Friday, October 28, 2011

FFB: THE HOUSE OF THE NIGHTMARE, Kathleen Lines, ed.; several Bill Pronzini anthologies (some edited with Barry Malzberg and MH Greenberg)

Well, an old horror enthusiast like myself couldn't hold out against Hallowe'en all month, now, could I? (Even if Blogspot pulls a little trick on me in dumping the final several drafts of this message, with no means of recovery. Imagine my carefully considered response, albeit silent.) Particularly as one of the first half-dozen most important books of my youthful development as a horror reader remained unremarked:

Contents courtesy of Vault of Evil:

The House Of The Nightmare and Other Eerie Tales
Chosen by Kathleen Lines

Originally published by The Bodley Head (1967)
Later (paperback) editions published by Puffin Books; US edition 1968 from Farrar, Straus and Giroux

Foreword - Kathleen Lines
The House of the Nightmare - Edward Lucas White
The Hauntings at Thorhallstead - Allen French
His Own Number - William Croft Dickinson
Gabriel-Ernest - Saki
Hand in Glove - Elizabeth Bowen
Mr Fox - Traditional
Curfew - L.M. Boston
John Bartine's Watch - Ambrose Bierce
The Monkey's Paw - W.W. Jacobs
My Grandfather, Hendry Watty - Sir Arthur Quiller-Couch
A School Story - M.R. James
The Red Cane - E.F. Bozman
A Diagnosis of Death - Ambrose Bierce
Bad Company - Walter de la Mare
Proof - Henry Cecil
The Amulet - Thomas Raddall
The Hair - A.J. Alan
The Return of the Native - William Croft Dickinson
The Earlier Service - Margaret Irwin
'Here I am Again!' - Charles G.S.-, Esq.
The Man who Died at Sea - Rosemary Sutcliff
The Wish Hounds - Kathleen Hunt
The Man in the Road - F.M. Pilkington
My Haunted Houses - M. Joyce Dixon
In Search of a Ghost - Eric Roberts
The Limping Man of Makin-Meang - Sir Arthur Grimble

This would be my first encounter, at age 8 in 1973, with Elizabeth Bowen, W.W. Jacobs and his "Paw," M.R. James, E. L. White, Lucy Boston, only the third and most memorable so far with Saki, similarly early experience with Ambrose Bierce (interesting that he and only he gets two entries...both their excellence and their public-domain status might've played a role) and Walter de la Mare (particularly as prose-writer and not poet); the only prose I've probably seen from Henry Cecil, whose name I'd forgotten for decades, though I might well've seen some of his television scripting, for Alfred Hitchcock Presents:; his "Proof" was a deft, neat (in all senses) vignette that is particularly the kind to stick with a young reader (not unlike, say, Jerome Bixby's "Trace" or Ted Thomas's "Test" or Joseph Payne Brennan's "Levitation"). And, with the retelling of the "Mr. Fox" folktale, I had my first insight into the true meaning of my given name. The "true" encounters section was vaguely irritating, to the young skeptic I was, even when contributed by Rosemary Sutcliff, but I was a catholic reader at the time, willing to give the account a chance to spook me on its own terms (after all, slightly later, the usually fraudulently "true" Ghosts was one of the less-bad DC horror comics available, and at least one Strange, Unsolved Mysteries volume, probably from Dell but I have no memory of author, was kicking around the house with some interestingly sexually-explicit accounts among its other "true" hauntings and such). Lines, primarily a writer for young readers, would eventually produce a comparable sequel anthology, The Haunted and the Haunters (1975; with the US edition having a much better package), by which time I'd already been more than introduced to the Algernon Blackwood (multiply represented) and Joan Aiken and even Anthony Boucher and Graham Greene it proffered, though the title story was one of my first encounters with Bulwer-Lytton, before the bad-fiction contest in his dishonor was founded.

