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| Maria Bamford and colleagues: Lady Dynamite |
Anne Billson: Russ Meyer (some NSFW imagery, oddly enough)
Anonymous: The Earrings of Madame de...; The Cabinet of Dr. Caligari
Bhob Stewart: Saul Bass and Alfred Hitchcock; Alfred Hitchcock's kitchen, Castle of Frankenstein and TV Guide
The Big Broadcast: 29 May 2016
- 7:00 Yours Truly, Johnny Dollar
The Lone Wolf Matter (05/21/61) (CBS) (22:28) - 7:23 Gracie Allen for President (1940)
- 7:30 Dragnet
The Big Try (09/21/54) (NBC) (24:55) - 8:00 Gunsmoke
Another Man’s Poison (09/29/57) (AFRS) (19:52) - 8:30 Our Miss Brooks
Boynton’s Barbecue (05/07/50) (CBS) (28:21) - 9:00 Halls of Ivy
Adoption (10/03/51)(NBC)(27:15) - 9:30 Presenting Charles Boyer
Adventure With A Slide Rule Blonde (07/04/50) (NBC) (28:43) - 10:00 Lux Radio Theater
This Land Is Mine (04/24/44) (CBS) (57:39)
B. V. Lawson: Media Murder
Comedy Film Nerds: Greg Proops
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| True Grit |
Cult TV: The Avengers: "Diamond Cut Diamond"
David Cramner: 21st Century western films
David Vineyard: House of the Arrow
Elgin Bleecker: Sam Peckinpah directing Zane Grey Theater episodes (and pilots)
Elizabeth Foxwell: Diagnosis: Unknown: "A Case of Radiant Wine"; Writing for Television: Conversations with Rod Serling
Eric Willis: Lurking Fear
George Kelley: The Meddler
"Gilligan Newton-John": Inquisition; The Pit and the Pendulum (1992 film) some NSFW imagery
How Did This Get Made?: The Avengers (1998 film based loosely on the tv series); interview with Mel Brooks
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| Relationship Status...at Tribeca |
Iba Dawson: Tribeca 2016
Ivan G. Shreve, Jr.: The Family Secret; Norris Goff
Jack Seabrook: Alfred Hitchcock Presents: "Fatal Figures"
Jackie Kashian: Ronnie Karam on Bravo programming
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| The Jackie and Laurie Show |
Jackie Kashian and Laurie Kilmartin: The Jackie and Laurie Show
Jacqueline T. Lynch: The Automat in Film
Jake Hinkson: Rural film noir
James Clark: Black Hawk Down
James Reasoner: Tumbleweeds
Janet Varney: Maria Bamford
Jerry House: Judge for Yourself; The New Adventures of Sherlock Holmes: "The April Fool's Day Adventure"
John Grant: Posthumous; Palmdale
Jonathan Lewis: 20,000 Leagues Under the Sea (Disney)
Karen Hannsberry: Golddiggers of 1933
Kelly Robinson: The Callahans and the Murphys
Ken Levine: Gary Burghoff on M*A*S*H; spec scripts
Kliph Nesteroff: Marshall Brickman
Kristina Dijan: The Outriders; Saddle Tramp; The Big Parade; films in April; The Battle at Apache Pass; Five Guns West; The Fiend Who Walked the West; The Outfit; Defiance; Best Seller
Laura G: Operation Petticoat; Comrade X; The Wife Takes a Flyer; In Name Only; John Payne; To Be or Not To Be (1942 film); TCM's Tiffany Vasquez
Lindsey: The Hatchet Man
Lucy Brown: The Fall
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| Pretty Poison |
Martin Edwards: Pretty Poison [John F. Norris's review which sparked this one]
Marty McKee: Trespass (2011 film); Schizoid; The Mean Season
Michael Shonk: US television "upfronts" for the coming season
Neil Gaiman and Audrey Niffenegger (and musical guests)
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| Green Room |
Noel Vera: Peppermint Candy
Peter Rozovsky: The University of Pennsylvania Museum of Archeology and Anthropology
Pop My Culture: Quincy Jones (the younger comedian, not the elder musician and producer)
Prashant Trikannad: Butch Cassidy and the Sundance Kid and Brokeback Mountain
Raquel Stecher: Doctor, You've Got to Be Kidding
Rick: Assault on Precinct 13 (1976); 5 favorite Clint Eastwood films
Rod Lott: Bunny the Killer Thing; Holidays; Snakes on a Plane
"Rupert Pupkin": Rich Kids; French Postcards
Ruth Kerr: Francis the Talking Mule and its sequels; Reel Infatuation (film crushes) blogathon call for contributions
Salome Wilde: Sinister Summer; Touch of Evil
Scott A. Cupp: Master of the World
Sean McLachlan: PRC, Producers Releasing Corporation "poverty row" releases (courtesy Bill Crider)
Sergio Angelini: Fear is the Key
Stacia Jones: Female; God's Country and the Woman
Stephen Bowie: Frank Wood
Steve Lewis: Hit Lady; They Met in the Dark
Victoria Loomes: Contempt
Vienna: Myrna Loy; Burt Kwouk; The Women (1939 film)
Pop My Culture: Quincy Jones (the younger comedian, not the elder musician and producer)
Prashant Trikannad: Butch Cassidy and the Sundance Kid and Brokeback Mountain
Raquel Stecher: Doctor, You've Got to Be Kidding
Rick: Assault on Precinct 13 (1976); 5 favorite Clint Eastwood films
Rod Lott: Bunny the Killer Thing; Holidays; Snakes on a Plane
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| Rich Kids |
"Rupert Pupkin": Rich Kids; French Postcards
Ruth Kerr: Francis the Talking Mule and its sequels; Reel Infatuation (film crushes) blogathon call for contributions
Salome Wilde: Sinister Summer; Touch of Evil
Scott A. Cupp: Master of the World
Sean McLachlan: PRC, Producers Releasing Corporation "poverty row" releases (courtesy Bill Crider)
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| Fear is the Key |
Sergio Angelini: Fear is the Key
Stacia Jones: Female; God's Country and the Woman
Stephen Bowie: Frank Wood
Steve Lewis: Hit Lady; They Met in the Dark
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| The Women |
Victoria Loomes: Contempt
Vienna: Myrna Loy; Burt Kwouk; The Women (1939 film)
11 comments:
Thanks in particular for the NSFW advisory warning :)
Is yours one of those Not So Forgiving offices, Sergio? Dealing with film, no less?
Todd, thanks for posting the link to my piece. Rick's five favourite Clint Eastwood films is interesting. It'd be nice to range the best of his westerns against his non-western films, as an actor rather than as director.
And there'd be overlap there, Prashant...thanks again for your post.
Todd - Thanks for gathering all the links and for including mine.
Not at all, Elgin...thank you.
We're an educational charity Todd - but actually I'm just quite easily shocked :)
You're quite happy I didn't choose to write up SWEET MOVIE this week, then, which has distantly haunted me for decades, and I finally sat down and watched it recently.
Never even heard of it - but hey, I'm fickle too, still think RE-ANIMATOR is a classic, so ...
Many thanks for links to my blog. And for sharing all these links to other bloggers.
Vienna--thank you for your benisons and your posts!
Sergio--While RE-ANIMATOR uses its "extreme" elements to somewhat smartass but still artistic purposes, so, too SWEET MOVIE in its more seriously-intended but also still somewhat even more sophomoric execution. It's not SALO, but it is scabrous.
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