, if a bit sporadically, to contribute a review column, "Fantasy Books," to Fantastic, which was consistently interesting and enlightening, one of the few such that was on par with the excellent work in F&SF in that decade by James Blish, Joanna Russ, Algis Budrys, Avram Davidson, Gahan Wilson and others. And these four retrospectives of his work were published, by three different publishers, none truly definitive but all indicative of the breadth and depth of his talent.

The Contento indices are the source of content lists in this post:

The Best of Fritz Leiber Fritz Leiber (Nelson Doubleday, 1974, hc)

Ballantine first paperback edition

B/Del Rey reprint 

• · The Wizard of Nehwon— · Poul Anderson · in
• · Gonna Roll the Bones · nv Dangerous Visions, ed. Harlan Ellison, Garden City, NY: Doubleday, 1967
• · Sanity · ss Astounding Apr ’44
• · Wanted—An Enemy · ss Astounding Feb ’45
• · The Man Who Never Grew Young · ss Night’s Black Agents, Arkham, 1947
• · The Ship Sails at Midnight · nv Fantastic Adventures Sep ’50
• · The Enchanted Forest · ss Astounding Oct ’50
• · Coming Attraction · ss Galaxy Nov ’50
• · Poor Superman [“Appointment in Tomorrow”] · nv Galaxy Jul ’51
• · A Pail of Air · ss Galaxy Dec ’51
• · The Foxholes of Mars · ss Thrilling Wonder Stories Jun ’52
• · The Big Holiday · ss F&SF Jan ’53
• · The Night He Cried · ss Star Science Fiction Stories #1, ed. Frederik Pohl, Ballantine, 1953
• · The Big Trek · ss F&SF Oct ’57
• · Space-Time for Springers [Gummitch] · ss Star Science Fiction Stories #4, ed. Frederik Pohl, Ballantine, 1958
• · Try and Change the Past [Change War] · ss Astounding Mar ’58
• · A Deskful of Girls [Change War] · nv F&SF Apr ’58
• · Rump-Titty-Titty-Tum-Tah-Tee [Simon Grue] · ss F&SF May ’58
• · Little Old Miss Macbeth · ss F&SF Dec ’58
• · Mariana · ss Fantastic Feb ’60
• · The Man Who Made Friends with Electricity · ss F&SF Mar ’62
• · The Good New Days · ss Galaxy Oct ’65
• · America the Beautiful · ss The Year 2000, ed. Harry Harrison, Garden City, NY: Doubleday, 1970
• · Afterword · ms

The selection here is almost frustrating because it comes so close to being a good core sampling of Leiber's best work, but already has jumped the tracks by following strict chronological order of publication, except for the Hugo-winning fantasy that leads off the book, and then going on to a relatively minor if pacifism-flavored story by Leiber (a World War 2 conscientious objector), followed by another, as the earliest examples of his work...ignoring the brilliant, extremely influential "Smoke Ghost" and all the other early stories, including some of the first s&s stories, nearly as good as "Smoke Ghost" and vastly better than "Sanity" or "Wanted: An Enemy". (Presumably because these stories are relatively straightforward science fiction, as only a small portion of Leiber's best work ever was.) The book is strongest in its selections from Leiber's 1950s short stories, managing to gather many of his best sf and fantasy stories from that decade, and then proceeds to fall down again with the 1960s and '70s selections, such as there are.