While Richard Robinson did Midnight Specials as one of his FFBs in 2009, I note it was the first anthology edited by Bill Pronzini I'd read, just after it was published in 1977 (and for good reason as it's only the second he published, I think, after a fine-looking collaboration with Joe Gores I'd missed altogether); it turned out to be an excellent and comparable supplement and peer to the eclectic Alfred Hitchcock Presents: and similar anthologies, edited by Robert Arthur, Harold Q. Masur and others, I was tearing through in the mid-'70s. All built up around trains and train-travel, it ranges from Barry Malzberg's first-publication-here sf story (which gave its title as well to one of his richest collections, the 1980 wrap-up of the previous decade) to my own first encounters with Edith Wharton, Irvin S. Cobb, and Howard Schoenfeld (like William Stafford interesting not only for his art but for his pacifism), among an otherwise stellar lineup (including a few already old favorites of mine, very much including the Bloch and Noyes stories). Pronzini's own fiction I was familiar with from various sources, mostly Hitchcock-branded (including the back-issues of AH's Mystery Magazine I'd read), but his name in the editorial by-line became one to look for. Turns out, that was a good bet.

(All the Pronzini indices from the Contento/Locus/Stephensen-Payne sites.)
Midnight Specials ed. Bill Pronzini (Bobbs-Merrill 0-672-52308-6, 1977, $10.95, hc); Also available in pb (Avon Apr ’78).
· The Signalman · Charles Dickens · ss All the Year Round Christmas, 1866
· The Shooting of Curly Dan · John Lutz · ss EQMM Aug ’73
· The Invalid’s Story · Mark Twain · ss The Stolen White Elephant, Webster, 1882
· A Journey · Edith Wharton · ss Greater Inclination, Scribner, 1899
· The Problem of the Locked Caboose [Dr. Sam Hawthorne] · Edward D. Hoch · nv EQMM May ’76
· Midnight Express · Alfred Noyes · ss This Week Nov 3 ’35
· Faith, Hope and Charity [Judge William Pitman Priest] · Irvin S. Cobb · nv Cosmopolitan Apr ’30; EQMM Apr ’52
· Dead Man · James M. Cain · ss The American Mercury Mar ’36; EQMM Oct ’52
· The Phantom of the Subway [“You Pays Your Nickel”] · Cornell Woolrich · nv Argosy Aug 22 ’36; EQMM Jun ’83
· The Man on B-17 [as by Stephen Grendon] · August Derleth · ss Weird Tales May ’50
· The Three Good Witnesses · Harold Lamb · ss Blue Book Jan ’45
· Snowball in July [“The Phantom Train”; Ellery Queen] · Ellery Queen · ss This Week Aug 31 ’52; EQMM Jul ’56
· All of God’s Children Got Shoes · Howard Schoenfeld · ss EQMM Aug ’53
· The Sound of Murder · William P. McGivern · ss Bluebook Oct ’52; ; as “The Last Word”, EQMM Feb ’63
· The Train · Charles Beaumont · ss The Hunger and Other Stories, Putnam, 1957
· That Hell-Bound Train · Robert Bloch · ss F&SF Sep ’58
· Inspector Maigret Deduces [Insp. Jules Maigret] · Georges Simenon · ss, 1944; EQMM Nov ’66
· Sweet Fever · Bill Pronzini · ss EQMM Dec ’76
· The Man Who Loved the Midnight Lady · Barry N. Malzberg · ss *
· Bibliography · Misc. Material · bi

Pronzini began editing one impressive anthology after another, many of them, from the end of the '70s till the imprint's fading away, for Arbor House, who really didn't know how to package a horror book, as the covers for these examples make entirely too clear (when The Arbor House Necropolis was reprinted by a remainder publisher as Tales of the Dead, it actually had a better and subtler cover [see below], which might be almost a unique occurrence in such relations). Nonetheless, the series was uniformly excellent, featuring as it did a lot of my favorite chestnuts along with good to great less-obvious or blatantly overlooked items to fit each monstrous category. I might've added Malzberg's "Prowl" to Werewolf!, but Malzberg (or his Doubleday editor) had left it out of his Midnight Lady collection, too, and perhaps I like it a lot better than Barry does.