The Book of Fritz Leiber Fritz Leiber (DAW UQ1091, Jan ’74, 95¢, 173pp, pb)

first edition, Jack Gaughan cover

• 7 · Foreword · fw
• 11 · The Spider · ss Rogue Jan ’63
• 24 · Monsters and Monster Lovers · ar Fantastic Mar ’65
• 37 · A Hitch in Space · ss Worlds of Tomorrow Aug ’63
• 48 · Hottest and Coldest Molecules · ar Science Digest Mar ’52
• 52 · Kindergarten · vi F&SF Apr ’63
• 55 · Those Wild Alien Words: I · ar *
• 64 · Crazy Annaoj · ss Galaxy Feb ’68
• 70 · Debunking the I Machine · ar, 1949
• 72 · When the Last Gods Die · ss F&SF Dec ’51
• 79 · King Lear · ar, 1934
• 85 · Yesterday House · nv Galaxy Aug ’52
• 115 · After Such Knowledge · ar, 1974 Fantastic (about James Blish's triad+ of novels collectively known thus, at least to students of Blish)
• 118 · Knight to Move [“Knight’s Move”; Change War] · ss Broadside Dec ’65
• 128 · Weird World of the Knight [“Topsy-Turvy World of the Knight”] · ar California Chess Review Jan ’60
• 131 · To Arkham and the Stars · ss The Dark Brotherhood and Other Pieces, Sauk City: Arkham House, 1966
• 143 · The Whisperer Re-Examined · ar Haunted Dec ’64
• 148 · Beauty and the Beasts [Fafhrd & Gray Mouser] · vi *
• 151 · Masters of Mace and Magic · br
• 157 · Cat’s Cradle · ss   

The Second Book of Fritz Leiber Fritz Leiber (DAW, Sep ’75, pb)

• · Foreword · fw
• · The Lion and the Lamb · nv Astounding Sep ’50
• · The Mighty Tides [“What Makes the Mighty Tides”] · ar Science Digest Apr ’61
• · Trapped in the Sea of Stars [Fafhrd & Gray Mouser] · ss *
• · Fafhrd and Me · ar, 1963
• · Belsen Express · ss *
• · Ingmar Bergman: Fantasy Novelist · br Fantastic Mar ’74
• · Scream Wolf · ss Mike Shayne Mystery Magazine Feb ’61
• · Those Wild Alien Words: II · ar *
• · The Mechanical Bride · pl Science Fiction Thinking Machines, ed. Groff Conklin, Vanguard, 1954
• · Through Hyperspace with Brown Jenkin · ar The Dark Brotherhood and Other Pieces, Sauk City: Arkham House, 1966; revised from Shangri-L’Affaires, September 1963.
• · A Defense of Werewolves [“Fantasy on the March”] · ar Arkham Sampler Spr ’48

These books, in comparison, don't try to present only the best of Leiber's work, but instead wanted to give a measure of the diversity of the man's writing, and as such, they succeed, even if some of the content might not be the best available examples of, for example, his pop-science journalism as an editor of Science Digest in the 1940s or his crime fiction (the books also strive to gather only previously uncollected work); the choice of the Bergman and the Blish trilogy-of-sorts essays from the Fantastic column, along with some of his earlier important literary criticism and belles lettres, was almost inarguably a very good idea. "Belsen Express," the only fiction in either volume to see first publication here, won the Howard/World Fantasy Award for best short story for its year. The play, inspired in part by Marshall McLuhan, is notable as one of the few full-fledged scripts this child of Shakespearean troupers and former professional actor allowed himself to publish (though three of the Leiber's best, most telling and most autobiographical stories of the 1960s are in modified plays-for-voices format).

The Worlds of Fritz Leiber Fritz Leiber (Ace, Nov ’76, pb)