Werewolf! ed. Bill Pronzini (Arbor House 0-87795-210-8, 1979, $12.95, 201pp, hc); subtitled "A Chrestomathy of Lycanthropy"

xiii · Introduction · Bill Pronzini · in
1 · Loups-Garous · Avram Davidson · pm F&SF Aug ’71
5 · The Were-Wolf · Clemence Housman · nv Atalanta Dec, 1890
37 · The Wolf · Guy de Maupassant · ss
43 · The Mark of the Beast · Rudyard Kipling · ss The Pioneer Jul 12&14, 1890
55 · Dracula’s Guest [Dracula] · Bram Stoker · ss Dracula’s Guest, London: Routledge, 1914; written in 1897 as part of Dracula, this chapter was omitted from the published book for reasons of length.
67 · Gabriel-Ernest · Saki · ss The Westminster Gazette May 29 ’09
77 · There Shall Be No Darkness · James Blish · nv Thrilling Wonder Stories Apr ’50
127 · Nightshapes · Barry N. Malzberg · ss *
135 · The Hound · Fritz Leiber · ss Weird Tales Nov ’42
149 · Wolves Don’t Cry · Bruce Elliott · ss F&SF Apr ’54
160 · Lila the Werewolf [“Farrell and Lila the Werewolf”; Sam Farrell] · Peter S. Beagle · nv guabi #1 ’69
183 · A Prophecy of Monsters · Clark Ashton Smith · vi F&SF Oct ’54
187 · Full Sun · Brian W. Aldiss · ss Orbit 2, ed. Damon Knight, Berkley Medallion, 1967
199 · Bibliography · Misc. · bi

As the very fact of the of the omnibus status of the Necropolis suggests, Werewolf! was just one of a line of single-theme volumes, though by 1981 Arbor House was apparently suspecting that large anthologies were easier to market, in trade paperback as well as hardcover, than smaller ones...the Necropolis has been much easier to find in libraries and such over the years than, say, component volume Ghoul! published on its own (the omnibus title just sounded that much better on the New Adds list, too, I suspect). It's also worth noting that after Werewolf!, Pronzini was buying new stories for anthologies in the series, which would continue as the themed anthologies gave way to the more eclectic volumes below.

The Arbor House Necropolis ed. Bill Pronzini (Arbor House 0-87795-338-4, Nov ’81, $11.50, 850pp, tp); Contains the books Voodoo!, Mummy! and Ghoul!. Tales of the Dead (Bonanza/Crown 1986), an instant remainder reprint, drops "The White Rabbit" by Joe R. Lansdale (originally published in the first edition).

· Preface · Bill Pronzini · pr
17 · Voodoo! · ed. Bill Pronzini · an New York: Arbor House, 1980; A Chrestomathy of Necromancy
19 · Introduction · Bill Pronzini · in
33 · Papa Benjamin [“Dark Melody of Madness”] · Cornell Woolrich · nv Dime Mystery Magazine Jul ’35
77 · “...Dead Men Working in the Cane Fields” [from The Magic Island] · William B. Seabrook · ar New York: Harcourt Brace & World, 1929
89 · Mother of Serpents · Robert Bloch · ss Weird Tales Dec ’36
101 · The Digging at Pistol Key · Carl Jacobi · ss Weird Tales Jul ’47
118 · Seven Turns in a Hangman’s Rope · Henry S. Whitehead · na Adventure Jul 15 ’32
179 · The Isle of Voices · Robert Louis Stevenson · ss The National Observer Feb 4, 1893
201 · Powers of Darkness · John Russell · ss Colliers Mar 30 ’29
216 · Exú · Edward D. Hoch · ss Voodoo!, ed. Bill Pronzini, Arbor, 1980
223 · Seventh Sister · Mary Elizabeth Counselman · ss Weird Tales Jan ’43
244 · The Devil Doll · Bryce Walton · ss Dime Mystery Magazine Nov ’47
254 · Kundu · Morris West · ex Kundu, Morris West, Dell, 1956
271 · The Candidate · Henry Slesar · ss Rogue, 1961
281 · Mummy! · ed. Bill Pronzini · an New York: Arbor House, 1980; A Chrestomathy of “Crypt-ology”
283 · Introduction · Bill Pronzini · in
301 · Lot No. 249 · Arthur Conan Doyle · nv Harper’s Sep, 1892
337 · Some Words with a Mummy · Edgar Allan Poe · ss American Whig Review Apr, 1845
356 · Monkeys · E. F. Benson · ss Weird Tales Dec ’33
374 · Bones · Donald A. Wollheim · ss Stirring Science Stories Feb ’41
382 · The Vengeance of Nitocris [as by Thomas Lanier Williams] · Tennessee Williams · ss Weird Tales Aug ’28
397 · The Mummy’s Foot [1863] · Théophile Gautier; trans. by Lafcadio Hearn · ss One of Cleopatra’s Nights and Other Fantastic Romances, New York: B. Worthington, 1882; “Le Pied de Momie”
410 · The Eyes of the Mummy [Sebek (unnamed narrator)] · Robert Bloch · ss Weird Tales Apr ’38
429 · Charlie · Talmage Powell · ss Mummy!, ed. Bill Pronzini, Arbor House, 1980
447 · The Weekend Magus · Edward D. Hoch · ss Mummy!, ed. Bill Pronzini, Arbor House, 1980
459 · The Princess · Joe R. Lansdale · ss Mummy!, ed. Bill Pronzini, Arbor House, 1980
474 · The Eagle-Claw Rattle · Ardath Mayhar · ss Mummy!, ed. Bill Pronzini, Arbor House, 1980
482 · The Other Room · Charles L. Grant · nv Mummy!, ed. Bill Pronzini, Arbor House, 1980
503 · Revelation in Seven Stages · Barry N. Malzberg · ss Mummy!, ed. Bill Pronzini, Arbor House, 1980
509 · Ghoul! · ed. Bill Pronzini · an *; A Chrestomathy of “Ogrery”
511 · Introduction · Bill Pronzini · in
523 · The Edinburgh Landlady · Aubrey Davidson · pm EQMM Jun 30 ’80
525 · The Body-Snatchers · Robert Louis Stevenson · ss Pall Mall Christmas Extra, 1884
546 · The Loved Dead [ghost written by H. P. Lovecraft] · C. M. Eddy, Jr. · ss Weird Tales May-Jul ’24
559 · Indigestion · Barry N. Malzberg · ss Fantastic Sep ’77
569 · The Chadbourne Episode [Gerald Canevin] · Henry S. Whitehead · ss Weird Tales Feb ’33
586 · Disturb Not My Slumbering Fair · Chelsea Quinn Yarbro · ss Cautionary Tales, Garden City, NY: Doubleday, 1978
600 · Quietly Now · Charles L. Grant · nv *
629 · The Ghoul · Sir Hugh Clifford · ss The Further Side of Silence, 1916
644 · The Spherical Ghoul · Fredric Brown · nv Thrilling Mystery Jan ’43
671 · Corpus Delectable [Gavagan’s Bar] · L. Sprague de Camp & Fletcher Pratt · ss Tales from Gavagan’s Bar, Twayne, 1953
681 · Memento Mori · Bill Pronzini · ss AHMM Apr ’74; revised
689 · The White Rabbit · Joe R. Lansdale · ss *
702 · Gray Matter · Stephen King · ss Cavalier Oct ’73
717 · Bibliography · Misc. · bi

Pronzini, in beginning to put together rather more sweeping surveys of the literature of terror, brought in his friend and collaborator on both fiction and earlier anthologies, Barry Malzberg, and Martin Harry Greenberg, only beginning to become an anthology industry. And they put together some pretty damned impressive books, too...with Pronzini and Greenberg going on to do similarly impressive work in the western field as well as others, and Pronzini on his own and with Ed Gorman continuing to produce extraordinary anthologies for Arbor House and such successors as Robinson and Carroll & Graf in the "Mammoth Book" series, and more. While it fell to Robert Silverberg, who had edited The Science Fiction Hall of Fame's first, short-fiction volume (as president of the SF Writers of America at the time), to go on to edit fantasy and horror "Hall of Fame" volumes, Pronzini would do similar volumes for mystery and western fiction. While there have been similar attempts at sweeping anthologies of horror and of suspense fiction since (such as Charles Grant's similar, contemporary volume for Dodd, Mead, Peter Straub's fine recent two-volume Library of America horror set, David Hartwell's good [if not so well-introduced] historical omnibus of horror, and Jeffery Deaver's unsurprisingly somewhat disappointing suspense-fiction roundup), the Pronzini, et al., volumes compare favorably with any similar productions before or since. They certainly brightened and further broadened my reading experience toward the end of my high-school career, though by then only a few of these bylines were unfamilar. And it's notable that Arbor House had opted for rather tasteful, bold all-text covers...a wise choice.