note handsome but generic sf cover

• · Introduction · in
• · Hatchery of Dreams · ss Fantastic Nov ’61
• · The Goggles of Dr. Dragonet [Dr. Dragonet] · ss Fantastic Jul ’61
• · Far Reach to Cygnus [Dr. Dragonet] · ss Amazing Feb ’65
• · Night Passage · nv Gnostica Jul ’75
• · Nice Girl with Five Husbands · ss Galaxy Apr ’51
• · When the Change-Winds Blow [Change War] · ss F&SF Aug ’64
• · 237 Talking Statues, Etc. · ss F&SF Sep ’63
• · The Improper Authorities · ss Fantastic Nov ’59
• · Our Saucer Vacation · ar Fantastic Universe Dec ’59
• · Pipe Dream [Simon Grue] · ss If Feb ’59
• · What’s He Doing in There? · ss Galaxy Dec ’57
• · Friends and Enemies · ss Infinity Science Fiction Apr ’57
• · The Last Letter · ss Galaxy Jun ’58
• · Endfray of the Ofay · ss If Mar ’69
• · Cyclops · ss Worlds of Tomorrow Sep ’65
• · Mysterious Doings in the Metropolitan Museum · ss Universe 5, ed. Terry Carr, Random House, 1974
• · The Bait [Fafhrd & Gray Mouser] · vi Whispers Dec ’73
• · The Lotus Eaters · ss F&SF Oct ’72
• · Waif · nv The Far Side of Time, ed. Roger Elwood, Dodd Mead, 1974
• · Myths My Great-Granddaughter Taught Me · ss F&SF Jan ’63
• · Catch That Zeppelin! · nv F&SF Mar ’75
• · Last · ss F&SF Mar ’57

Now this collection, while managing to mix brilliant fiction with some that were merely decent examples of what Leiber could do, still manages to represent his 1960s and '70s work much better than the Best of volume does.  "237 Talking Statues, Etc." is one of those near-play stories I refer to above (about Leiber's fraught relation with his parents, particularly his father, Fritz Leiber, Sr--who also extremely strongly resembled Leiber), the other two, insanely missing from all these collections, "The Secret Songs" (about Leiber and Jonquil and their at times distant but always mutually-affectionate relation...and their contrasting drug abuse) and "The Winter Flies" (which editor Edward Ferman retitled "The Inner Circles" as he published it in F&SF), about Leiber and his anxieties as a husband and father as well as artist. Leiber, also a ranked chess Grandmaster, is not represented in any of these three books by his chess stories aside from the slight "Knight to Move," rather than, one might suggest, the then-recent "Midnight by the Morphy Watch," fitting snugly into Worlds...but what is present includes such impressive work as "The Nice Girl with Five Husbands" (Leiber was always one of the most pro-feminist men of his time in fantastic fiction, and rarely unwilling to shock a bluenose) and "When the Change Winds Blow"...cheek by jowl with a very minor Fafhrd story in "The Bait"...

Leiber continued to scale heights, as with his last novel, Our Lady of Darkness, in 1977 (after a shorter form of that was serialized in F&SF in late '76/earliest '77 as The Pale Brown Thing), and to publish notable work, including his too-short, elegant autobiography, in the collection The Ghost Light, in the '80s, and would continue publishing up till his passing in 1992. One shakes one's head at the quirks, to say the least, on the part of the publisher's editors who, with Leiber himself, selected the stories and other work in each case, but were unable to give both a reasonably good portrait of the sophistication and innovation of his work in several fields, and present the best of his work even in a more narrow compass...but, then, the more recent The Leiber Chronicles and Selected Stories also fall short of definitive. A vast and visionary talent, hard to corral or synopsize adequately, sometimes willing to do just enough to stroke the fans, but usually swinging for the fences, and more often than not clearing the bases.

And, given the relative skittishness of the publishers of the other retrospectives about Leiber's horror fiction, it finally took Whispers Press to publish a companion focusing on this fiction, in 1978:

Heroes & Horrors Fritz Leiber (Whispers Press, 1978, hc); Edited by Stuart David Schiff.