The Arbor House Treasury of Horror and the Supernatural ed. Bill Pronzini, Martin H. Greenberg & Barry N. Malzberg (Arbor House 0-87795-349-X, 1981, $20.95, hc)

11 · Introduction · Stephen King · in
25 · Hop-Frog · Edgar Allan Poe · ss The Flag of Our Union Mar 17, 1849
32 · Rappaccini’s Daughter · Nathaniel Hawthorne · nv United States Magazine and Democratic Review Dec, 1844
62 · Squire Toby’s Will · Joseph Sheridan Le Fanu · nv Temple Bar Jan, 1868
91 · The Squaw · Bram Stoker · ss Holly Leaves Dec 2, 1893
103 · The Jolly Corner · Henry James · nv The English Review Dec ’08
135 · “Man Overboard!” · Winston Churchill · ss The Harmsworth Magazine Jan, 1899
139 · The Hand · Theodore Dreiser · ss Munsey’s May ’19
157 · The Valley of the Spiders · H. G. Wells · ss Pearson’s Magazine Mar ’03
168 · The Middle Toe of the Right Foot · Ambrose Bierce · ss San Francisco Examiner Aug 17, 1890
177 · Pickman’s Model · H. P. Lovecraft · ss Weird Tales Oct ’27
190 · Yours Truly, Jack the Ripper · Robert Bloch · ss Weird Tales Jul ’43
207 · The Screaming Laugh · Cornell Woolrich · nv Clues Nov ’38
228 · A Rose for Emily · William Faulkner · ss The Forum Apr ’30
238 · Bianca’s Hands · Theodore Sturgeon · ss Argosy (UK) May ’47
247 · The Girl with the Hungry Eyes · Fritz Leiber · ss The Girl With the Hungry Eyes, ed. Donald A. Wollheim, Avon, 1949
262 · Shut a Final Door · Truman Capote · ss Atlantic Monthly Aug ’47
276 · Come and Go Mad · Fredric Brown · nv Weird Tales Jul ’49
317 · The Scarlet King · Evan Hunter · ss Manhunt Dec 25 ’54
328 · Sticks · Karl Edward Wagner · nv Whispers Mar ’74
347 · Sardonicus · Ray Russell · nv Playboy Jan ’61
380 · A Teacher’s Rewards · Robert S. Phillips · ss The Land of Lost Content, 1970
388 · The Roaches · Thomas M. Disch · ss Escapade Oct ’65
397 · The Jam · Henry Slesar · ss Playboy Nov ’58
403 · Black Wind · Bill Pronzini · ss EQMM Sep ’79
408 · The Road to Mictlantecutli · Adobe James · ss Adam Bedside Reader #20 ’65
422 · Passengers · Robert Silverberg · ss Orbit 4, ed. Damon Knight, G.P. Putnam’s, 1968
435 · The Explosives Expert · John Lutz · ss AHMM Sep ’67
442 · Call First · Ramsey Campbell · ss Night Chills, ed. Kirby McCauley, Avon, 1975
447 · The Fly · Arthur Porges · ss F&SF Sep ’52
452 · Namesake · Elizabeth Morton · vi Amazing Jul ’81
454 · Camps · Jack M. Dann · nv F&SF May ’79
480 · You Know Willie · Theodore R. Cogswell · ss F&SF May ’57
485 · The Mindworm · C. M. Kornbluth · ss Worlds Beyond Dec ’50
498 · Warm · Robert Sheckley · ss Galaxy Jun ’53
507 · Transfer · Barry N. Malzberg · ss Fantastic Aug ’75
514 · The Doll · Joyce Carol Oates · nv Epoch, 1980
536 · If Damon Comes · Charles L. Grant · ss The Year’s Best Horror Stories: Series VI, ed. Gerald W. Page, DAW, 1978
548 · Mass Without Voices · Arthur L. Samuels · vi Nightmares, ed. Charles L. Grant, Playboy, 1979
550 · The Oblong Room [Captain Leopold] · Edward D. Hoch · ss The Saint Detective Magazine Jul ’67
560 · The Party · William F. Nolan · ss Playboy Apr ’67
570 · The Crate · Stephen King · nv Gallery Jul ’79

This one has had a long life as an instant-remainder reprint, usually in some diminished-contents way...last year, it was reprinted as Masters of Horror & the Supernatural: The Great Tales (Bristol Park Books, which I believe is a Barnes & Noble imprint), with, as ISFDb notes, three stories (by Faulkner, Capote and Samuels) dropped.