the pb edition has the better bad cover

• · Preface · Stuart David Schiff · pr
• · Fritz Leiber: An Appreciation · John W. Jakes · in
• · Sea Magic [Fafhrd & Gray Mouser] · ss The Dragon Dec ’77
• · The Mer She [Fafhrd & Gray Mouser] · nv *
• · A Bit of the Dark World · nv Fantastic Feb ’62
• · Belsen Express · ss The Second Book of Fritz Leiber, DAW, 1975
• · Midnight in the Mirror World · ss Fantastic Oct ’64
• · Richmond, Late September, 1849 · ss Fantastic Feb ’69
• · Midnight by the Morphy Watch · ss Worlds of If Jul/Aug ’74
• · The Terror from the Depths · na The Disciples of Cthulhu, ed. Edward P. Berglund, DAW, 1976
• · Dark Wings · nv Superhorror, ed. Ramsey Campbell, W.H. Allen, 1976

For more of today's books, please see Patti Abbott's blog.

first issue of the comic book

first of 2 issues of the non-comic (title later used on a comics magazine)

1959 Fantastic

1969 F&SF

1979 Whispers

·

October's Underappreciated Music: the links and more

Patti Abbott: Suzi Quatro and Chris Norman 

Brian Arnold: Burger Chef Monster Records

Sean Coleman: Rod Delcourt and Wendell Wilson: Long Time Coming;   Joni Mitchell

Bill Crider: Billy Edd Wheeler;  tweating/FB

Jeff Gemmill: Neil Young: Americana

Lee Hartsfeld: Hallowe'en Music: Johnny Arcesi, Bop Hope, Mort Shuman, et al.

Jerry House: Brrrr...

Randy Johnson: Def Leppard

Jackie Kashian: Lindy West and Aham Oluo

George Kelley: Best of Bond...James Bond

Evan Lewis: "Sing Along with Zorro"

Todd Mason:  David Amram; new schools and offshoots of jazz (since ca. 1960); birthweek Billboard charts; For One Night Only (BBC Radio 4)--please see below.

Charlie Ricci: The Iguanas: Nuevo Boogaloo

The Iguanas

Richard Robinson: Walton: the Collector's Edition

Ron Scheer: The Carter Family; Hank Williams (the first) and Anita Carter 

The new season (or, as they put in the UK, series) of For One Night Only, the fine BBC Radio 4 documentary series about pivotal concerts, has begun (and ended, with only three episodes this time out), and the BBC has seen fit, as they have not in previous years, to secure rights to keep the episodes posted online for a considerable time (a year rather than, for example, last season's a week), giving us all a good opportunity to catch the episodes...the three this season are all about the Eric Clapton Unplugged concert/album, the Weavers reunion in 1955 in Carnegie Hall, and the Rolling Stones concert in NYC which was documented by the Get Yer Ya-Yas Out album, and while I like the Weavers' episode the most (the three surviving original Weavers still have a fair amount to say, and with good humor), they're all worth a listen. I'll be keeping up with this series, you can be sure, assuming there's another series...I won't be sorry to have sent you along in their direction, either.   

Sun Ra Arkestra & the Blues Project (!) 

David Amram, Percy Heath, Dizzy Gillespie: Thelonious Monk Memorial 1986

discount primrose

The big doors in the back used to be for bringing things in. The last things they brought in were the refabricators, or so the stories go. You feed things in when you’re done with them and they make new things for you. I can’t imagine what life was like before the refabricators, and the little robots that fix them up when they break down in one way or another. I can’t imagine what it was like to leave the WalMart, or why you’d want to leave the comfortable store to go out into hot air and sere land beyond the front glass. I’ve been out, once, with a crew to help fix the power access from the Plant (I didn’t do much, but it was unpleasant enough).

Apparently all the folks who had a home of their own, in their own little building, who could afford it had their own little refabricators, before the big plagues came through. They and the droughts meant there was ever less folks to want to come to the WalMart. My ancestors, and all the others who live here now, are descended from the folks who were locked in every night…didn’t really have any other place to go.

Some others came to join us, after the plagues but before the droughts got really bad…The crusty punks, carrying forbidden things like beer and adult magazines, so unlike the texts that the Greeters use to teach some of us how to read and write. We still occasionally have the refabricators make us some beer, but it doesn’t taste good to me. The everclear they had and fed in is better, and it only takes a little to have its magical effect.