(I here poach the index of one of the instant-remainder editions for this one, for convenience/laziness's sake...)

Great Tales of Mystery and Suspense ed. Bill Pronzini, Martin H. Greenberg & Barry N. Malzberg (A&W/Galahad 0-88365-700-7, 1985 [Jan ’86], $8.98, 601pp, hc) Reprint (Arbor House 1981 as The Arbor House Treasury of Mystery and Suspense) anthology. This edition omits one story, “Crime Wave in Pinhole” by Julie Smith, in order to make it an abridgement of the original. This is an instant remainder book.

11 · Introduction · John D. MacDonald · in
17 · The Gold-Bug · Edgar Allan Poe · nv Philadelphia Dollar Newspaper Jun 21-28, 1843
48 · Hunted Down · Charles Dickens · nv New York Ledger Aug 20-Sep 3, 1859; EQMM Jan ’47
67 · The Stolen White Elephant · Mark Twain · nv The Stolen White Elephant, Webster, 1882; EQMM Jul ’43
85 · Ransom · Pearl S. Buck · nv Cosmopolitan Oct ’38; EQMM Jun ’55
108 · The Adventure of the Glass-Domed Clock [Ellery Queen] · Ellery Queen · ss Mystery League Oct ’33
126 · The Arrow of God [Simon Templar] · Leslie Charteris · nv EQMM Sep ’49; The Saint Detective Magazine (UK) Nov ’62; The Saint Detective Magazine Jan ’63
147 · A Passage to Benares [Prof. Henry Poggioli] · T. S. Stribling · nv Adventure Feb 20 ’26
174 · The Case of the Emerald Sky [Dr. Jan Czissar] · Eric Ambler · ss The Sketch Jul 10 ’40; EQMM Mar ’45
183 · The Other Hangman · John Dickson Carr · ss A Century of Detective Stories, ed. Anon., London: Hutchinson, 1935; EQMM Jan ’65
196 · The Couple Next Door [Inspector Sands] · Margaret Millar · ss EQMM Jul ’54
211 · Danger Out of the Past [“Protection”] · Erle Stanley Gardner · ss Manhunt May ’55; EQMM Mar ’61
223 · A Matter of Public Notice · Dorothy Salisbury Davis · nv EQMM Jul ’57
239 · The Cat’s-Paw · Stanley Ellin · ss EQMM Jun ’49
254 · The Road to Damascus [Daniel John Calder; Samuel Behrens] · Michael Gilbert · ss Argosy (UK) Jun ’66; EQMM May ’67
272 · Midnight Blue [Lew Archer] · Ross Macdonald · nv Ed McBain’s Mystery Book #1 ’60; EQMM Jul ’71
299 · I’ll Die Tomorrow · Mickey Spillane · ss Cavalier Mar ’60
310 · For All the Rude People · Jack Ritchie · ss AHMM Jun ’61
323 · Hangover · John D. MacDonald · ss Cosmopolitan Jul ’56
333 · The Santa Claus Club [Francis Quarles] · Julian Symons · ss Suspense (UK) Dec ’60; EQMM Jan ’67
344 · The Wager [Kek Huuygens] · Robert L. Fish · ss Playboy Jul ’73; EQMM Nov ’78
353 · A Fool About Money · Ngaio Marsh · ss EQMM Dec ’74
358 · And Three to Get Ready... · Horace L. Gold · ss Fantastic Sum ’52
368 · “J” [87th Precinct] · Ed McBain · nv, 1961
414 · Burial Monuments Three · Edward D. Hoch · ss AHMM May ’72
425 · The Murder · Joyce Carol Oates · ss Night-Side, 1977
434 · Fatal Woman · Joyce Carol Oates · ss Night-Side, 1977
439 · Agony Column · Barry N. Malzberg · ss EQMM Dec ’71
446 · Last Rendezvous · Jean L. Backus · ss EQMM Sep ’77
453 · The Real Shape of the Coast · John Lutz · ss EQMM Jun ’71
464 · Hercule Poirot in the Year 2010 [Hercule Poirot] · Jon L. Breen · ss EQMM Mar ’75
472 · Merrill-Go-Round [Sharon McCone] · Marcia Muller · ss The Arbor House Treasury of Mystery and Suspense, ed. Bill Pronzini, Barry N. Malzberg & Martin H. Greenberg, Arbor House, 1981
484 · A Craving for Originality · Bill Pronzini · ss EQMM Dec 17 ’79
491 · Tranquility Base · Asa Baber · ss, 1979
506 · The Cabin in the Hollow · Joyce Harrington · ss EQMM Oct ’74
519 · Peckerman · Robert S. Phillips · ss The Arbor House Treasury of Mystery and Suspense, ed. Bill Pronzini, Barry N. Malzberg & Martin H. Greenberg, Arbor House, 1981
531 · A Simple, Willing Attempt · Elizabeth Morton · ss The Arbor House Treasury of Mystery and Suspense, ed. Bill Pronzini, Barry N. Malzberg & Martin H. Greenberg, Arbor House, 1981
535 · Watching Marcia · Mike Resnick · ss The Arbor House Treasury of Mystery and Suspense, ed. Bill Pronzini, Barry N. Malzberg & Martin H. Greenberg, Arbor House, 1981
545 · Somebody Cares · Talmage Powell · ss EQMM Dec ’62
555 · Jode’s Last Hunt · Brian Garfield · ss EQMM Jan ’77
572 · Many Mansions · Robert Silverberg · nv Universe 3, ed. Terry Carr, Random House, 1973
596 · My Son the Murderer · Bernard Malamud · ss Esquire Nov ’68