Once, after I’d drunk some everclear, and fell asleep under the Big Smile, I dreamt that the Big Smile told me that I was the Truly Among the Discounted, The Very Special. It was a very special day, and when I told the Greeter I saw, she patted me on the head and gave me a candy, and said that I should always remember. I always have.

They began to teach me to read, shortly thereafter. The ancient books and magazines kept in the Managers Office, even the forbidden PLAYBOYs, were at my disposal. It certainly was more fun than climbing to the tops of the shelves to dust them off every other day, which was my task before (we carefully capture all the dust for the refabricator).

We wait for the rains to come, so we can put the plants out front, like in the old days. Maybe more new people will come.

(copyright 2011 by Todd Mason. originally appeared on this blog, and reprinted in Discount Noir, edited by Patricia Abbott and Steve Weddle, Untreed Reads)

Tuesday's Overlooked Films and/or Other A/V: more new links

Butterfly on a Wheel

Hey, did I mention there's going to be a debate between the US presidential candidates of  four smaller parties tonight, starting just before 9p ET? I did? Good. Thought I did. Be there to see what the Greens, the Libertarians, the Constitution and the new (and relatively ad hoc) Justice Partisans might have to say that the large-party candidates didn't, last night or previously. 

As always, thanks to all contributors and to all you readers; a lot of lists for the season, this week. More links to reviews and citations of overlooked items are likely to be added later throughout the dayl..but here's what I've seen so far (please feel free to let me know what I've overlooked in comments):

Bill Crider: The Endless Summer  [trailer]

Made in Jersey (actually Jersey, the island, it turns out...) 

Brent McKee: Animal Practice;  Made in Jersey

Brian Arnold: Tricks and treats in a/v and trailers for Hallowe'en;  The Midnight Hour

Ed Gorman: Dark Night of the Scarecrow; 
Get a Life; horror film v. suspense film

Elizabeth Foxwell: (Margaret Millar's) "Rose's Last Summer" (Thriller); "Casino Royale" (Climax)

George Kelley: Copper;  Alfred Hitchcock: The Masterpiece Collection

Marnie

Evan Lewis: 1930s/40s/50s minor horror and suspense film posters

Iba Dawson: The Uninvited (1944)

Ivan G. Shreve, Jr.: Amazonian perfidy and divers notes

John Charles: The Magic Serpent (aka Kairyu daikessen)

Jackie Kashian: Sue Costello

James Reasoner: Pirate Radio

Jeff Flugel: 2011 Horror Film Challenge/Marathon; The Monster That Challenged the World

Jerry House: Renfrew of the Royal Mounted

Laura: Singapore Woman; Joan Fontaine

Michael Shonk: Dirk Gently

Neer: Butterfly on a Wheel (aka Shattered)

Patti Abbott: The Bob Cummings Show (aka Love That Bob)

Randy Johnson: Viva Django (aka Preparati la Bara!); Red Dust

Richard Pangburn: Time after Time

Gun the Man Down

Rick: House of Dark Shadows

Rod Lott: Beyond the Door;  Reel Terror by David Konow

Ron Scheer: Gun the Man Down

Scott Cupp: Dolan's Cadillac;  The Wild World of Batwoman

The Last Page

Sergio Angelini: The Last Page (aka Man Bait)

Stacia Jones: Bell, Book, and Candle and quite a bit more Hallowe'en cheesecake and H'wood costumery

Todd Mason: "third-party" presidential candidates debate Tonight (9pm ET/6pm PT); Link TV merges with KCET (Los Angeles); some podcasts to catch, with seasonal relevance (psychic investigator comedy in Beyond Belief ; and Guillermo del Toro and Joel Hodgson);  13 Horror, 13 Suspense, and 13 Surrealist, SF, or Fantasy Films Resembling Horror and Suspense Films You Probably Should See 

Yvette Banek: Evidence of Blood