For links to more of today's books, please see Patti Abbott's blog.


K. A. Laity said...

Wow, that's a long list of things. I shall have to come back and go through them more carefully. Good stuff though!

Todd Mason said...

Value for no money, here, I hope...every time out! But particularly the latter Pronzini anthos were intentionally massive.

Walker Martin said...

I bought most of these anthologies back in the 1970's and 1980's and enjoyed them all. These are good collections for Halloween.

Todd Mason said...

I mostly borrowed copies from libraries back when, but I've been picking them up off the used market, for the most part, in recent years (though I did buy the odd item such as TALES OF THE DEAD when that reprint was new).

Anonymous said...

Yep, great scary-season choices, and thanks for the nod. I have/had that Arbor House mystery and Suspense, and have read it, but honestly don't remember anything, not even if I liked it. I probably read it over a span of time that took most if not all of the punch out of it as a collection. That's something I do with ss collections from time to time, as I get the itch to be reading a novel-length book with more plot and character development.

As for the Pronzini edited MIGNIGHT SPECIALS, Ido recall liking that one, as much for the railroad theme as the supernatural one. I was fscinated by trains and especially model railroading as a kid, my older brother and Dad built a layout which I, six years younger, wasn't allowed to touch, only look at. (or should that be "at which I was only allowed to look"? I suppose but it's awkward.) I was allowed ro look at the issues of Model Railroader and Trains that were in the house. So anything with a railroading theme was of interest, still is. I even managed to buy a few Rail Stories pulps not to long ago, though I haven't dug into them yet.

Todd Mason said...

I should ask him, but I suspect the slice through history (and to some extent geography) that the train theme allowed was a big draw to Pronzini choosing to put that together as his first solo antho.

Todd Mason said...

A whole lot of the fiction in MIDNIGHT SPECIALS, after all, is not supernatural nor horror at all.

George said...

I own the ARBOR HOUSE anthologies. It breaks my heart that books like these will never be published again. The market for these works has almost completely vanished today.

Todd Mason said...

Well, George, the small presses are still doing them (see Cemetery Dance's Century of Horror item), and occasionally a franchise book, such as HMCo.'s BEST AMERICAN of the Century items, or that recent LoA Peter Straub I mentioned, are certainly comparable.